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  Environmental Lender Liability (Environmental Law Series) Wiley Law Pubns?　Owen T. Smith?　 WileyLawPubns?　OwenT.Smith?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Business&Investing-Investing?　Subjects-Law-One-L-CivilProcedure?　Subjects-Law-Environmental&NaturalResourcesLaw?　Subjects-Law-PrivateLaw?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Nonfiction-Law-One-L-CivilProcedure?　Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw?　Subjects-Nonfiction-Law-PrivateLaw?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　Subjects-Professional&Technical-Law-One-L-CivilProcedure?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience Natural Resource Damages Law and Economics (Environmental Law Library) Wiley Law Pubns?　Kevin M. Ward?　J. W. 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Tourism and the Environment A Sustainable Relationship? (Issues in Tourism) Van Nostrand Reinhold?　Colin Hunter?　Howard Green?　 VanNostrandReinhold?　ColinHunter?　HowardGreen?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　 Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Oecd Environmental Data Compendium 1999/Donnees Ocde Sur L'Environnement (O E C D Environmental Data/Donnees O C D E Sur L'environnement) Organization for Economic?　 OrganizationforEconomic?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-Environment-Conservation?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Reference-General?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-Nature&Ecology-Environment-Conservation? Platforms for Sustainable Natural Resource Management The Case of West Africa, Nirp (Nirp Research for Policy Series) Koninklijk Instituut Voor De Tropen?　A. Blum?　E. S. Nederlof?　N. Roling?　R. C. Tossou?　Constant Dangbegnon?　Koninklijk Instituut Voor De Tropen?　 KoninklijkInstituutVoorDeTropen?　A.Blum?　E.S.Nederlof?　N.Roling?　R.C.Tossou?　ConstantDangbegnon?　KoninklijkInstituutVoorDeTropen?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-Ecology?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-Environment-Ecology? Financial and Economic Optimization of Water Main Replacement Programs Amer Water Works Assn?　John Cromwell?　Glenn Nestel?　Rick Albani?　Linda Paralez?　Arun Deb?　Frank Grablutz?　 AmerWaterWorksAssn?　JohnCromwell?　GlennNestel?　RickAlbani?　LindaParalez?　ArunDeb?　FrankGrablutz?　Substores-UnknownASINs-37?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Engineering-Civil-Environmental-General　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-General La Importancia De La Actividad Minera En La Economia Y Sociedad Peruana (Recursos Naturales E Infrastructura) United Nations Pubns?　 UnitedNationsPubns?　Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-SocialSciences-Poverty?　Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Energy Policies of Portugal (Energy Policies of I.E.A.Countries) OECD (Organisation for Economic Co-Operation & Dev?　International Energy Agency?　 OECD(OrganisationforEconomicCo-Operation&Dev?　InternationalEnergyAgency?　ユーズドブック(洋書)-Business&Investing?　ユーズドブック(洋書)-Outdoors&Nature　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Literature&Fiction-Poetry-General?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Sustainability Earthscan Publications Ltd?　Tony Clayton?　Nicholas Radcliffe?　 EarthscanPublicationsLtd?　TonyClayton?　NicholasRadcliffe?　ジャンル別?　Subjects-Business&Investing-Economics-Macroeconomics?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-Macroeconomics?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-Environmentalism?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-Macroeconomics?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-EarthSciences-Geography-Regional? Japanese Whaling End of an Era? (Nordic Institute of Asian Studies) Curzon Pr?　Arne Kalland?　Brian Moeran?　 CurzonPr?　ArneKalland?　BrianMoeran?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-History-Asia-Japan?　Subjects-Nonfiction-SocialSciences-Anthropology?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-SocialSciences-Sociology-Occupational?　Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　 Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture? Project Appraisal and Valuation of the Environment General Principles and Six Case-Studies in Developing Countries Palgrave Macmillan?　Peter W. Abelson?　 PalgraveMacmillan?　PeterW.Abelson?　ジャンル別?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Engineering-Civil-Environmental-Planning&Management?　Subjects-Nonfiction-UrbanPlanning&Development-EnvironmentalPlanning?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Planning&Management?　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Strengthening Inland Waterway Transport Pan-european Co-operation for Progress Organization for Economic?　 OrganizationforEconomic?　ジャンル別?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources From Care to Action Earthscan Publications Ltd?　M.W. Holdgate?　 EarthscanPublicationsLtd?　M.W.Holdgate?　ジャンル別?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-Conservation?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-Environment-Conservation? Co-Management of Natural Resources in Asia A Comparative Perspective (NIAS Man Nature in Asia) Curzon Pr?　Percy E. Sajise?　Gerard A. Persoon?　Diny M. E. Van Est?　 CurzonPr?　PercyE.Sajise?　GerardA.Persoon?　DinyM.E.VanEst?　Substores-UnknownASINs-16?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-International-General?　Subjects-Law-Environmental&NaturalResourcesLaw?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw?　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　Subjects-Outdoors&Nature-NaturalResources-General?　 Subjects-Professional&Technical-Law-Environmental&NaturalResourcesLaw?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-NaturalResources-General? Technopoles of the World The Making of Twenty-First-Century Industrial Complexes Routledge?　Manuel Castells?　Peter Hall?　 Routledge?　ManuelCastells?　PeterHall?　ジャンル別?　Subjects-Business&Investing-Biographies&Primers-Strategy&Competition?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems?　 Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing?　Subjects-Engineering-Civil-Environmental-Planning&Management?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-UrbanPlanning&Development-EnvironmentalPlanning?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Planning&Management?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Technology-General&Reference Entwickeln statt Abwickeln Links Christoph Verlag?　Werner Schulz?　Ludger Volmer?　 LinksChristophVerlag?　WernerSchulz?　LudgerVolmer?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-ForeignLanguageNonfiction-German?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Energy and Environment Proceedings of the International Conference on Energy and Environment, Shanghai, China, May 1995 Begell House?　Zhihang Chen?　T. Nejat Veziroglu?　D. A. Reay?　 BegellHouse?　ZhihangChen?　T.NejatVeziroglu?　D.A.Reay?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Engineering-Civil-Environmental-General　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Engineering-Civil-Environmental-General　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Professional&Technical-ProfessionalScience-Physics-Energy?　Subjects-Science-General　Subjects-Science-Physics-Energy? Environmental Strategy and Sustainable Development The Corporate Challenge for the Twenty-First Century Routledge?　Richard Welford?　 Routledge?　RichardWelford?　Subjects-Business&Investing-BusinessLife-Ethics?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Business&Investing-Management&Leadership-Management?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-BusinessEthics? Renewable Energy Strategies for Europe Summary Report Brookings Inst Pr?　Michael Grubb?　 BrookingsInstPr?　MichaelGrubb?　ジャンル別?　Substores-UnknownASINs-38?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-History-Europe-General?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-Technology-RenewableEnergy? Environmental Restoration Unit Cost Book 1997 Robert S Means Co?　Richard R. Rast?　Stephanie S. Klepacki?　Jeannene D. Murphy?　Jesse R. Page?　Phillip R. Waier?　 RobertSMeansCo?　RichardR.Rast?　StephanieS.Klepacki?　JeanneneD.Murphy?　JesseR.Page?　PhillipR.Waier?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Engineering-Civil-Construction-Costs?　Subjects-Engineering-Civil-Construction-General?　Subjects-Engineering-Civil-Construction-Estimating?　Subjects-Home&Garden-HomeDesign-Buildings&Construction?　Subjects-Home&Garden-General?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Professional&Technical-Engineering-Civil-Construction-Costs?　 Subjects-Professional&Technical-Engineering-Civil-Construction-General?　 Subjects-Professional&Technical-Engineering-Civil-Construction-Estimating?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Ec Raw Materials Balance Sheets, 1979-1982 (Industry and Services) European Communities?　 EuropeanCommunities?　Substores-UnknownASINs-55?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Bioeconomic Modelling and Fisheries Management Wiley-Interscience?　Colin Whitcomb Clark?　 Wiley-Interscience?　ColinWhitcombClark?　Substores-UnknownASINs-12?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism?　Subjects-Business&Investing-Management&Leadership-Management?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Ecology-LivingontheLand-Hunting&Fishing?　Subjects-Outdoors&Nature-NaturalResources-Fisheries&Aquaculture?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Aquaculture?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management?　 Subjects-Science-Nature&Ecology-NaturalResources-Fisheries&Aquaculture?　Subjects-Sports-Hunting&Fishing? Environment, Growth and Development The Concepts and Strategies of Sustainability Routledge?　Peter Bartelmus?　 Routledge?　PeterBartelmus?　ジャンル別?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Environmental Inequalities Class, Race, and Industrial Pollution in Gary, Indiana, 1945-1980 Univ of North Carolina Pr?　Andrew Hurley?　 UnivofNorthCarolinaPr?　AndrewHurley?　ジャンル別?　Substores-UnknownASINs-21?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Engineering-Materials-Metallurgy?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment?　Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　Subjects-Professional&Technical-Engineering-Materials-Metallurgy?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience Who Controls Public Lands? Mining, Forestry, and Grazing Policies, 1870-1990 Univ of North Carolina Pr?　Christopher McGrory Klyza?　 UnivofNorthCarolinaPr?　ChristopherMcGroryKlyza?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-History?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-Politics-Reference?　Subjects-Nonfiction-SocialSciences-PoliticalScience-PublicPolicy?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology?　Subjects-Science-EarthSciences-Ecology-General? Modernization of Agriculture in Developing Countries (Environmental Monograph Symposium) John Wiley and Sons Ltd?　Isaac Arnon?　 JohnWileyandSonsLtd?　IsaacArnon?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-Industries&Professions-General?　Subjects-Business&Investing-Management&Leadership-Industrial?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial?　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Economic and Applied Geology An Introduction Croom Helm Ltd?　W. G. Shackleton?　 CroomHelmLtd?　W.G.Shackleton?　ジャンル別?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Engineering-Civil-Mining?　Subjects-Engineering-Civil-Geotechnical?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-NaturalResources-General?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　Subjects-Professional&Technical-Engineering-Civil-Mining?　Subjects-Professional&Technical-Engineering-Civil-Geotechnical?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-EarthSciences-Geology-General?　Subjects-Science-EarthSciences-Prospecting&Mining?　Subjects-Science-General　Subjects-Science-Nature&Ecology-NaturalResources-General? Geo Annuaire 2006 Tour D'horizon D'un Environnement En Pleine Mutation United Nations Educational?　 UnitedNationsEducational?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-ForeignLanguageNonfiction-French?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Reference-Almanacs&Yearbooks-Yearbooks&Annuals?　Subjects-Reference-General? 33e Symposium International Fesf Strasbourg Des Developpements Recents Dans La Protection De L'environnement/recent Developments In Environmental Protection/neuere Entwicklungen Im Umweltschutz (Social Strategies, V. 40.) Peter Lang Pub Inc?　EDMUNDAS KAZIMIERAS ZAVADSKAS?　 PeterLangPubInc?　EDMUNDASKAZIMIERASZAVADSKAS?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-General Ecology and Economy "Energy" Analysis and Public Policy in Texas Univ Texas at Austin Lyndon B?　Marlan Blissett?　 UnivTexasatAustinLyndonB?　MarlanBlissett?　Substores-UnknownASINs-29?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Mining Environmental Handbook Effects of Mining on the Environment and American Environmental Controls on Mining World Scientific Publishing Company?　J. J. Marcus?　 WorldScientificPublishingCompany?　J.J.Marcus?　Substores-UnknownASINs-40?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Engineering-Civil-Mining?　Subjects-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Engineering-General?　Subjects-Law-Business-Property?　Subjects-Law-Environmental&NaturalResourcesLaw?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Nonfiction-Law-Business-Property?　Subjects-Nonfiction-Law-Environmental&NaturalResourcesLaw?　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　Subjects-Professional&Technical-Engineering-Civil-Mining?　 Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air?　Subjects-Professional&Technical-Engineering-General　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Reference?　Subjects-Science-General Jane's Exclusive Economic Zones 2000-2001 Janes Information Group?　Martin Pratt?　 JanesInformationGroup?　MartinPratt?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Transportation-Reference?　Subjects-Nonfiction-Transportation-Ships-General?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Reference-General? Environmental Auditing (Collected Papers) British Library Publishing Division?　Helen Woolston?　 BritishLibraryPublishingDivision?　HelenWoolston?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Dynamic Timing Decisions Under Uncertainty (Lecture Notes in Economics Mathematical Systems) Springer-Verlag Berlin and Heidelberg GmbH & Co. K?　Nguyen M. Hung?　Nguyen V. 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Perspektiven einer oekologischen Oekonomie Metropolis Verlag?　Frank Beckenbach?　Hans Diefenbacher?　 MetropolisVerlag?　FrankBeckenbach?　HansDiefenbacher?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-ForeignLanguageNonfiction-German?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Normgesteuerte oekonomische Theorien Campus Verlag GmbH?　Joachim Weimann?　 CampusVerlagGmbH?　JoachimWeimann?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-ForeignLanguageNonfiction-German?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Greenhouse Economics Values and Ethics Routledge?　Clive L. 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• マッチムーブ@ wiki - Checking The Trackers

  https://w.atwiki.jp/matchmove/pages/67.html

  Pre-Solve Tracker Checking　解析前のトラッカーチェック  訳者注）グラフのポイントはVelocity Spikes（速度スパイク）を見つけることにあるようです。 トラッカーが途中で間違ったものを追ってしまった場合、一瞬にして別の場所へ移動します。トラッカーの移動速度が一瞬上がるわけです。これを見つけだすことで不正なトラッカーを見つけだすことができます。 （以下本文） 手動トラッキングをしているとき、十分なトラッカーがショットを通して配置できていることを確認するために、ショットを解析し始める前に定期的にトラッカーをチェックしなければなりません。 ショットを解析し始める前、自動トラッキングの後にも、トラッカーをチェックすることができます。 （単純なショットの場合、自動トラッカーでトラッキングから解析までを直接行うことができます。）  このセクションは、解析する前にトラッカーを検査する方法を記載します。 SynthEyesGraph Editorを紹介します。 解析した後に、clean-up toolを含む、他のテクニックとツールを利用できます。 Tip：以下のツール・ティプスの内、自動トラッカーは灰色、 手動トラッカーは金色の背景が表示されます。   Checking the Tracker Trails　トラッカー・テイルをチェックする 以下の手順は、問題あるトラッカーと状態（例えば、あまりに役に立つトラッカーが少ないフレームなど）を直ぐにチェックする方法です。 1. カメラ・ビューへ移動してください 2.メインまたは右クリック・メニューで、View/Show Imageをオフにしてください。 3.ショットのタイム・バー上で、クリック ドラッグで左右にマウスを動かし(スクラブし)、以下を探してください 　・多くのトラッカーがないイメージの領域 　・全イメージが多くのトラッカーを持っていないショットの部分 　・他と違った方向に動いているトラッカー 4. メインまたは右クリック・メニューでView/Show tracker trailsをオンにしてください。 5. ショットのタイム・バー上でスクラブし、以下を探してください 　・トラックの始まりか最後のおかしいフック（特に画像の端で現れます） 　・テイルが不連続にジグザグしているもの。 イメージなしの方がモーション・パスを分析しやすいはずです。おそらく、イメージ自体によって惑わされないからです。 このプロセスは、問題の多いショット(低いパースペクティブによるショット、三脚で突然撮られたショット、若干のドリーまたは揺れている三脚ショット、中央のどこかに少しズームがあるショット)の性質を決定するのに有効です。   Checking Tracker Lifetimes  Graph Editorのトラックビューでショットを通してフレーム毎にどのくらい多くのトラッカーが有効か概要をみることができます。 graph editorはツールバーのボタンを使用してフローティングウインドウにすることができます。また、それは、それ自体によるビューポートとして、または、他のビューポート構成の一部とにすることができます。 グラフ・エディタを開けたあと、以前に再生していたならば、それがトラック・ビューであることを確認してください。 ショットが手動トラッキングであるならば、アルファベットソートからタイムソートにしてください。 ウインドウの大きさを変更したならば、横スケーリングもリセットしてください。 次にパネルの右下ののボタンをクリックします。選択すると、トラッカーカウントバックグラウンドが見えている状態で、キーが消え、グラフが圧縮されます。グラフエディタはこのようにみえるはずです。   各バーは一つのトラッカーに対応しています。 Tracker4は選択されていて、強調されています。 色分けされたバックグラウンドは、トラッカーの数が、左で問題が多く、中央はOKで、右で安全を示します。 あなたは好きに、セーフレベルを構成できます。 このレベル(デフォルト12)を超えると、バックグラウンドは白くなるでしょう(グレーを暗いUI設定にしてください)。 しかし、セーフレベルを下回ると、バックグラウンドは Ok の、緑色の明るい色合いになるでしょう。 トラッカーの数はOKですが、希望するセーフレベルに達するほど高いわけではありません。 この圧縮された画面はトラッカーがショットの間中どう分配されているかにおける素晴らしいクイック・ルックを与えます。 色分けは三脚台モードショットと保持領域があるショットにより異なります。 ウェイトが0のトラッカーは数えません。 Hint When the graph editor is in graph mode, you can look at a direct graph of the number of valid trackers on each frame by turning on the #Normal channel of the Active Trackers node. If there are unavoidably too few trackers on some frames, you can use the Skip Frames track on theFeature Control Panel to proceed. The graph editor is divided into three main areas a hierarchy area at top left, a canvas area at top right, and a tool area at the bottom. You can change the width of the hierarchy area by sliding the gutter on its right. You can partially or completely close the tool area with the toolbox at left. A minimal view is particularly handy when the graph editor is embedded in a viewport layout. In the hierarchy area. you can select trackers by clicking their line. You can control-click to toggle selections, or shift-drag to select a range. The scrollbar at left scrolls the hierarchy area. You can also select trackers in the canvas area in squish mode, using the same mouse operations as in the hierarchy area. The icons next to the tracker name provide quick control over the tracker visibility, color, lock status, and enable. Warning you can not change the enable, or much else, of a tracker while it is locked! The small green swatch shows the display color of a tracker or mesh. Double-clicking brings up the color selection dialog so you can change the display color. You can shift-click a color, and add all trackers of that color to the current selection, control-click the swatch of an unselected tracker to select only trackers of that color, or control-click the swatch on a selected tracker to unselect the trackers of that color. Jumping ahead, the graph editor hierarchy also shows any coordinate-system lock settings for each tracker x, y, and z for the respective axis constraints; l (lower-case L) when there is a linked tracker on the same object; i for a linked tracker on a different object (an indirect link); d for a distance constraint; 0 for a zero-weighted tracker; p for a pegged tracker; F for a tracker you specified to be far; f for a tracker not requested to be far, but solved as far for cause. Introduction to Tracker Graphs The graph editor helps you find bad trackers and identify the bad portions of their track. The graph editor has a very extensive feature set that we will begin to overview; for full details see thegraph editor reference. We won’t get to the process of how to find the worst ones until the end of the section, when you understand the viewport. To begin, open the graph editor and select the graphs mode. Selecting a tracker, or exposing its contents, causes its graphs to appear. In this example, a tracker suddenly started jumping along fence posts, from pole to pole on three consecutive frames. The red curve is the horizontal U velocity, the green is the vertical V velocity, and the purple curve is the tracker figure-of-merit (for supervised trackers). You can see the channels listed under Tracker15 at left. The green circles show which channels are shown; zoom, pan, and color controls are adjacent. Double-clicking will turn on or off all the related channels. There are a variety of different curves available, not only for the trackers but for other node types within SynthEyes. The graph editor is amult-curveeditor—any number of completely different kinds of curves can be displayed simultaneously. There is no single set of coordinate values in the vertical direction because the zoom and pan can be different for each kind of channel. To determine the numeric value at any particular point on a curve, put the mouse over it and the tooltip will pop up with the set of values. The graph editor displays curves for each node that is exposed (its channels are displayed; Enable, U. Vel, V. Vel, etc above). The graph editor also displays curves for all selected nodes (trackers, cameras, or moving objects) as long as theDraw Curves for Selected Nodesbutton is turned on. This gives you quite a bit of quick control over what is drawn, and enables you to compare a single tracker or camera s curves to any other tracker as you run through them all, for example. You zoom a channel by dragging the small zoom icon. The zoom setting is shared between all channels with the same type. For example, the U and V velocity channels are the same type, as are the X, Y, and Z position channels of the camera. But the U velocity and U position are different types. If you click on the small Zoom icon, the other zoom icons of the same type will flash. The zoom setting is also shared between nodes of the same type zooming or panning on one tracker affects the other trackers too. All related channels will zoom also, so that the channels remain comparable to one another. This saves time and helps prevents some incorrect thought patterns. The pan setting is also shared between nodes, but not between channels the U velocity and V velocity can be separated out. When you pan, you’ll see a horizontal line that is the “zero level” of the channel. It will snap slightly to horizontal grid lines, making it easier to make several different curves line up to the same location. You can later check on the zero level by tapping the zoom or pan icons. There are two kinds of auto-zooms, activated by double-clicking the zoom or pan icons. The zoom double-click auto-zooms, but makes all channel of the same type have the same zero level. The pan double-click auto-zooms, but pans the channels individually. As a result, the zoom double-click keeps the data more organized and easier to follow, but the pan double-click allows for a higher zoom factor, because the zero levels can be different. For example, consider zooming an X position that runs 0 to 1, and a Y position that runs 10 to 12. If we pan double-click, the X curve will run full-screen from 0 to 2, and Y will run full-screen from 10 to 12. Note that X is not 0 to 1, because it must have the same zoom factor as Y. X will only occupy the bottom half of the screen. If we zoom double-click, X will run from 0 to 12 full screen, and Y will run from 0 to 12 full screen. The range and zero locations of both curves will be the same, and we’ll be better-able to see the relationship between the two curves. But if we want to see details, the pan-double-click is a better choice. There is no option to have X run 0 to 1 and Y run 10 to 12, by design. Both zoom and pan settings can be reset by right-clicking on the respective icons. Interpreting Figure of Merit   In this example, two trackers have been supervised-tracked with a Key Every setting of 20 frames (but starting at different frames). The tracker Figure of Merit (FOM) curve measures the amount of difference between the tracker s reference pattern and what is found in the image. You see it drop down to zero each time there is a key, because then the reference and image are the same. One tracker has a small FOM value that stays mostly constant. The other tracker has a much larger FOM, and in part of the shot it is much larger. In a supervised shot, the reason for that should be investigated. You can use this curve to help decide how often to place a key automatically. The 20 frame value shown above is plenty for those features. If you see the following, you should reduce the spacing between keys.   You’ll also be able to see the effect of theKey Smoothsetting the key smoothing will flatten out a steadily increasing curve into a gently rounded hump, which will reduce spikes in the final camera path. Velocity Spikes Here s an example of a velocity curve from the graph editor At frame 217, the tracker jumped about 3 pixels right, to a very similar feature. At frame 218, it jumped back, resulting in the distinctive sawtooth pattern the U velocity curve exhibits. If left as-is, this spike will result in a small glitch in the camera path on frame 217.  You can repair it using theTracker control panel in the main user interface by going to frame 217. Jiggle back and forth a few frames with the S and D keys to see what s happening, then unlock the tracker and drop down a new key or two. Step around to re-track the surrounding frames with the new keys (or rewind and play through the entire sequence, which is most reliable). DeGlitch Mode You can also repair the glitch by switching to the Deglitch mode of the graph editor, then clicking on the first (positive) peak of the U velocity at frame 217. SynthEyes will compute a new tracker location that is the average of the prior and following locations. For most shots, this will eliminate the spike. If you see a velocity spike in one direction only, it will be more difficult to correct it means that the tracker has jumped to a nearby feature, and not come back. You will have to put it back in its correct location and then play (track) through the rest of the shot. The deglitch tool can also chop off the first or last frame of a tracker, which can be affected when an object moves in front, or a feature is moving offscreen. Even if the last two or three frames are bad, you can click a few times and quickly chop them off. Finding Spikes Before Solving Learn to recognize these velocity spikes directly. There are double spikes when a tracker jumps off course and returns, single spikes when it jumps off course to a similar feature and stays there, large sawtooth areas where it is chattering between near-identical features (or needs a new position key for reference), or big takeoff ramps where it gets lost and heads off into featureless territory. To help find these issues, the graph editor features the Isolate mode. Left-click it to turn it on, then right-click it to select all the trackers (it does not have to be on for right-clicking to work). With all the trackers selected, you will usually see a common pattern for most of the trackers, plus a few spots where things stick out. If you click the mouse over the spikes that stick out, that tracker will be selected for further investigation. You can push the left button and keep it down and move around investigating different curves, before releasing it to select a particular one. It can be quicker to delete extra automatic trackers, rather than repairing them. After repairing each tracker, you can right-click the isolate button again, and look for more. With two monitors, you can put the graph editor on one, and the camera view on another. With only one monitor, it may be easiest to operate the graph editor from the Camera Graphs viewport configuration. Once you are done, do arefine-mode solving cycle. Hint You can stay in Deglitch mode, and temporarily isolate by holding down the control key. This gives a quick workflow for finding and repairing glitches.

• マンガ自習室wiki - The Practice & Science of Drawing: I. INTRODUCTION

  https://w.atwiki.jp/nekocompany/pages/34.html

  I INTRODUCTION I イントロダクション The best things in an artist s work are so much a matter of intuition, that there is much to be said for the point of view that would altogether discourage intellectual inquiry into artistic phenomena on the part of the artist. Intuitions are shy things and apt to disappear if looked into too closely. And there is undoubtedly a danger that too much knowledge and training may supplant the natural intuitive feeling of a student, leaving only a cold knowledge of the means of expression in its place. For the artist, if he has the right stuff in him, has a consciousness, in doing his best work, of something, as Ruskin has said, not in him but through him. He has been, as it were, but the agent through which it has found expression. 芸術家の作品の中でもっとも良いものは直観に満ちているので、芸術家の要素をなす芸術的才能なるものについての知的な探究を完全に思いとどまらせようとする立場にとってはかなり有利である。直観は引っ込み思案で、近づいて見ようとすれば消えてしまいやすいものである。そして過剰な知識とトレーニングには、学生の自然で直観的な感性を、表現の意味についての冷めた知識に置き換えてしまうおそれがたしかにある。芸術家としては、彼が正しい資質を備えており、傑作を描く中でラスキンの言う「彼の中にはないが彼の中を通る」何ものかについての自覚を持つならば、彼はいわばそれを通して表現を発見する代理人であるだろう。 Talent can be described as that which we have, and Genius as that which has us. Now, although we may have little control over this power that has us, and although it may be as well to abandon oneself unreservedly to its influence, there can be little doubt as to its being the business of the artist to see to it that his talent be so developed, that he may prove a fit instrument for the expression of whatever it may be given him to express; while it must be left to his individual temperament to decide how far it is advisable to pursue any intellectual analysis of the elusive things that are the true matter of art. 才能は「われわれが持っているもの」、天才は「われわれをとらえるもの」と言える。さて、われわれはこの「われわれをとらえる」力をほとんどコントロールできないし、そのうえわれわれはその影響力にいやおうなく溺れてしまうが、どんな表現であれそれに適切な道具を示せるほどに才能を伸ばすようにするのが、芸術家の仕事であるということには、ほとんど疑いがないだろう。他方、芸術の本質というつかみどころのないものを知的に分析することを続けるのがどれだけ賢明であるかどうかは、彼個人の気質によって判断されるはずである。 Provided the student realises this, and that art training can only deal with the perfecting of a means of expression and that the real matter of art lies above this and is beyond the scope of teaching, he cannot have too much of it. For although he must ever be a child before the influence that moves him, if it is not with the knowledge of the grown man that he takes off his coat and approaches the craft of painting or drawing, he will be poorly equipped to make them a means of conveying to others in adequate form the things he may wish to express. Great things are only done in art when the creative instinct of the artist has a well-organised executive faculty at its disposal. このことや、芸術のトレーニングはある表現手段の徹底を扱うにすぎないこと、また本当の芸術というものはその上に存在し、教育の範疇を超えているということを理解している生徒は、いすぎて困るということはない。なぜなら彼は彼を動かす影響力の前では子ども同然でさえあるが、もし彼にコートを脱ぎペインティングやドローイングの技術に近づくだけの成長した人間の知性がなければ、彼は自分が表現したいことを十分な形式で他人に伝える手段にすることができないだろう。偉大なものは、芸術家の創造的直観が、彼が自由に使えるよく組織されたな実践的な能力を持つときに、芸術においてのみなされる。 ＊　＊　＊　＊　＊      *       *       *       *       * Of the two divisions into which the technical study of painting can be divided, namely Form and Colour, we are concerned in this book with Form alone. But before proceeding to our immediate subject something should be said as to the nature of art generally, not with the ambition of arriving at any final result in a short chapter, but merely in order to give an idea of the point of view from which the following pages are written, so that misunderstandings may be avoided. 絵画の技術的な学習は、フォルムと色という、2つの領域に分けられるが、われわれは本書においてフォルムのみを扱う。しかし本論に進む前に、芸術一般の本質についていくらか言及しておくべきだろう。これはいきなり最終的な結論に達しようというのではなく、以降の論述が立脚する視点の考え方を示し、誤解を避けるためのものにすぎない。 The variety of definitions that exist justifies some inquiry. The following are a few that come to mind    Art is nature expressed through a personality. But what of architecture? Or music? Then there is Morris s    Art is the expression of pleasure in work. But this does not apply to music and poetry. Andrew Lang s    Everything which we distinguish from nature seems too broad to catch hold of, while Tolstoy s    An action by means of which one man, having experienced a feeling,    intentionally transmits it to others is nearer the truth, and covers all the arts, but seems, from its omitting any mention ofrhythm, very inadequate. 存在する数多くの定義がいくつかの探究を正当化している。以下に思いつくものを若干挙げてみよう。 「芸術とは個性を通して表現される本質である」 しかし建築はどうだろう？　あるいは音楽は？　それならウィリアム・モリスによるものがある。 「芸術とは仕事における喜びの表現である」 しかしこれは音楽と詩には当てはまらない。アンドリュー・ラングによる、 「われわれが自然から区別するすべてのもの」 という定義は広すぎて捉えられない。一方、トルストイの 「ある感情を経験した人間が、それを他者に伝えようとして用いられる行為」 という定義はより真実に近く、すべての芸術をカバーしているが、しかし“リズム”について言及していない点で、あまり適当ではないように思われる。 ＊　＊　＊　＊　＊      *       *       *       *       * Now the facts of life are conveyed by our senses to the consciousness within us, and stimulate the world of thought and feeling that constitutes our real life. Thought and feeling are very intimately connected, few of our mental perceptions, particularly when they first dawn upon us, being unaccompanied by some feeling. But there is this general division to be made, on one extreme of which is what we call pure intellect, and on the other pure feeling or emotion. The arts, I take it, are a means of giving expression to the emotional side of this mental activity, intimately related as it often is to the more purely intellectual side. The more sensual side of this feeling is perhaps its lowest, while the feelings associated with the intelligence, the little sensitivenesses of perception that escape pure intellect, are possibly its noblest experiences. さて、現実は知覚によってわれわれの意識に伝えられ、われわれの真の生活を構成する思考と感覚の世界を刺激する。思考と感覚はひじょうに密接に繋がっており、精神的認識は、とくにはじめてそれがもたらされる場合、ほとんど何らかの感覚を伴う。しかしここに一般的な区分を設けて、一方の極を純粋な知性、他方を純粋な感覚や感情と呼ぶことにしよう。私の言う芸術とは、この精神的活動の感覚的側面に表現を与える手段のことであり、それはじっさいはより純粋な知的側面としばしば密接に結びつく。この感覚の官能的な部分が多いものは、おそらく最低だろう。一方、知性に結びついた感覚、つまり純然たる知性を逃れるだけのごくわずかな感受性は、もっとも崇高な体験であるだろう。 Pure intellect seeks to construct from the facts brought to our consciousness by the senses, an accurately measured world of phenomena, uncoloured by the human equation in each of us. It seeks to create a point of view outside the human standpoint, one more stable and accurate, unaffected by the ever-changing current of human life. It therefore invents mechanical instruments to do the measuring of our sense perceptions, as their records are more accurate than human observation unaided. 純粋な知性は、知覚によってわれわれの意識にもたらされた事実から、正確に計測され、誰にとっても等しいありのままの現象界を組み立てようとする。それは人間の外に立ち、たとえ現在の人間の生活が変わったとしても影響をを受けないような、より確実かつ正確な視点を作ろうとする。それゆえ、知性はわれわれの知覚を計測するのに機械的な道具を発明する。それらの記録は、機械の補助のない人間が行う観察よりも正確なのだ。 But while in science observation is made much more effective by the use of mechanical instruments in registering facts, the facts with which art deals, being those of feeling, can only be recorded by the feeling instrument--man, and are entirely missed by any mechanically devised substitutes. しかし、科学的観測では事実の記載に機械的道具を使うことがより有効だとしても、芸術が扱う事実は、感覚的道具――人間によってしか記録できず、機械的に発明された物体によってはまったく理解できない。 The artistic intelligence is not interested in things from this standpoint of mechanical accuracy, but in the effect of observation on the living consciousness--the sentient individual in each of us. The same fact accurately portrayed by a number of artistic intelligences should be different in each case, whereas the same fact accurately expressed by a number of scientific intelligences should be the same. 芸術的な知性は、この機械的正確さの観点から見たものではなく、生きた認識――感覚を持ったわれわれ個人――についての観察結果に関心を持つ。科学者たちが同じ事実を正確に表現すればどれも同一になるが、芸術家たちが正確に描いた同じ事実は、それぞれ異なったものになるにちがいない。 But besides the feelings connected with a wide range of experience, each art has certain emotions belonging to the particular sense perceptions connected with it. That is to say, there are some that only music can convey those connected with sound; others that only painting, sculpture, or architecture can convey those connected with the form and colour that they severally deal with. しかし幅広い経験と結びついた感覚のほかに、それぞれの芸術には、それと関係する特別な知覚を伴った、ある感情が存在する。すなわち、音と関係するものは、音楽だけが伝えることができ、フォルムと色に関係するものは、それらを各々扱う絵画、彫刻、建築だけが伝えることができる。 In abstract form and colour--that is, form and colour unconnected with natural appearances--there is an emotional power, such as there is in music, the sounds of which have no direct connection with anything in nature, but only with that mysterious sense we have, the sense of Harmony, Beauty, or Rhythm (all three but different aspects of the same thing). 抽象的なフォルムと色、つまり自然にはないフォルムと色には、感情的なパワーがある。それはまるで音楽――そこでは音が自然とは直接には結びつかず、われわれが持つその不思議な感覚、すなわち、調和、美、リズム（これら3つは同じものの異なる側面を表す）だけに結びついている――にあるようなパワーである。 This inner sense is a very remarkable fact, and will be found to some extent in all, certainly all civilised, races. And when the art of a remote people like the Chinese and Japanese is understood, our senses of harmony are found to be wonderfully in agreement. Despite the fact that their art has developed on lines widely different from our own, none the less, when the surprise at its newness has worn off and we begin to understand it, we find it conforms to very much the same sense of harmony. この内的な感覚は非常に重要な事実であり、すべての（たしかにすべての文明的な）人種に広範に見出されるはずである。そして中国や日本のような遠く離れた人々の芸術が理解されるとき、われわれの調和の感覚が驚くほど同じであることがわかる。彼らの芸術がわれわれのものとは大きく異なる系譜の中で発展してきたという事実にもかかわらず、それでもなお、その目新しさへの驚きが薄れてそれを理解しはじめたときには、われわれはそれがわれわれの調和の感覚とひじょうによく一致していることを知るのである。 But apart from the feelings connected directly with the means of expression, there appears to be much in common between all the arts in their most profound expression; there seems to be a common centre in our inner life that they all appeal to. Possibly at this centre are the great primitive emotions common to all men. The religious group, the deep awe and reverence men feel when contemplating the great mystery of the Universe and their own littleness in the face of its vastness--the desire to correspond and develop relationship with the something outside themselves that is felt to be behind and through all things. Then there are those connected with the joy of life, the throbbing of the great life spirit, the gladness of being, the desire of the sexes; and also those connected with the sadness and mystery of death and decay, c. しかし表現方法と直接関係する感覚のほかにも、全ての芸術に共通するものは、彼らの最も深い表現の中に多く見られる。われわれの内的生活には、彼ら全てがそれに訴える共通の核心があるように思われる。おそらく、この核心にあるものは、全ての人間に共通する偉大で原始的な感情だろう。宗教家たちは、大いなる宇宙の神秘とその広大に対する己の卑小さについて人間が熟考したときに感じる深い畏怖と尊敬の念――彼らの外部にあり、あらゆるものを通してその存在を感じられるあの何ものかと通じて関係を深めたいという欲求――を集合させる。そしてこれらを、生の楽しみ、偉大な魂の鼓動、生きることの喜び、性への欲望、また死や衰えの悲しみと神秘といったことと結びつける。 The technical side of an art is, however, not concerned with these deeper motives but with the things of sense through which they find expression; in the case of painting, the visible universe. しかし、芸術の技術的な側面は、これら深遠なモチーフとではなく、彼らが表現を見つける感覚についてのことがらと関係がある。絵画の場合、それは視覚の宇宙である。 The artist is capable of being stimulated to artistic expression by all things seen, no matter what; to him nothing comes amiss. Great pictures have been made of beautiful people in beautiful clothes and of squalid people in ugly clothes, of beautiful architectural buildings and the ugly hovels of the poor. And the same painter who painted the Alps painted the Great Western Railway. 芸術家は見たものすべてから芸術表現への刺激を受けることができる。たとえどんなものでも、彼にとって不都合なものはない。偉大な絵画は、美しい服装の美しい人々と、醜い服を着た汚い人々、そして美しい建築と、貧民の掘っ立て小屋から作られる。そしてアルプスを描いたその同じ画家が、グレート・ウェスタン鉄道を描くのである。［訳者注：ターナーおじさんのこと］ The visible world is to the artist, as it were, a wonderful garment, at times revealing to him the Beyond, the Inner Truth there is in all things. He has a consciousness of some correspondence with something the other side of visible things and dimly felt through them, a still, small voice which he is impelled to interpret to man. It is the expression of this all-pervading inner significance that I think we recognise as beauty, and that prompted Keats to say    Beauty is truth, truth beauty. 目に見える世界は芸術家のものであり、いわばすばらしい衣服である。それはときどき彼に、すべてに内在する内なる真実の向こうを見せてくれる。彼は視角の向こう側にあるものと通じているという意識を持ち、誰かに説明したくなるような「静かで、小さな声」を通してそれをかすかに感じる。このすべてに広がる内的な意味の表現こそが、われわれが美として認識し、ジョン・キーツにかのように言わしめたものである。 「美は真であり、真は美である」 And hence it is that the love of truth and the love of beauty can exist together in the work of the artist. The search for this inner truth is the search for beauty. People whose vision does not penetrate beyond the narrow limits of the commonplace, and to whom a cabbage is but a vulgar vegetable, are surprised if they see a beautiful picture painted of one, and say that the artist has idealised it, meaning that he has consciously altered its appearance on some idealistic formula; whereas he has probably only honestly given expression to a truer, deeper vision than they had been aware of. The commonplace is not the true, but only the shallow, view of things. それゆえ真と美への愛は芸術家の作品の中でともに存在できることになる。この内的な真理の探究が美の探究である。凡庸さの狭い限界を超えた認識をする視点を持たない人々（彼らにとってキャベツは庶民の野菜でしかないのだが）は、芸術家の描いた美しい絵を見て驚き、そしてこう言うのである。この芸術家はそれを理想化した、つまり彼はその外観をある理想的な様式に意識的に変化させたのだと。しかし彼はおそらく、彼らがすでに気づいていたある真なる深遠なビジョンに対して誠実に表現を与えただけだろう。平凡さは真実ではなく、単にものの見方の浅薄さにすぎない。   [Illustration Plate II. DRAWING BY LEONARDO DA VINCI FROM THE ROYAL COLLECTION AT WINDSOR _Copyright photo, Braun Co._] Fromentin s    Art is the expression of the invisible by means of the visible expresses the same idea, and it is this that gives to art its high place among the works of man. Beautiful things seem to put us in correspondence with a world the harmonies of which are more perfect, and bring a deeper peace than this imperfect life seems capable of yielding of itself. Our moments of peace are, I think, always associated with some form of beauty, of this spark of harmony within corresponding with some infinite source without. Like a mariner s compass, we are restless until we find repose in this one direction. In moments of beauty (for beauty is, strictly speaking, a state of mind rather than an attribute of certain objects, although certain things have the power of inducing it more than others) we seem to get a glimpse of this deeper truth behind the things of sense. And who can say but that this sense, dull enough in most of us, is not an echo of a greater harmony existing somewhere the other side of things, that we dimly feel through them, evasive though it is. But we must tread lightly in these rarefied regions and get on to more practical concerns. By finding and emphasising in his work those elements in visual appearances that express these profounder things, the painter is enabled to stimulate the perception of them in others. In the representation of a fine mountain, for instance, there are, besides all its rhythmic beauty of form and colour, associations touching deeper chords in our natures--associations connected with its size, age, and permanence, c.; at any rate we have more feelings than form and colour of themselves are capable of arousing. And these things must be felt by the painter, and his picture painted under the influence of these feelings, if he is instinctively to select those elements of form and colour that convey them. Such deeper feelings are far too intimately associated even with the finer beauties of mere form and colour for the painter to be able to neglect them; no amount of technical knowledge will take the place of feeling, or direct the painter so surely in his selection of what is fine. There are those who would say, This is all very well, but the painter s concern is with form and colour and paint, and nothing else. If he paints the mountain faithfully from that point of view, it will suggest all these other associations to those who want them. And others who would say that the form and colour of appearances are only to be used as a language to give expression to the feelings common to all men. Art for art s sake and Art for subject s sake. There are these two extreme positions to consider, and it will depend on the individual on which side his work lies. His interest will be more on the aesthetic side, in the feelings directly concerned with form and colour; or on the side of the mental associations connected with appearances, according to his temperament. But neither position can neglect the other without fatal loss. The picture of form and colour will never be able to escape the associations connected with visual things, neither will the picture all for subject be able to get away from its form and colour. And it is wrong to say If he paints the mountain faithfully from the form and colour point of view it will suggest all those other associations to those who want them, unless, as is possible with a simple-minded painter, he be unconsciously moved by deeper feelings, and impelled to select the significant things while only conscious of his paint. But the chances are that his picture will convey the things he was thinking about, and, in consequence, instead of impressing us with the grandeur of the mountain, will say something very like See what a clever painter I am! Unless the artist has painted his picture under the influence of the deeper feelings the scene was capable of producing, it is not likely anybody will be so impressed when they look at his work. And the painter deeply moved with high ideals as to subject matter, who neglects the form and colour through which he is expressing them, will find that his work has failed to be convincing. The immaterial can only be expressed through the material in art, and the painted symbols of the picture must be very perfect if subtle and elusive meanings are to be conveyed. If he cannot paint the commonplace aspect of our mountain, how can he expect to paint any expression of the deeper things in it? The fact is, both positions are incomplete. In all good art the matter expressed and the manner of its expression are so intimate as to have become one. The deeper associations connected with the mountain are only matters for art in so far as they affect its appearance and take shape as form and colour in the mind of the artist, informing the whole process of the painting, even to the brush strokes. As in a good poem, it is impossible to consider the poetic idea apart from the words that express it they are fired together at its creation. Now an expression by means of one of our different sense perceptions does not constitute art, or the boy shouting at the top of his voice, giving expression to his delight in life but making a horrible noise, would be an artist. If his expression is to be adequate to convey his feeling to others, there must be some arrangement. The expression must be ordered, rhythmic, or whatever word most fitly conveys the idea of those powers, conscious or unconscious, that select and arrange the sensuous material of art, so as to make the most telling impression, by bringing it into relation with our innate sense of harmony. If we can find a rough definition that will include all the arts, it will help us to see in what direction lie those things in painting that make it an art. The not uncommon idea, that painting is the production by means of colours of more or less perfect representations of natural objects will not do. And it is devoutly to be hoped that science will perfect a method of colour photography finally to dispel this illusion. What, then, will serve as a working definition? There must be something about feeling, the expression of that individuality the secret of which everyone carries in himself; the expression of that ego that perceives and is moved by the phenomena of life around us. And, on the other hand, something about the ordering of its expression. But who knows of words that can convey a just idea of such subtle matter? If one says Art is the rhythmic expression of Life, or emotional consciousness, or feeling, all are inadequate. Perhaps the rhythmic expression of life would be the more perfect definition. But the word life is so much more associated with eating and drinking in the popular mind, than with the spirit or force or whatever you care to call it, that exists behind consciousness and is the animating factor of our whole being, that it will hardly serve a useful purpose. So that, perhaps, for a rough, practical definition that will at least point away from the mechanical performances that so often pass for art, #the Rhythmic expression of Feeling# will do for by Rhythm is meant that ordering of the materials of art (form and colour, in the case of painting) so as to bring them into relationship with our innate sense of harmony which gives them their expressive power. Without this relationship we have no direct means of making the sensuous material of art awaken an answering echo in others. The boy shouting at the top of his voice, making a horrible noise, was not an artist because his expression was inadequate--was not related to the underlying sense of harmony that would have given it expressive power. [Illustration Plate III. STUDY FOR APRIL In red chalk on toned paper.] Let us test this definition with some simple cases. Here is a savage, shouting and flinging his arms and legs about in wild delight; he is not an artist, although he may be moved by life and feeling. But let this shouting be done on some ordered plan, to a rhythm expressive of joy and delight, and his leg and arm movements governed by it also, and he has become an artist, and singing and dancing (possibly the oldest of the arts) will result. Or take the case of one who has been deeply moved by something he has seen, say a man killed by a wild beast, which he wishes to tell his friends. If he just explains the facts as he saw them, making no effort to order his words so as to make the most telling impression upon his hearers and convey to them something of the feelings that are stirring in him, if he merely does this, he is not an artist, although the recital of such a terrible incident may be moving. But the moment he arranges his words so as to convey in a telling manner not only the plain facts, but the horrible feelings he experienced at the sight, he has become an artist. And if he further orders his words to a rhythmic beat, a beat in sympathy with his subject, he has become still more artistic, and a primitive form of poetry will result. Or in building a hut, so long as a man is interested solely in the utilitarian side of the matter, as are so many builders to-day, and just puts up walls as he needs protection from wild beasts, and a roof to keep out the rain, he is not yet an artist. But the moment he begins to consider his work with some feeling, and arranges the relative sizes of his walls and roof so that they answer to some sense he has for beautiful proportion, he has become an artist, and his hut has some architectural pretensions. Now if his hut is of wood, and he paints it to protect it from the elements, nothing necessarily artistic has been done. But if he selects colours that give him pleasure in their arrangement, and if the forms his colour masses assume are designed with some personal feeling, he has invented a primitive form of decoration. And likewise the savage who, wishing to illustrate his description of a strange animal he has seen, takes a piece of burnt wood and draws on the wall his idea of what it looked like, a sort of catalogue of its appearance in its details, he is not necessarily an artist. It is only when he draws under the influence of some feeling, of some pleasure he felt in the appearance of the animal, that he becomes an artist. Of course in each case it is assumed that the men have the power to be moved by these things, and whether they are good or poor artists will depend on the quality of their feeling and the fitness of its expression. [Illustration Plate IV. STUDY ON TISSUE-PAPER IN RED CHALK FOR FIGURE OF BOREAS] The purest form of this rhythmic expression of feeling is music. And as Walter Pater shows us in his essay on The School of Giorgione, music is the type of art. The others are more artistic as they approach its conditions. Poetry, the most musical form of literature, is its most artistic form. And in the greatest pictures form, colour, and idea are united to thrill us with harmonies analogous to music. The painter expresses his feelings through the representation of the visible world of Nature, and through the representation of those combinations of form and colour inspired in his imagination, that were all originally derived from visible nature. If he fails from lack of skill to make his representation convincing to reasonable people, no matter how sublime has been his artistic intention, he will probably have landed in the ridiculous. And yet, #so great is the power of direction exercised by the emotions on the artist that it is seldom his work fails to convey something, when genuine feeling has been the motive#. On the other hand, the painter with no artistic impulse who makes a laboriously commonplace picture of some ordinary or pretentious subject, has equally failed as an artist, however much the skilfulness of his representations may gain him reputation with the unthinking. The study, therefore, of the #representation of visible nature# and of #the powers of expression possessed by form and colour# is the object of the painter s training. And a command over this power of representation and expression is absolutely necessary if he is to be capable of doing anything worthy of his art. This is all in art that one can attempt to teach. The emotional side is beyond the scope of teaching. You cannot teach people how to feel. All you can do is to surround them with the conditions calculated to stimulate any natural feeling they may possess. And this is done by familiarising students with the best works of art and nature.      *       *       *       *       * It is surprising how few art students have any idea of what it is that constitutes art. They are impelled, it is to be assumed, by a natural desire to express themselves by painting, and, if their intuitive ability is strong enough, it perhaps matters little whether they know or not. But to the larger number who are not so violently impelled, it is highly essential that they have some better idea of art than that it consists in setting down your canvas before nature and copying it. 芸術を構成するものについて理解している美術学生の少なさは、おどろくべきことである。彼らはおそらく、絵画によって彼ら自身を表現したいという自然な欲求によって駆り立てられている。もし彼らの直観的な能力が十分に強いのであれば、彼らが知っているどうかはたいした問題ではないだろう。しかしそこまで暴力的に駆り立てられない多くの学生にとって、芸術についてよりよく理解することは、自然の前にキャンバスを据えてそれを模写することよりも、ひじょうに重要で不可欠なことである。 Inadequate as this imperfect treatment of a profoundly interesting subject is, it may serve to give some idea of the point of view from which the following pages are written, and if it also serves to disturb the copying theory in the minds of any students and encourages them to make further inquiry, it will have served a useful purpose. 大いに興味深い主題についてこのような不完全な論じ方をするのは不適当であるが、以降の論述がもとづく視点の考え方を示すことにはなるだろう。そしてまた、学生の心に浮かぶ「模写説」を防ぎ、彼らをさらなる探究へ促すことにもなったのならば、役立つ目的は果たしたことになる。

• Language & Writing - Tocantins Asurini【asu】

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  トカンティンス・アスリニ語 ｜Tupi languages｜ 言語類型 現用言語 使用文字 ラテン文字【Latn?】 type living language writing system Latin alphabet ISO 639-3 【asu】 言語名別称　alternate names Akwáwa Akwaya Assuriní do Tocantins アスリニ・ド・トカンティンス語 Assuriní アスリニ語 Asuriní do Tocantins アスリニ・ド・トカンティンス語 Asuriní do Trocará アスリニ・ド・トロカラ語 Asuriní アスリニ語 方言名　dialect names 参考文献　references WEB ISO 639-3 Registration Authority - SIL International the LINGUIST List Ethnologue Wikipedia

• cohstatsjp @ ウィキ - Vehicle_Bren_Carrier

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  Vehicle Bren Carrier       Contents 1 Tactics 2 History 3 Built From 3.1    Headquarters Command Truck 4 Vehicle Abilities 4.1    Bren Carrier Capture 4.2    Bren Carrier Self Repair 4.3    Bren AP Burst 4.4    Button Enemy Vehicle 5 Vehicle Upgrades 5.1    Convert to MMG Carrier 6 Vehicle Weapons 6.1    Bren LMG Carrier 6.2    Vickers Bren Carrier 6.3    Bren LMG Button Bren Carrier Health 215 Max Speed 7 Sight 35 Cost 28010 Acceleration 2.5 Detection 0/0 Time 35 Deceleration 7     Hotkey B Population 4 Rotation 50 Target Type vehicle_bren   Upkeep 1.9968 Crush Human   Critical Type vehicle_halftrack       Crush Mode   Rear Damage Enabled false     Tactics Upgraded Bren gun carrier s Armored Piercing Burst ability makes short work of stray Motorcycles, Halftracks and even Pumas. Avoid fighting German machine gun positions from the front, use the carrier s speed to flank the enemy and hit them from behind. Extremely effective as a transport vehicle at early stages of multilayer games. Ferry troops to forward positions quicker, thus giving them time to dig in. Use the carrier s speed to break through the front lines and scout out enemy positions for artillery. Sit the Bren Carrier at a chokepoint where you expect to make an MG emplacement, like a temporary MG. Always support them with Tommies (in the beginning). A Gewehr 43 upgraded Panzer Grenadier squad in heavy cover can and will destroy a lone Bren Carrier, as usually they are supported by flanking squads. Do not compare the Bren Carrier with the Panzer Elite Infantry Halftrack. The Bren can defeat a Scout Car, but will not stand up to an Infantry Halftrack, due to the Halftrack s superior machine gun and health (Being around 50% higher than the Bren Carrier s)   History The Universal Carrier, usually known as a Bren Gun Carrier (even when it was not carrying a Bren), was a small, tracked British-designed military vehicle, used widely by Allied forces during World War II. Universal Carriers were usually used for transporting personnel and equipment, mostly support weapons, or as machine gun platforms. With some 113,000 built in Great Britain and abroad, it was the most numerous armored fighting vehicle in history.   Built From      Headquarters Command Truck [Expand][Hide] Health 1000 Population 0 Cost 50050 Max Speed 3 Time 90 Target Type hqs_mobile Hotkey Effects The Headquarters Command Truck constructs basic units and creates supplied territory when it is set up.  ESee Vehicle Headquarters Command Truck for details.   Vehicle Abilities      Bren Carrier Capture [Expand][Hide] Cost   Activation always_on Duration _ Target tp_any Recharge 0     Hotkey Effects $0 no key  ESee Ability Bren Carrier Capture for details.      Bren Carrier Self Repair [Expand][Hide] Cost 35 Activation timed Duration 20 Target tp_entity_and_squad_entity Recharge 0     Hotkey E Effects The Bren Carrier crew will carry out some basic, but necessary repairs.  ESee Ability Bren Carrier Self Repair for details.      Bren AP Burst [Expand][Hide] Cost 40 Activation timed Duration 20 Target tp_any Recharge 20     Hotkey P Effects Load Armor Piercing rounds into the Vickers Machine Gun.  ESee Ability Bren AP Burst for details.      Button Enemy Vehicle [Expand][Hide] Cost 25 Activation targeted Duration 20 Target tp_squad_entity Recharge 40     Hotkey V Effects Accurate fire from the Bren machine gun can shatter weapon sights, vision blocks, drive wheels, and stun enemy crews.  ESee Ability Button Enemy Vehicle for details.   Vehicle Upgrades      Convert to MMG Carrier [Expand][Hide] Cost 50 Time 30 Hotkey C Effects Adds Vickers Medium Machine gun to Bren Carrier to create a mobile machine gun. Cannot carry troops when upgraded.  ESee Upgrade Convert to MMG Carrier for details.   Vehicle Weapons      Bren LMG Carrier [Expand][Hide] Weapon Bren LMG Carrier         See Weapon Bren LMG Carrier for details.      Vickers Bren Carrier [Expand][Hide] Weapon Vickers Bren Carrier         See Weapon Vickers Bren Carrier for details.      Bren LMG Button [Expand][Hide] Weapon Bren LMG Button         See Weapon Bren LMG Button for details.         Retrieved from http //coh-stats.com/Vehicle Bren_Carrier    

• elvis @Wiki - ユーズドブック(洋書)-Engineering 389

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• マッチムーブ@ wiki - Running the 3-D Solver

  https://w.atwiki.jp/matchmove/pages/70.html

  Running the 3-D Solver　　3D解析の実行 With trackers tracked, and coordinates and lens setting configured, you are ready to obtain the 3-D solution. Solving Modes Switch to theSolve control panel. Select the solver mode as follows ·        Auto the normal automatic 3-D mode for a moving camera, or a moving object. ·        Refine after a successful Auto solution, use this to rapidly update the solution after making minor changes to the trackers or coordinate system settings. ·        Tripod camera was on a camera, track pan/tilt/roll(/zoom) only. ·        Refine Tripod same as Refine, but for Tripod-mode tracking. ·        From Seed Points use six or more known 3-D tracker positions per frame to begin solving (typically, when most trackers have existing coordinates from a 3-D scan or architectural plan). You can use Place mode in the perspective view to put seed points on the surface of an imported mesh. Turn on the Seed button on the coordinate system panel for such trackers. You will often make them locks as well. ·        From Path when the camera path has previously been tracked, estimated, or imported from a motion-controlled camera. The seed position, and orientation, andfield of viewof the camera must be approximately correct. ·        Indirect to estimate based on trackers linked to another shot, for example, a narrow-angle DV shot linked to wide-angle digital camera stills. SeeMulti-shot tracking. ·        Individual when the trackers are all individual objects buzzing around, used formotion and facial capturewith multiple cameras. ·        Disabled when the camera is stationary, and an object viewed through it will be tracked. The solving mode mostly controls how the solving process is started what data is considered to be valid, and what is not. The solving process then proceeds pretty much the same way after that, subject to whatever constraints have been set up. Automatic-Mode Directional Hint. When the solver is in Automatic mode, a secondary drop-down list activates a hint to tell SynthEyes in which direction the camera moved—specifically between the Begin and End frames on the Solver Panel. This secondary dropdown is normally in Automatic mode also. However, on difficult solves you can use the directional hint (Left, Right, Upwards, Downwards, Push In, Pull Back) to tell SynthEyes where to concentrate its efforts in determining a suitable solution. Here it has been changed World Size Adjust theWorld Sizeon the solver panel to a value comparable to the overall size of the 3-D set being tracked, including the position of the camera. The exact value isn’t important. If you are shooting in a room 20’ across, with trackers widely dispersed in it, use 20’. But if you are only shooting items on a desktop from a few feet away, you might drop down to 10’. Important the world size doesnotcontrol the size of the scene, that is the job of thecoordinate system setup. The world size is used to stabilize some internal mathematics during solving; essentially all the coordinates are divided by it internally, so that the coordinates stay near 1 even if raised to a large power. Then after the calculation, the world size is multiplied back in. This process improves your computer s accuracy. Choose your coordinate system to keep the entire scene near the origin, as measured in multiples of the world size. If all your trackers will be 1000 world-sizes from the origin (for example, near [1000000,0,0] with a world size of 1000), accuracy might be affected. The Shift Constraints tool can help move them all if needed. As you see, the world size does not affect the calculation directly at all. Yet a poorly chosen world size can sabotage a solution. If you have a marginal solve, sometimes changing the world size a little can produce a different solution, maybe even the right one. The world size also is used to control the size of some things in the 3-D views and during export we might set the size of an object representing a tracker to be 2% of the world size, for example. カメラの位置を含めて、トラッキングされている３Ｄのセットの全体的な寸法に相当する値に、解析パネルの上でワールド・サイズWorld Sizeをセットしてください。 正確な値は、重要でありません。 トラッカーがまんべんなく広がっている幅20の部屋で撮影しているのならば、20を使ってください。 しかし、部屋が20でも、2、3フィート離れて机上の物を撮影しているのならば、10に落とすべきかもしれません。 重要： ワールド・サイズは、シーン（つまり座標システム設定coordinate system setup.の仕事）のサイズをコントロールしません。 ワールド・サイズは、解析の間、内部の数式を安定させるのに用いられます; 基本的にすべての座標は内部的にそれによって分けられます、そのため、たとえ大きな値に増やしたとしても、座標は1の近くにとどまります。 それから計算の後、ワールド・サイズが掛け算されます。このプロセスは、コンピュータの正確さを利用します。 ワールド・サイズの倍数で計算されるように、原点の近くでシーン全体を保つために、座標システムを選んでください。 すべてのトラッカーが原点から1000ワールド-サイズ（たとえば、ワールド・サイズ1000で、近い［1000000,0,0］）であるならば、正確さは影響を受けるかもしれません。 移動制約ツール（Shift Constraints tool）は、必要ならばそれらのすべてを動かすのに役立つことができます。 御覧の通り、ワールド・サイズは、まったく直接計算に影響を及ぼしません。 それでも、十分に選ばれていないワールド・サイズは、解析を破壊する可能性があります。 限界の解析の場合、時々、少しワールド・サイズを変えることは異なる解析（多分正しい結果）をもたらすことができるでしょう。 ワールド・サイズも、３Ｄのビューで、そして、エクスポートで、一部のもののサイズをコントロールするのに用いられます： たとえば、ワールド・サイズの2%であるトラッカーを意味しているobjectのサイズをセットするかもしれません。   Go! You’re ready, set, so hitGo!on the Solver panel. SynthEyes will pop up a monitor window and begin calculating. Note that if you have multiple cameras and objects tracked, they will all be solved simultaneously, taking inter-object links into accounts. If you want to solve only one at a time, disable the others. The calculation time will depend on the number of trackers and frames, the amount of errors in the trackers, the amount of perspective in the shot, the number of confoundingly wrong trackers, the phase of the moon, etc. For a 100-frame shot with 120 trackers, a 2-second time might be typical. With hundreds or thousands of trackers and frames, some minutes may be required, depending on processor speed. Shots with several thousand frames can be solved, though it may take some hours. It is not possible to predict a specific number of iterations or time required for solving a scene ahead of time, so the progress bar on the solving monitor window reflects the fraction of the frames and trackers that are currently included in the tentative solution it is working on. SynthEyes can be very busy even though the progress bar is not changing, and the progress bar can be at 100% and the job still is not done yet — though it will be once the current round of iterations completes.   During Solving If you are solving a lengthier shot where trackers come and go, and where there may be some tracking issues, you can monitor thequalityof the solving from the messages displayed. As it solves, SynthEyes is continually adjusting its tentative solution to become better and better (“iterating”). As it iterates, SynthEyes displays the field of view and total error on the main (longest) shot. You can monitor this information to determine if success is likely, or if you should stop the iterations and look for problems. SynthEyes will also display the range of frames it is adding to the solution as it goes along. This is invaluable when you are working on longer shots if you see the error suddenly increase when a range of frames is added, you can stop the solve and check the tracking in that range of frames, then resume. You can monitor the field of view to see if it is comparable to what you think it should be — either an eyeballed guess, or if you have some data from an on-set supervisor. If it does not seem good to start, you can turn onSlow but sureand try again. Also, you can watch for a common situation where the field of view starts to decrease more and more until it gets down to one or two degrees. This can happen if there are some very distant trackers which should be labeledFaror if there are trackers on moving features, such as a highlight, actor, or automobile. If the error suddenly increases, this usually indicates that the solver has just begun solving a new range of frames that is problematic. Your processor utilization is another source of information. When the tracking data is ambiguous, usually only on long shots, you will see the message “Warning not a crisp solution, using safer algorithm” appear in the solving window. When this happens, the processor utilization on multi-core machines will drop, because the secondary algorithm is necessarily single-threaded. If you haven’t already, you should check for trackers that should be “far” or for moving trackers. After Solving Though having a solution might seem to be the end of the process, in fact, it s only the …middle. Here s a quick preview of things to do after solving, which will be discussed in more detail in further sections. ·        Check the overall errors ·        Look for spikes in tracker errors and the camera or object path ·        Examine the 3-D tracker positioning to ensure it corresponds to the cinematic reality. ·        Add, modify, and delete trackers to improve the solution. ·        Add or modify the coordinate system alignment ·        Add and track additional moving objects in the shot ·        Insert 3-D primitives into the scene for checking or later use ·        Determine position or direction of lights ·        Convert computed tracker positions into meshes ·        Export to your animation or compositing package. Once you have an initial camera solution, you can approximately solve additional trackers as you track them, usingZero-Weighted Trackers(ZWTs). RMS Errors The solver control paneldisplays the root-mean-square (RMS) error for the selected camera or object, which is how many pixels, on average, each tracker is from where it should be in the image. [In more detail, the RMS average is computed by taking a bunch of error numbers, squaring them, dividing by the number of numbers to get the average square, then taking the square root of that average. It s the usual way for measuring how big errors are, when the error can be both positive and negative. A regular average might come out to zero even if there was a lot of error!] The RMS error should be under 1 pixel, preferably under 0.5 for well-tracked features. Note that during solving, the popup will show an RMS error that can be larger, because it is contains contributions from any constraints that have errors. Also, the error during solving is for ALL of the cameras and objects combined; it is converted from internal format to human-readable pixel error using the width of the longest shot being solved for. The field of view of that shot is also displayed during solving. There is an RMS error number for each tracker displayed on the coordinate system and tracker panels. The tracker panel also displays the per-frame error, which is the number being averaged. Checking the Lens You should immediately check the lens panel s field of view, to make sure that there is a plausible value. A very small value generally indicates that there are bad trackers, severe distortion, or that the shot has very little perspective (an object-mode track of a distant object, say). Solving Issues If you encounter the message Can t find suitable initial frames , it means that there is limited perspective in the shot, or that the Constrain button is on, but the constrained trackers are not simultaneously valid. Turn on the checkboxes next to Begin and End frames on the Solver panel, and select two frames with many trackers in common, where the camera or object rotates around 30 degrees between the two frames. You will see the number of trackers in common between the two frames, you want this to be as high as possible. Make sure the two frames have a large perspective change as well a large number of trackers will do no good if they do not also exhibit a perspective change. Also, it will be a good idea to turn on the Slow but sure checkbox.  You may encounter size constraint hasn t been set up under various circumstances. If the solving process stops immediately, probably you have no trackers set up for the camera or object cited. Note that if you are doing a moving object shot, you need to set the camera s solving mode to Disabled if you are not tracking it also, or you will get this message. When you are tracking both a moving camera and a moving object, you need to have a size constraint for the camera (one way or another), and a size constraint for the object (one way or another). So you need TWO size constraints. It isn t immediately obvious to many people why TWO size constraints are needed. This is the related to a well-known optical illusion, relied on in shooting movies such as Honey, I Shrunk the Kids . Basically, you can t tell the difference between a little thing moving around a little, up close, and a big thing moving around a lot, farther away. You need the two size constraints to set the relative proportions of the foreground (object) and background (camera). The related message “Had to add a size constraint, none provided” is informational, and does not indicate a problem. If you have SynthEyes scenes with multiple cameras linked to one another, you should keep the solver panel s Constrain button turned on to maintain proper common alignment. See also theTroubleshootingsection.

• wangjunyu @ ウィキ - The best way to Thoroughly Dry and Retailer a Mummy Sleeping Bag

  https://w.atwiki.jp/wangjunyu/pages/36.html

  ou do not should wash your mummy sleeping bag just after each individual excursion. You can even location clear it that has a toothbrush and laundry paste. Attempt to help keep the shell faraway from the insulation in case you are place cleaning it. You could effortlessly clear the pinnacle and foot spot with the sleeping bag by undertaking this. A preemptive work to lessen the number of periods you should clean the bag would be to transform your clothing and shower right before acquiring while in the sleeping bag. Your skin and hair might get rather oily while tenting so it s vital that you wash off or at the very least placed on a new established of clothes just before you will get from the bag.   You are going to know when it can be the perfect time to formally obtain the dirt and dirt out. It is possible to clean it in the tub, but this doesn t need to be a house primarily based position. Big industrial sized front loading washers with out aggregators which have been identified at your neighborhood laundromat are a great selection. Gentle cycle will insure the bag isn t going to get tossed about way too aggressively. You d like the bag to have the ability to spin freely. Your house equipment will smoosh and crinkle the bag unnecessarily which could bring about permanent harm. Expert dry cleaners have as well quite a few chemical substances that can shorten the existence from the bag considerably. Down stuffed sleeping luggage paired best with a delicate cleaning soap formulated for down. For artificial baggage, utilize a mild detergent or cleaning agent built for synthetics, and often try to remember to read through the precise tips for your personal bag. burberry replica It s best to unzip the bag, although not all of the way, when you don t need the slider to return off. Look at employing a water-proofing spray after you clean your mummy sleeping bag, simply because detergents have a tendency to wash absent the water-resistant components of your bag.   Insulation is held jointly with the baffling elements inside your bag. No person ever reported that hanging out within the laundromat was like hanging out in the maternity ward, however it is still a good idea to handle your damp bag just like a new born little one while you transfer it from the washer to your dryer. Staying careful to maintain all the baffling intact will allow you to definitely again prolong the life of your mummy sleeping bag, and you will be the stud on the laundromat. The larger the dryer the better. Sleeping luggage usually takes 2-5 several hours to dry so be ready to reminisce regarding your last journey though your dryer is ready with a extremely minimal and funky setting. By using a number of minutes still left, increase some tennis balls that can help keep the burberry briefcase insulation spread evenly. In addition, you hold the choice to line dry the bag when you see the insulation is smooshing up from the drying machine, but that adds far more the perfect time to the procedure.   Do your best to air out your bag for at least 24 for hours whenever you return from your trip. Stuff sacks are excellent for effectiveness and packing mild, but prolonged term they don t assistance your mummy sleeping bag. Down burberry scarf or synthetic insulation usually do not fare effectively if they are smushed up in the things sack and then rammed into your closet. If your mummy sleeping bag will not arrive having an further cotton storage sack, get yourself a huge sack that breaths. You can even utilize a king sized pillow situation. Provide the bag place in the closet and ensure that it truly is not crumpled alongside one another.   You can even retailer it beneath your mattress inside of a king sized pillow circumstance in case you are missing in closet house. Smooth out crinkled spots and permit it breath. You can be happy you probably did since it may help continue to keep cold spots to some minimum amount once your insulation remains to be evenly dispersed just after a long time of use. It truly is achievable for the sleeping bag to very last numerous yrs, so thoroughly clean it, dry it, and do not SMOOSH THE BAG.

• Mount&Blade : Warband @ wiki - 原文/ACOK/game_strings3

  https://w.atwiki.jp/warband/pages/575.html

  str_excuse_me_how_can_you_possibly_imagine_yourself_worthy_to_marry_into_our_family|Excuse me? How can you possibly imagine yourself worthy to marry into our family? str_em_with_regard_to_her_ladyship_we_were_looking_specifically_for_a_groom_of_some_distinction_fight_hard_count_your_dinars_and_perhaps_some_day_in_the_future_we_may_speak_of_such_things_my_good_man|Em... With regard to her ladyship, we were looking specifically for a groom of some distinction. Fight hard, count your coins, and perhaps some day in the future we may speak of such things, my good man! str_em_with_regard_to_her_ladyship_we_were_looking_specifically_for_a_groom_of_some_distinction|Em... With regard to her ladyship, we were looking specifically for a groom of some distinction. str_it_is_too_early_for_you_to_be_speaking_of_such_things_you_are_still_making_your_mark_in_the_world|It is too early for you to be speaking of such things. You are still making your mark in the world. str_you_dont_serve_the_s4_so_id_say_no_one_day_we_may_be_at_war_and_i_prefer_not_to_have_to_kill_my_inlaws_if_at_all_possible|You don't serve the {s4}, so I'd say no. One day we may be at war, and I prefer not to have to kill my in-laws, if at all possible. str_as_you_are_not_a_vassal_of_the_s4_i_must_decline_your_request_the_twists_of_fate_may_mean_that_we_will_one_day_cross_swords_and_i_would_hope_not_to_make_a_widow_of_a_lady_whom_i_am_obligated_to_protect|As you are not a vassal of {s4}, I must decline your request. The twists of fate may mean that we will one day cross swords, and I would hope not to make a widow of a lady whom I am obligated to protect. str_as_you_are_not_a_pledged_vassal_of_our_liege_with_the_right_to_hold_land_i_must_refuse_your_request_to_marry_into_our_family|As you are not a pledged vassal of his Majesty, with the right to hold land, I must refuse your request to marry into our family. str_look_here_lad__the_young_s14_has_been_paying_court_to_s16_and_youll_have_to_admit__hes_a_finer_catch_for_her_than_you_so_lets_have_no_more_of_this_talk_shall_we|Look here, lad -- the young {s14} has been paying court to {s16}, and you'll have to admit -- he's a finer catch for her than you. So let's have no more of this talk, shall we? str_i_do_not_care_for_you_sir_and_i_consider_it_my_duty_to_protect_the_ladies_of_my_household_from_undesirable_suitors|I do not care for you, sir, and I consider it my duty to protect the ladies of my household from undesirable suitors... str_hmm_young_girls_may_easily_be_led_astray_so_out_of_a_sense_of_duty_to_the_ladies_of_my_household_i_think_i_would_like_to_get_to_know_you_a_bit_better_we_may_speak_of_this_at_a_later_date|Hmm. Young girls may easily be led astray, so out of a sense of duty to the ladies of my household, I think I would like to get to know you a bit better. We may speak of this at a later date. str_you_may_indeed_make_a_fine_match_for_the_young_mistress|You may indeed make a fine match for the young mistress. str_madame__given_our_relations_in_the_past_this_proposal_is_most_surprising_i_do_not_think_that_you_are_the_kind_of_woman_who_can_be_bent_to_a_hushands_will_and_i_would_prefer_not_to_have_our_married_life_be_a_source_of_constant_acrimony|Given our relations in the past, this proposal is most surprising. I do not think that you are the kind of {man/woman} who can be bent to a {wife/husband}'s will, and I would prefer not to have our married life be a source of constant acrimony. str_i_would_prefer_to_marry_a_proper_maiden_who_will_obey_her_husband_and_is_not_likely_to_split_his_head_with_a_sword|I would prefer to marry a proper {lord/maiden} who will {cherish/obey} {his/her} {wife/husband}, and is not likely to split {her/his} head with a sword. str_my_lady_while_i_admire_your_valor_you_will_forgive_me_if_i_tell_you_that_a_woman_like_you_does_not_uphold_to_my_ideal_of_the_feminine_of_the_delicate_and_of_the_pure|My {lord/lady}, while I admire your valor and your beauty, you will forgive me if I tell you that a {man/woman} like you does not uphold to my ideal of a {husband/wife} {masculine/feminine}, delicate, and pure. str_nah_i_want_a_woman_wholl_keep_quiet_and_do_what_shes_told_i_dont_think_thats_you|Nah. I want a {man/woman} who'll keep quiet and do what {he/she}'s told. I don't think that's you. str_my_lady_you_are_possessed_of_great_charms_but_no_properties_until_you_obtain_some_to_marry_you_would_be_an_act_of_ingratitude_towards_my_ancestors_and_my_lineage|My {lord/lady}, you are possessed of great charms, but no properties. Until you obtain some, to marry you would be an act of ingratitude towards my ancestors and my lineage. str_my_lady_you_are_a_woman_of_no_known_family_of_no_possessions__in_short_a_nobody_do_you_think_that_you_are_fit_to_marry_into_may_family|My {lord/lady}, you are a {man/woman} of no known family, of no possessions -- in short, a nobody. Do you think that you are fit to marry into may family? str_my_lady__forgive_me__the_quality_of_our_bond_is_not_of_the_sort_which_the_poets_tell_us_is_necessary_to_sustain_a_happy_marriage|My {lord/lady} -- forgive me -- the quality of our bond is not of the sort which the poets tell us is necessary to sustain a happy marriage. str_um_i_think_that_if_i_want_to_stay_on_s4s_good_side_id_best_not_marry_you|Um, I think that if I want to stay on {s4}'s good side, I'd best not marry you. str_you_serve_another_realm_i_dont_see_s4_granting_reg4herhis_blessing_to_our_union|You serve another realm. I don't see {s4} granting {reg4?her his} blessing to our union. str_madame_my_heart_currently_belongs_to_s4|My heart currently belongs to {s4}. str_my_lady_you_are_a_woman_of_great_spirit_and_bravery_possessed_of_beauty_grace_and_wit_i_shall_give_your_proposal_consideration|My {lord/lady}, you are a {man/woman} of great spirit and bravery, possessed of {strength/beauty}, {courage/grace}, and wit. I shall give your proposal consideration. str_my_lady_you_are_a_woman_of_great_spirit_and_bravery_possessed_of_beauty_grace_and_wit_i_would_be_most_honored_were_you_to_become_my_wife|My {lord/lady}, you are a {man/woman} of great spirit and bravery, possessed of {strength/beauty}, {courage/grace}, and wit. I would be most honored were you to become my {husband/wife}. str_ah__kais_and_layali__such_a_sad_tale_many_a_time_has_it_been_recounted_for_my_family_by_the_wandering_poets_who_come_to_our_home_and_it_has_never_failed_to_bring_tears_to_our_eyes|Ah -- 'The Rains of Castamere' -- such a sad tale. Many a time has it been recounted for my family by the wandering poets who come to our home, and it has never failed to bring tears to our eyes. str_kais_and_layali_three_hundred_stanzas_of_pathetic_sniveling_if_you_ask_me_if_kais_wanted_to_escape_heartbreak_he_should_have_learned_to_live_within_his_station_and_not_yearn_for_what_he_cannot_have|'The Rains of Castamere'? A hundred stanzas of pathetic sniveling, if you ask me. If we had to have a poem, song or ballad for every house that's ever been defeated, we'd all be singing from dawn 'till dusk str_kais_and_layali_no_one_should_ever_have_written_such_a_sad_poem_if_it_was_the_destiny_of_kais_and_layali_to_be_together_than_their_love_should_have_conquered_all_obstacles|'The Rains of Castamere'? No one should ever have written such a sad song! If it was the destiny of Ellyn Reyne and Lord Tarbeck to be together, then their love should have conquered all obstacles! str_ah_kais_and_layali_a_very_old_standby_but_moving_in_its_way|Ah, 'The Rains of Castamere.' A very martial song, but moving, in its way. str_the_saga_of_helgered_and_kara_such_happy_times_in_which_our_ancestors_lived_women_like_kara_could_venture_out_into_the_world_like_men_win_a_name_for_themselves_and_not_linger_in_their_husbands_shadow|The saga of 'Florian and Jonquil'? Such happy times in which our ancestors lived! Women like Jonquil could venture out into the world like men, win a name for themselves, and not linger in their husbands' shadow. str_ah_the_saga_of_helgered_and_kara_now_there_was_a_lady_who_knew_what_she_wanted_and_was_not_afraid_to_obtain_it|Ah, the saga of 'Florian and Jonquil'. Now there was a lady who knew what she wanted, and was not afraid to obtain it. str_the_saga_of_helgered_and_kara_a_terrible_tale__but_it_speaks_of_a_very_great_love_if_she_were_willing_to_make_war_on_her_own_family|The saga of 'Florian and Jonquil'? A terrible tale - but it speaks of a very great love, if she were willing to make war on her own family. str_the_saga_of_helgered_and_kara_as_i_recall_kara_valued_her_own_base_passions_over_duty_to_her_family_that_she_made_war_on_her_own_father_i_have_no_time_for_a_poem_which_praises_such_a_woman|The saga of 'Florian and Jonquil'? As I recall, Jonquil valued her own base passions over duty to her family that she made war on her own father. I have no time for a poem which praises such a woman! str_the_saga_of_helgered_and_kara_how_could_a_woman_don_armor_and_carry_a_sword_how_could_a_man_love_so_ungentle_a_creature|The saga of 'Florian and Jonquil'? How could a woman don armor and carry a sword! How could a man love so ungentle a creature! str_a_conversation_in_the_garden_i_cannot_understand_the_lady_in_that_poem_if_she_loves_the_man_why_does_she_tease_him_so|'The Bear and the Maiden Fair'? I cannot understand the lady in that poem. If she loves the man, why does she tease him so? str_a_conversation_in_the_garden_let_us_see__it_is_morally_unedifying_it_exalts_deception_it_ends_with_a_maiden_surrendering_to_her_base_passions_and_yet_i_cannot_help_but_find_it_charming_perhaps_because_it_tells_us_that_love_need_not_be_tragic_to_be_memorable|'The Bear and the Maiden Fair'? Let us see -- it is morally unedifying, it exalts deception, it ends with a maiden surrendering to her base passions... And yet I cannot help but find it charming, perhaps because it tells us that love need not be tragic to be memorable. str_a_conversation_in_the_garden_now_that_is_a_tale_every_lady_should_know_by_heart_to_learn_the_subtleties_of_the_politics_she_must_practice|'The Bear and the Maiden Fair'? Now that is a tale every lady should know by heart, to learn the subtleties of the politics she must practice! str_a_conversation_in_the_garden_it_is_droll_i_suppose__although_there_is_nothing_there_that_truly_stirs_my_soul|'The Bear and the Maiden Fair'? It is droll, I suppose -- although there is nothing there that truly stirs my soul. str_storming_the_fortress_of_love_ah_yes_the_lady_sits_within_doing_nothing_while_the_man_is_the_one_who_strives_and_achieves_i_have_enough_of_that_in_my_daily_life_why_listen_to_poems_about_it|'Storming the Fortress of Love'? Ah, yes. The lady sits within doing nothing, while the man is the one who strives and achieves. I have enough of that in my daily life. Why listen to poems about it? str_storming_the_fortress_of_love_ah_yes_an_uplifting_tribute_to_the_separate_virtues_of_man_and_woman|'Storming the Fortress of Love'? Ah, yes. An uplifting tribute to the separate virtues of man and woman. str_storming_the_fortress_of_love_ah_yes_but_although_it_is_a_fine_tale_of_virtues_it_speaks_nothing_of_passion|'Storming the Fortress of Love'? Ah, yes. But although it is a fine tale of virtues, it speaks nothing of passion! str_storming_the_fortress_of_love_ah_a_sermon_dressed_up_as_a_love_poem_if_you_ask_me|'Storming the Fortress of Love'? Ah... A sermon dressed up as a love poem, if you ask me. str_a_hearts_desire_ah_such_a_beautiful_account_of_the_perfect_perfect_love_to_love_like_that_must_be_to_truly_know_rapture|'A Maidens Desire'? Ah, such a beautiful account of the perfect, perfect love! To love like that must be to truly know rapture! str_a_hearts_desire_silly_if_you_ask_me_if_the_poet_desires_a_lady_then_he_should_endeavor_to_win_her__and_not_dress_up_his_desire_with_a_pretense_of_piety|'A Maidens Desire'? Silly, if you ask me. If the poet desires a lady, then he should endeavor to win her -- and not dress up his desire with a pretense of piety! str_a_hearts_desire_hmm__it_is_an_interesting_exploration_of_earthly_and_divine_love_it_does_speak_of_the_spiritual_quest_which_brings_out_the_best_in_man_but_i_wonder_if_the_poet_has_not_confused_his_yearning_for_higher_things_with_his_baser_passions|'A Maidens Desire'? Hmm -- it is an interesting exploration of earthly and divine love. It does speak of the spiritual quest which brings out the best in man, but I wonder if the poet has not confused his yearning for higher things with his baser passions. str_a_hearts_desire_oh_yes__it_is_very_worthy_and_philosophical_but_if_i_am_to_listen_to_a_bard_strum_a_lute_for_three_hours_i_personally_prefer_there_to_be_a_bit_of_a_story|'A Maidens Desire'? Oh, yes -- it is very worthy and philosophical. But if I am to listen to a bard strum a lute for three hours, I personally prefer there to be a bit of a story. str_reg3_units_of_s4_for_reg5_guests_and_retinue|{reg3} units of {s4} for {reg5} guests and retinue str_reg3_units_of_spice_of_reg5_to_be_consumed|{reg3} units of spice of {reg5} to be consumed str_reg3_units_of_oil_of_reg5_to_be_consumed|{reg3} units of oil of {reg5} to be consumed str_of_food_which_must_come_before_everything_else_the_amount_is_s8|Of food, which must come before everything else, the amount is {s8} str_s9_and_the_variety_is_s8_|{s9} and the variety is {s8}. str_s9_of_drink_which_guests_will_expect_in_great_abundance_the_amount_is_s8|{s9} Of drink, which guests will expect in great abundance, the amount is {s8} str_s9_of_spice_which_is_essential_to_demonstrate_that_we_spare_no_expense_as_hosts_the_amount_is_s8_|{s9} Of spice, which is essential to demonstrate that we spare no expense as hosts, the amount is {s8}. str_s9_of_oil_which_we_shall_require_to_light_the_lamps_the_amount_is_s8|{s9} Of oil, which we shall require to light the lamps, the amount is {s8}. str_s9_overall_our_table_will_be_considered_s8|{s9} Overall, our table will be considered {s8}. str_rebel|rebel str_bandit|bandit str_relation_of_prisoner_with_captor_is_reg0|relation of prisoner with captor is {reg0} str_s5_suffers_attrition_reg3_x_s4|{s5} suffers attrition {reg3} x {s4} str_s10_said_on_s1_s11__|{s10} said on {s1} {s11}^^ str_totalling_casualties_caused_during_mission|Totalling casualties caused during mission... str_removing_s4_from_s5|Removing {s4} from {s5} str_s4_joins_prison_break|{s4} joins prison break str_helper_is_spawned|helper is spawned. str_leaving_area_during_prison_break|Leaving area during prison break str_talk_to_the_trainer|Talk to the trainer. str_woman|woman str_man|man str_noble|noble str_common|common str_may_find_that_you_are_able_to_take_your_place_among_calradias_great_lords_relatively_quickly|may find that you are able to take your place among the great lords relatively quickly str_may_face_some_difficulties_establishing_yourself_as_an_equal_among_calradias_great_lords|may face some difficulties establishing yourself as an equal among the great lords str_may_face_great_difficulties_establishing_yourself_as_an_equal_among_calradias_great_lords|may face great difficulties establishing yourself as an equal among the great lords str_current_party_morale_is_reg5_current_party_morale_modifiers_are__base_morale__50_party_size_s2reg1_leadership_s3reg2_food_variety_s4reg3s5s6_recent_events_s7reg4_total__reg5___|Current party morale is {reg5}.^Current party morale modifiers are ^^Base morale +{reg6}^Party size {s2}{reg1}^Leadership {s3}{reg2}^Food variety {s4}{reg3}{s5}{s6}^Recent events {s7}{reg4}^TOTAL {reg5}^^^ str_s1extra_morale_for_s9_troops__reg6_|{s1}Extra morale for {s9} troops {reg6}^ str_courtships_in_progress_|Courtships in progress ^ str_s1_s2_relation_reg3_last_visit_reg4_days_ago|{s1}^{s2}, relation {reg3}, last visit {reg4} days ago str_s1__poems_known|{s1}^^Poems known str_s1_storming_the_castle_of_love_allegoric|{s1}^Storming the Castle of Love (Allegoric) str_s1_kais_and_layali_tragic|{s1}^Kais and Layali (Tragic) str_s1_a_conversation_in_the_garden_comic|{s1}^A Conversation in the Garden (Comic) str_s1_helgered_and_kara_epic|{s1}^Helgered and Kara (Epic) str_s1_a_hearts_desire_mystic|{s1}^A Heart's Desire (Mystic) str_no_companions_in_service|No companions in service str_gathering_support|Gathering support str_expected_back_imminently|Expected back imminently str_expected_back_in_approximately_reg3_days|Expected back in approximately {reg3} days str_gathering_intelligence|Gathering intelligence str_diplomatic_embassy_to_s9|Diplomatic embassy to {s9} str_serving_as_minister|Serving as minister str_in_your_court_at_s9|In your court at {s9} str_under_arms|Under arms str_in_your_party|In your party str_attacking_enemy_army_near_s11|Attacking enemy army near {s11} str_holding_feast_at_s11|Holding feast at {s11} str_s9s10_current_state_s11_hours_at_current_state_reg3_current_strategic_thinking_s14_marshall_s12_since_the_last_offensive_ended_reg4_hours_since_the_decisive_event_reg10_hours_since_the_last_rest_reg9_hours_since_the_last_feast_ended_reg5_hours_percent_disgruntled_lords_reg7_percent_restless_lords_reg8__|{s9}{s10}^Current state {s11}^Hours at current state {reg3}^Current strategic thinking {s14}^Marshall {s12}^Since the last offensive ended {reg4} hours^Since the decisive event {reg10} hours^Since the last 18+ hour rest {reg9} hours^Since the last feast ended {reg5} hours^Percent disgruntled lords {reg7}%^Percent restless lords {reg8}%^^ str__right_to_rule_reg12|^Right to rule {reg12}. str_political_arguments_made_legality_reg3_rights_of_lords_reg4_unificationpeace_reg5_rights_of_commons_reg6_fief_pledges_reg7|Political arguments made ^Legality {reg3}^Rights of lords {reg4}^Unification/peace {reg5}^Rights of commons {reg6}^Fief pledges {reg7} str_renown_reg2_honour_rating_reg3s12_friends_s8_enemies_s6_s9|Renown {reg2}.^Honour rating {reg3}.{s12}^Friends {s8}.^Enemies {s6}.^{s9} str_you_lie_stunned_for_several_minutes_then_stagger_to_your_feet_to_find_your_s10_standing_over_you_you_have_lost_the_duel|You lie stunned for several minutes, then stagger to your feet, to find your {s10} standing over you. You have lost the duel. str_s10_lies_in_the_arenas_dust_for_several_minutes_then_staggers_to_his_feet_you_have_won_the_duel|{s10} lies in the arena's dust for several minutes, then staggers to his feet. You have won the duel str__this_castle_is_temporarily_under_royal_control| This castle is temporarily under royal control. str__this_castle_does_not_seem_to_be_under_anyones_control| This castle does not seem to be under anyone's control. str__this_town_is_temporarily_under_royal_control| This town is temporarily under royal control. str__the_townspeople_seem_to_have_declared_their_independence| The townspeople seem to have declared their independence. str_to_your_husband_s11|to your husband, {s11}. str__you_see_the_banner_of_your_wifehusband_s7_over_the_castle_gate| You see the banner of your {wife/husband}, {s7}, over the castle gate. str__the_banner_of_your_wifehusband_s7_flies_over_the_town_gates| The banner of your {wife/husband}, {s7}, flies over the town gates. str__the_lord_is_currently_holding_a_feast_in_his_hall|^The lord is currently holding a feast in his hall. str__join_the_feast| (join the feast) str_belligerent_drunk_in_s4|Belligerent drunk in {s4} str_belligerent_drunk_not_found|Belligerent drunk not found str_roughlooking_character_in_s4|Rough-looking character in {s4} str_roughlooking_character_not_found|Rough-looking character not found str__however_you_have_sufficiently_distinguished_yourself_to_be_invited_to_attend_the_ongoing_feast_in_the_lords_castle|. However, you have sufficiently distinguished yourself to be invited to attend the ongoing feast in the lord's castle. str_s8_you_are_also_invited_to_attend_the_ongoing_feast_in_the_castle|{s8} You are also invited to attend the ongoing feast in the castle. str_s11_unfortunately_s12_was_wounded_and_had_to_be_left_behind|{s11} Unfortunately, {s12} was wounded and had to be left behind. str_s11_also_s12_was_wounded_and_had_to_be_left_behind|{s11} Also, {s12} was wounded and had to be left behind. str_with_the_s10|with the {s10} str_outside_calradia|outside this world. str_you_have_been_indicted_for_treason_to_s7_your_properties_have_been_confiscated_and_you_would_be_well_advised_to_flee_for_your_life|You have been indicted for treason to {s7}. Your properties have been confiscated, and you would be well advised to flee for your life. str_by_order_of_s6_s4_of_the_s5_has_been_indicted_for_treason_the_lord_has_been_stripped_of_all_reg4herhis_properties_and_has_fled_for_reg4herhis_life_he_is_rumored_to_have_gone_into_exile_s11|By order of {s6}, {s4} of the {s5} has been indicted for treason. The lord has been stripped of all {reg4?her his} properties, and has fled for {reg4?her his} life. {reg4?She He} is rumored to have gone into exile {s11}. str_local_notables_from_s1_a_village_claimed_by_the_s4_have_been_mistreated_by_their_overlords_from_the_s3_and_petition_s5_for_protection|local notables from {s1}, a village claimed by the {s4}, have been mistreated by their overlords from the {s3} and petition {s5} for protection str_villagers_from_s1_stole_some_cattle_from_s2|villagers from {s1} stole some cattle from {s2} str_villagers_from_s1_abducted_a_woman_from_a_prominent_family_in_s2_to_marry_one_of_their_boys|villagers from {s1} abducted a woman from a prominent family in {s2} to marry one of their boys str_villagers_from_s1_killed_some_farmers_from_s2_in_a_fight_over_the_diversion_of_a_stream|villagers from {s1} killed some farmers from {s2} in a fight over the diversion of a stream str_your_new_minister_|Your new minister str_s10_is_your_new_minister_and_|{s10} is your new minister, and str_due_to_the_fall_of_s10_your_court_has_been_relocated_to_s12|Due to the loss of {s10}, your court has been relocated to {s11} str_after_to_the_fall_of_s10_your_faithful_vassal_s9_has_invited_your_court_to_s11_|After to the loss of {s10}, your faithful vassal {s9} has invited your court to {s11} str_after_to_the_fall_of_s11_your_court_has_nowhere_to_go|After the loss of {s11}, your court has nowhere to go str_s8_wishes_to_inform_you_that_the_lords_of_s9_will_be_gathering_for_a_feast_at_his_great_hall_in_s10_and_invites_you_to_be_part_of_this_august_assembly|{s8} wishes to inform you that the lords of the {s9} will be gathering for a feast at his great hall in {s10}, and invites you to be part of this exalted assembly. str_consult_with_s11_at_your_court_in_s12|Consult with {s11} at your court in {s12} str_as_brief_as_our_separation_has_been_the_longing_in_my_heart_to_see_you_has_made_it_seem_as_many_years|As brief as our separation has been, the longing in my heart to see you has made it seem as many years. str_although_it_has_only_been_a_short_time_since_your_departure_but_i_would_be_most_pleased_to_see_you_again|Although it has only been a short time since your departure, I would be most pleased to see you again. str_although_i_have_received_no_word_from_you_for_quite_some_time_i_am_sure_that_you_must_have_been_very_busy_and_that_your_failure_to_come_see_me_in_no_way_indicates_that_your_attentions_to_me_were_insincere_|Although I have received no word from you for quite some time, I am sure that you must have been very busy, and that your failure to come see me in no way indicates that your attentions to me were insincere. str_i_trust_that_you_have_comported_yourself_in_a_manner_becoming_a_gentleman_during_our_long_separation_|I trust that you have comported yourself in a manner becoming a {gentleman/lady} during our long separation. str_it_has_been_many_days_since_you_came_and_i_would_very_much_like_to_see_you_again|It has been many days since you came, and I would very much like to see you again. str__you_should_ask_my_s11_s16s_permission_but_i_have_no_reason_to_believe_that_he_will_prevent_you_from_coming_to_see_me| You should ask my {s11} {s16}'s permission, but I have no reason to believe that he will prevent you from coming to see me. str__you_should_first_ask_her_s11_s16s_permission|. You should first ask her {s11} {s16}'s permission str__alas_as_we_know_my_s11_s16_will_not_permit_me_to_see_you_however_i_believe_that_i_can_arrange_away_for_you_to_enter_undetected| Alas, as we know, my {s11} {s16} will not permit me to see you. However, I believe that I can arrange a way for you to enter undetected. str__as_my_s11_s16_has_already_granted_permission_for_you_to_see_me_i_shall_expect_your_imminent_arrival| As my {s11} {s16} has already granted permission for you to see me, I shall expect your imminent arrival. str_visit_s3_who_was_last_at_s4s18|Visit {s3}, who was last at {s4}{s18} str_the_guards_at_the_gate_have_been_ordered_to_allow_you_through_you_might_be_imagining_things_but_you_think_one_of_them_may_have_given_you_a_wink|The guards at the gate have been ordered to allow you through. You might be imagining things, but you think one of them may have given you a wink str_the_guards_glare_at_you_and_you_know_better_than_to_ask_permission_to_enter_however_as_you_walk_back_towards_your_lodgings_an_elderly_lady_dressed_in_black_approaches_you_i_am_s11s_nurse_she_whispers_urgently_don_this_dress_and_throw_the_hood_over_your_face_i_will_smuggle_you_inside_the_castle_to_meet_her_in_the_guise_of_a_skullery_maid__the_guards_will_not_look_too_carefully_but_i_beg_you_for_all_of_our_sakes_be_discrete|The guards glare at you, and you know better than to ask permission to enter. However, as you walk back towards your lodgings, an elderly lady dressed in black approaches you. 'I am {s11}'s nurse,' she whispers urgently. 'Don this dress, and throw the hood over your face. I will smuggle you inside the castle to meet her in the guise of a scullery maid -- the guards will not look too carefully. But I beg you, for all of our sakes, be discreet! str_the_guards_glare_at_you_and_you_know_better_than_to_ask_permission_to_enter_however_as_you_walk_back_towards_your_lodgings_an_elderly_lady_dressed_in_black_approaches_you_i_am_s11s_nurse_she_whispers_urgently_wait_for_a_while_by_the_spring_outside_the_walls_i_will_smuggle_her_ladyship_out_to_meet_you_dressed_in_the_guise_of_a_shepherdess_but_i_beg_you_for_all_of_our_sakes_be_discrete|The guards glare at you, and you know better than to ask permission to enter. However, as you walk back towards your lodgings, an elderly lady dressed in black approaches you. 'I am {s11}'s nurse,' she whispers urgently. 'Wait for a while by the spring outside the walls. I will smuggle her ladyship out to meet you, dressed in the guise of a shepherdess. But I beg you, for all of our sakes, be discreet! str_the_guards_glare_at_you_and_you_know_better_than_to_ask_permission_to_enter_however_as_you_walk_back_towards_your_lodgings_an_elderly_lady_dressed_in_black_approaches_you_i_am_s11s_nurse_she_whispers_urgently_her_ladyship_asks_me_to_say_that_yearns_to_see_you_but_that_you_should_bide_your_time_a_bit_her_ladyship_says_that_to_arrange_a_clandestine_meeting_so_soon_after_your_last_encounter_would_be_too_dangerous|The guards glare at you, and you know better than to ask permission to enter. However, as you walk back towards your lodgings, an elderly lady dressed in black approaches you.^'I am {s11}'s nurse,' she whispers urgently. 'Her ladyship asks me to say that she yearns to see you, but that you should bide your time a bit. Her ladyship says that to arrange a clandestine meeting so soon after your last encounter would be too dangerous.' str_the_guards_glare_at_you_and_you_know_better_than_to_ask_permission_to_enter|The guards glare at you, and you know better than to ask permission to enter. str_party_with_commander_mismatch__check_log_for_details_|Party with commander mismatch - check log for details str_doing_political_calculations_for_s9|Doing political calculations for {s9} str_current_wealth_reg1|Current wealth {reg1} str_wanted_bandits_spotted_by_s4|Wanted bandits spotted by {s4} str_s4_ready_to_voice_objection_to_s3s_mission_if_in_party|{s4} ready to voice objection to {s3}'s mission, if in party str_strange_that_one_didnt_seem_like_your_ordenary_troublemaker_he_didnt_drink_all_that_much__he_just_stood_there_quietly_and_watched_the_door_you_may_wish_to_consider_whether_you_have_any_enemies_who_know_you_are_in_town_a_pity_that_blood_had_to_be_spilled_in_my_establishment|Strange. That one didn't seem like your ordinary troublemaker. He didn't drink all that much -- he just stood there, quietly, and watched the door. You may wish to consider whether you have any enemies who know you are in town... A pity that blood had to be spilled in my establishment... str_you_never_let_him_draw_his_weapon_still_it_looked_like_he_was_going_to_kill_you_take_his_sword_and_purse_i_suppose_he_was_trouble_but_its_not_good_for_an_establishment_to_get_a_name_as_a_place_where_men_are_killed|You never let him draw his weapon.... Still, it looked like he was going to kill you. Take his sword and purse, I suppose. He was trouble, but it's not good for an establishment to get a name as a place where men are killed. str_well_id_say_that_he_started_it_that_entitles_you_to_his_sword_and_purse_i_suppose_have_a_drink_on_the_house_as_i_daresay_youve_saved_a_patron_or_two_a_broken_skull_still_i_hope_he_still_has_a_pulse_its_not_good_for_an_establishment_to_get_a_name_as_a_place_where_men_are_killed|Well... I'd say that he started it. That entitles you to his sword and purse, I suppose. Have a drink on the house, as I daresay you've saved a patron or two a broken skull. Still, I hope he still has a pulse. It's not good for an establishment to get a name as a place where men are killed. str_stop_no_shooting_no_shooting|Stop! No shooting! No shooting! str_em_ill_stay_out_of_this|Em... I'll stay out of this. str_the_s12_is_a_labyrinth_of_rivalries_and_grudges_lords_ignore_their_lieges_summons_and_many_are_ripe_to_defect|The {s12} is a labyrinth of rivalries and grudges. Lords ignore their liege's summons, and many are ripe to defect. str_the_s12_is_shaky_many_lords_do_not_cooperate_with_each_other_and_some_might_be_tempted_to_defect_to_a_liege_that_they_consider_more_worthy|The {s12} is shaky. Many lords do not cooperate with each other, and some might be tempted to defect to a liege that they consider more worthy. str_the_s12_is_fairly_solid_some_lords_bear_enmities_for_each_other_but_they_tend_to_stand_together_against_outside_enemies|The {s12} is fairly solid. Some lords bear enmities for each other, but they tend to stand together against outside enemies. str_the_s12_is_a_rock_of_stability_politically_speaking_whatever_the_lords_may_think_of_each_other_they_fight_as_one_against_the_common_foe|The {s12} is a rock of stability, politically speaking. Whatever the lords may think of each other, they fight as one against the common foe. str_tribune_s12|{s12} str_lady_s12|{s12} str_lord_s12|{s12} str_resolve_the_dispute_between_s11_and_s12|Resolve the dispute between {s11} and {s12} str_in_doing_so_you_will_be_in_violation_of_your_truce_is_that_what_you_want|In doing so, you will be in violation of your truce. Is that what you want? str_if_you_attack_without_provocation_some_of_your_vassals_may_consider_you_to_be_too_warlike_is_that_what_you_want|If you attack without provocation, some of your vassals may consider you to be too warlike. Is that what you want? str_our_men_are_ready_to_ride_forth_at_your_bidding_are_you_sure_this_is_what_you_want|Our men are ready to ride forth at your bidding... Are you sure this is what you want? str_seek_recognition|seek recognition str_seek_vassalhood|seek vassalhood str_seek_a_truce|seek a truce str__promised_fief| (promised fief) str_no_fiefss12|(no fiefs){s12} str_fiefs_s0s12|(fiefs {s0}{s12}) str_please_s65_|Please {s65}, str__s15_is_also_being_held_here_and_you_may_wish_to_see_if_reg4shehe_will_join_us| {s15} is also being held here, and you may wish to see if {reg4?she he} will join us. str_one_thing_in_our_favor_is_that_s12s_grip_is_very_shaky_he_rules_over_a_labyrinth_of_rivalries_and_grudges_lords_often_fail_to_cooperate_and_many_would_happily_seek_a_better_liege|One thing in our favor is that {s12}'s grip is very shaky. He rules over a labyrinth of rivalries and grudges. Lords often fail to cooperate, and many would happily seek a better liege. str_thankfully_s12s_grip_is_fairly_shaky_many_lords_do_not_cooperate_with_each_other_and_some_might_be_tempted_to_seek_a_better_liege|Thankfully, {s12}'s grip is fairly shaky. Many lords do not cooperate with each other, and some might be tempted to seek a better liege. str_unfortunately_s12s_grip_is_fairly_strong_until_we_can_shake_it_we_may_have_to_look_long_and_hard_for_allies|Unfortunately, {s12}'s grip is fairly strong. Until we can shake it, we may have to look long and hard for allies. str_unfortunately_s12s_grip_is_very_strong_unless_we_can_loosen_it_it_may_be_difficult_to_find_allies|Unfortunately, {s12}'s grip is very strong. Unless we can loosen it, it may be difficult to find allies. str_playername_come_to_plague_me_some_more_have_you|{playername}... Come to plague me some more, have you? str_ah_it_is_you_again|Ah. It is you again... str_well_playername|Well, {playername} str_flagon_of_mead|flagon of mead str_skin_of_kumis|skin of kumis str_mug_of_kvass|mug of kvass str_cup_of_wine|cup of wine str_you_intend_to_challenge_s13_to_force_him_to_retract_an_insult|You intend to challenge {s13} to force {him/her} to retract an insult. str_youll_have_to_speak_to_me_at_some_other_time_then|You'll have to speak to me at some other time, then. str_this_is_no_time_for_words|This is no time for words! str_of_course_my_wife|Of course, my {husband/wife}. str_perhaps_not_our_marriage_has_become_a_bit_strained_dont_you_think|Perhaps not. Our marriage has become a bit strained, don't you think? str_why_is_that_my_wife_actually_our_marriage_has_become_such_that_i_prefer_to_have_a_witness_for_all_of_our_converations|Why is that, my {husband/wife}? Actually, our marriage has become such that I prefer to have a witness for all of our converations. str_all_right_then_what_do_you_have_to_say_out_with_it|All right then. What do you have to say? Out with it. str_bah__im_in_no_mood_for_whispering_in_the_corner|Bah -- I'm in no mood for whispering in the corner. str_bah_i_dont_like_you_that_much_im_not_going_to_go_plot_with_you_in_some_corner|Bah. I don't like you that much. I'm not going to go plot with you in some corner. str_well__now_what_do_you_have_to_propose|Well -- now what do you have to propose? str_trying_our_hand_at_intrigue_are_we_i_think_not|Trying our hand at intrigue, are we? I think not str_hah_i_trust_you_as_a_i_would_a_serpent_i_think_not|Hah! I trust you as a I would a serpent. I think not. str_i_do_not_like_to_conduct_my_business_in_the_shadows_but_sometimes_it_must_be_done_what_do_you_have_to_say|I do not like to conduct my business in the shadows, but sometimes it must be done. What do you have to say? str_i_would_prefer_to_conduct_our_affairs_out_in_the_open|I would prefer to conduct our affairs out in the open. str_do_not_take_this_amiss_but_with_you_i_would_prefer_to_conduct_our_affairs_out_in_the_open|Do not take this amiss, but with you, I would prefer to conduct our affairs out in the open. str_hmm_you_have_piqued_my_interest_what_do_you_have_to_say|Hmm. You have piqued my interest. What do you have to say? str_em_lets_keep_our_affairs_out_in_the_open_for_the_time_being|Em... Let's keep our affairs out in the open, for the time being. str_thats_sensible__the_world_is_full_of_churls_who_poke_their_noses_into_their_betters_business_now_tell_me_what_it_is_that_you_have_to_say|That's sensible -- the world is full of churls who poke their noses into their betters' business. Now tell me what it is that you have to say. str_what_do_you_take_me_for_a_plotter|What do you take me for? A plotter? str_well_i_normally_like_to_keep_things_out_in_the_open_but_im_sure_someone_like_you_would_not_want_to_talk_in_private_unless_heshe_had_a_good_reason_what_is_it|Well, I normally like to keep things out in the open, but I'm sure someone like you would not want to talk in private unless {he/she} had a good reason. What is it? str_surely_we_can_discuss_whatever_you_want_to_discuss_out_here_in_the_open_cant_we|Surely we can discuss whatever you want to discuss out here in the open, can't we? str_im_a_simple__man_not_one_for_intrigue_but_id_guess_that_you_have_something_worthwhile_to_say_what_is_it|I'm a simple {reg3?woman man}, not one for intrigue, but I'd guess that you have something worthwhile to say. What is it? str_forgive_me_but_im_not_one_for_going_off_in_corners_to_plot|Forgive me, but I'm not one for going off in corners to plot. str_please_do_not_take_this_amiss_but_i_do_not_trust_you|Please do not take this amiss, but I do not trust you. str_certainly_playername_what_is_it|Certainly, {playername}. What is it? str_forgive_me_but_id_prefer_to_keep_our_conversations_in_the_open|Forgive me, but I'd prefer to keep our conversations in the open. str_please_do_not_take_this_amiss_but_im_not_sure_you_and_i_are_still_on_those_terms|Please do not take this amiss, but I'm not sure you and I are still on those terms. str_really_well_this_is_the_first_i_have_heard_of_it_unless_you_build_up_support_for_that_claim_you_may_find_it_difficult_to_find_allies_however_whenever_you_see_fit_to_declare_yourself_publically_as_queen_i_should_be_honored_to_be_your_consort|Really? Well, this is the first I have heard of it. Unless you build up support for that claim, you may find it difficult to find allies. However, whenever you see fit to declare yourself publically as {s0}, I should be honored to be your consort. str_yes_i_have_heard_such_talk_while_it_is_good_that_you_are_building_up_your_support_i_do_not_think_that_you_are_quite_ready_to_proclaim_yourself_yet_however_i_will_let_you_be_the_judge_of_that_and_when_you_decide_i_should_be_honored_to_be_your_consort|Yes... I have heard such talk. While it is good that you are building up your support, I do not think that you are quite ready to proclaim yourself yet. However, I will let you be the judge of that, and when you decide, I should be honored to be your consort. str_yes_and_many_others_in_calradia_think_so_as_well_perhaps_it_is_time_that_you_declared_yourself_and_we_shall_ride_forth_together_to_claim_your_throne_i_should_be_honored_to_be_your_consort|Yes... and many others in this world think so as well. Perhaps it is time that you declared yourself, and we shall ride forth together to claim your throne. I should be honored to be your consort. str_i_am_disturbed_about_my_lord_s15s_choice_of_companions|I am disturbed about his majesty {s15}'s choice of companions. str_well_ill_be_honest_i_feel_that_sometimes_s15_overlooks_my_rights_and_extends_his_protection_to_the_unworthy|Well, I'll be honest. I feel that sometimes {s15} overlooks my rights, and extends {reg15?her his} protection to the unworthy. str_heh_one_thing_that_ill_say_about_s15_is_that_he_has_a_ripe_batch_of_bastards_in_his_court|Heh. One thing that I'll say about {s15} is that {reg15?she he} has a ripe batch of bastards in {reg15?her his} court. str_well_sometimes_i_have_to_say_that_i_question_s15s_judgment_regarding_those_who_he_keeps_in_his_court|Well, sometimes I have to say that I question {s15}'s judgment regarding those whom {reg15?she he} keeps in his court. str_s15_is_a_weak_man_who_too_easily_lends_his_ear_to_evil_council_and_gives_his_protection_to_some_who_have_done_me_wrong|{s15} is a weak ruler, who too easily lends an ear to evil council, and gives protection to some who have done me wrong. str_i_will_confess_that_sometimes_i_worry_about_s15s_judgment_particularly_in_the_matter_of_the_counsel_that_he_keeps|I will confess that sometimes I worry about {s15}'s judgment, particularly in the matter of the counsel that {reg15?she he} keeps.. str_what_do_i_think_i_think_that_s15_is_a_vile_pretender_a_friend_to_the_flatterer_and_the_hypocrite|What do I think? I think that {s15} is a vile pretender, a friend to the flatterer and the hypocrite. str_well_s15_is_not_like_you_ill_say_that_much|Well, {s15} is not like you. I'll say that much. str_s15_long_may_he_live|{s15}? Long may {reg15?she he} live! str_he_is_my_liege_that_is_all_that_i_will_say_on_this_matter|{s15} is my liege. That is all that I will say on this matter. str_that_you_are_the_rightful_heir_to_the_throne_of_calradia|That you are the rightful heir to the throne of this realm? str_that_s14_is_the_rightful_ruler_of_calradia|That {s14} is the rightful ruler of this realm? str_that_s14_will_rule_this_land_justly|That {s14} will rule this land justly? str_that_s14_will_protect_our_rights_as_nobles|That {s14} will protect our rights as nobles? str_that_s14_will_unify_this_land_and_end_this_war|That {s14} will unify this land and end this war? str_that_s14_will_reward_me_with_a_fief|That {s14} will reward me with a fief? str_king|king str_queen|queen str_khan|king str_i|I str_according_to_the_ancient_law_and_custom_of_the_calradians_s45_should_be_s47|According to the ancient law and custom of men, {s45}'s cause is just str_because_s44_is_the_rightful_s47_of_the_s46|Because {s44} is the rightful {s47} of the {s46} str_you_speak_of_claims_and_legalities_yet_to_others_you_talk_of_bringing_peace_by_force|You speak of claims and legalities, yet to others you talk of bringing peace by force str_you_speak_of_bringing_peace_by_force_yet_to_others_you_make_legal_claims|You speak of bringing peace by force, yet to others you make legal claims. str_you_speak_to_some_of_upholding_the_rights_of_the_commons_yet_you_speak_to_others_of_uphold_the_rights_of_nobles_what_if_those_rights_are_in_conflict|You speak to some of upholding the rights of the commons, yet you speak to others of uphold the rights of nobles. What if those rights are in conflict? str_you_speak_to_me_of_upholding_my_rights_as_a_lord_but_to_others_you_talk_of_upholding_the_rights_of_all_commons_what_if_those_rights_come_into_conflict|You speak to me of upholding my rights as a lord, but to others you talk of upholding the rights of all commons. What if those rights come into conflict? str_a_claim_should_be_strong_indeed_before_one_starts_talking_about_it|A claim should be strong indeed before one starts talking about it. str_a_king_should_prove_his_valor_beyond_any_doubt_before_he_starts_talking_about_a_claim_to_the_throne|A {s12} should prove his valor beyond any doubt before he starts talking about a claim to the throne. str_you_must_prove_yourself_a_great_warrior_before_men_will_follow_you_as_king|You must prove yourself a great warrior before men will follow you as {s12}. str_a_claim_to_the_throne_should_be_strong_indeed_before_one_presses_it|A claim to the throne should be strong indeed before one presses it. str_indeed_but_a_man_must_also_prove_himself_a_great_warrior_before_men_will_follow_you_as_king|Indeed. But a man must also prove himself a great warrior before men will follow you as {s12}. str_my_pigherd_can_declare_himself_king_if_he_takes_he_fancy_i_think_you_need_to_break_a_few_more_heads_on_tbe_battlefield_before_men_will_follow_you|My {s14} can declare himself {s12}, if he takes he fancy. I think you need to break a few more heads on tbe battlefield before men will follow you. str_if_you_do_not_wish_to_die_on_a_scaffold_like_so_many_failed_pretenders_before_you_i_would_suggest_that_you_to_build_your_claim_on_stronger_foundations_so_that_men_will_follow_you|If you do not wish to die on a scaffold, like so many failed pretenders before you, I would suggest that you to build your claim on stronger foundations, so that men will follow you. str_if_you_do_not_wish_to_die_on_a_scaffold_like_so_many_failed_pretenders_before_you_i_would_advise_you_prove_yourself_on_the_field_of_battle_so_that_men_will_follow_you|If you do not wish to die on a scaffold, like so many failed pretenders before you, I would advise you prove yourself on the field of battle, so that men will follow you. str_talk_is_for_heralds_and_lawyers_real_kings_prove_themselves_with_their_swords|Talk is for heralds and lawyers. Real {s14} prove themselves with their {s12}. str_i_were_you_i_would_try_to_prove_myself_a_bit_more_before_i_went_about_pressing_my_claim|If I were you, I would try to prove myself a bit more before I went about pressing my claim. str_indeed_please_continue|Indeed. Please continue. str_me|me str_i_worry_about_those_with_whom_you_have_chosen_to_surround_yourself|I worry about those with whom you have chosen to surround yourself. str_there_are_some_outstanding_matters_between_me_and_some_of_your_vassals_|There are some outstanding matters between me and some of your vassals. str_my_liege_has_his_faults_but_i_dont_care_for_your_toadies|My liege has his faults but I don't care for your toadies. str_i_think_youre_a_good_man_but_im_worried_that_you_might_be_pushed_in_the_wrong_direction_by_some_of_those_around_you|I think you're a good man, but I'm worried that you might be pushed in the wrong direction by some of those around you. str_i_am_loathe_to_fight_alongside_you_so_long_as_you_take_under_your_wing_varlots_and_base_men|I am loathe to fight alongside you, so long as you take under your wing varlots and base men. str_ill_be_honest__with_some_of_those_who_follow_you_i_think_id_be_more_comfortable_fighting_against_you_than_with_you|I'll be honest -- with some of those who follow you, I think I'd be more comfortable fighting against you than with you. str_i_say_that_you_can_judge_a_man_by_the_company_he_keeps_and_you_have_surrounded_yourself_with_vipers_and_vultures|I say that you can judge a man by the company he keeps, and you have surrounded yourself with vipers and vultures. str_you_know_that_i_have_always_had_a_problem_with_some_of_our_companions|You know that I have always had a problem with some of our companions. str_politically_i_would_be_a_better_position_in_the_court_of_my_current_liege_than_in_yours|Politically, I would be a better position in the court of my current liege, than in yours. str_i_am_more_comfortable_with_you_and_your_companions_than_with_my_current_liege|I am more comfortable with you and your companions than with my current liege. str_militarily_youre_in_no_position_to_protect_me_should_i_be_attacked_id_be_reluctant_to_join_you_until_you_could|Militarily, you're in no position to protect me, should I be attacked. I'd be reluctant to join you until you could. str_militarily_when_i_consider_the_lay_of_the_land_i_realize_that_to_pledge_myself_to_you_now_would_endanger_my_faithful_retainers_and_my_family|Militarily, when I consider the lay of the land, I realize that to pledge myself to you now would endanger my faithful retainers and my family. str_militarily_youre_in_no_position_to_come_to_my_help_if_someone_attacked_me_i_dont_mind_a_good_fight_but_i_like_to_have_a_chance_of_winning|Militarily, you're in no position to come to my help, if someone attacked me. I don't mind a good fight, but I like to have a chance of winning. str_militarily_you_would_have_me_join_you_only_to_find_myself_isolated_amid_a_sea_of_enemies|Militarily, you would have me join you, only to find myself isolated amid a sea of enemies. str_militarily_youre_in_no_position_to_come_to_my_help_if_someone_attacked_me_youd_let_me_be_cut_down_like_a_dog_id_bet|Militarily, you're in no position to come to my help, if someone attacked me. You'd let me be cut down like a dog, I'd bet. str_militarily_i_wouldnt_be_any_safer_if_i_joined_you|Militarily, I wouldn't be any safer if I joined you. str_militarily_i_might_be_safer_if_i_joined_you|Militarily, I might be safer if I joined you. str_finally_there_is_a_cost_to_ones_reputation_to_change_sides_in_this_case_the_cost_would_be_very_high|Finally, one should always think carefully about retracting one's allegiance, even if there is good reason, as it is not good to get a name as one who changes lieges easily. In this case, the cost to my reputation would be very high. str_finally_there_is_a_cost_to_ones_reputation_to_change_sides_in_this_case_the_cost_would_be_significant|Finally, one should always think carefully about retracting one's allegiance, even if there is good reason, as it is not good to get a name as one who changes lieges easily. In this case, the cost to my reputation would be significant. str_finally_there_is_a_cost_to_ones_reputation_to_change_sides_in_this_case_however_many_men_would_understand|Finally, one should always think carefully about retracting one's allegiance, even if there is good reason, as it is not good to get a name as one who changes lieges easily. In this case, however, many men would understand. str_i_will_not_have_it_be_said_about_me_that_i_am_a_traitor_that_is_my_final_decision_i_have_nothing_more_to_say_on_this_matter|I will not have it be said about me that I am a traitor. That is my final decision. I have nothing more to say on this matter. str_i_am_pledged_to_defend_s14_i_am_sorry_though_we_may_meet_on_the_battlefield_i_hope_that_we_will_still_be_friends|I am pledged to defend {s14}. I am sorry. Though we may meet on the battlefield, I hope that we will still be friends. str_i_really_cannot_bring_myself_to_renounce_s14_i_am_sorry_please_lets_not_talk_about_this_any_more|I really cannot bring myself to renounce {s14}. I am sorry. Please, let's not talk about this any more. str_however_i_have_decided_that_i_must_remain_loyal_to_s14_i_am_sorry|However, I have decided that I must remain loyal to {s14}. I am sorry. str_however_i_will_not_let_you_lead_me_into_treason_do_not_talk_to_me_of_this_again|However, I will not let you lead me into treason. Do not talk to me of this again. str_its_not_good_to_get_a_reputation_as_one_who_abandons_his_liege_that_is_my_decision_let_us_speak_no_more_of_this_matter|It's not good to get a reputation as one who abandons his liege. That is my decision. Let us speak no more of this matter. str_ive_decided_to_stick_with_s14_i_dont_want_to_talk_about_this_matter_any_more|I've decided to stick with {s14}. I don't want to talk about this matter any more. str_you_are_challenging_me_to_a_duel_how_droll_as_you_wish_playername_it_will_be_good_sport_to_bash_your_head_in|You are challenging me to a duel? How droll! As you wish, {playername}, it will be good sport to bash your head in. str_call_me_coward_very_well_you_leave_me_no_choice|Call me coward? Very well, you leave me no choice. str_reg3_hours|{reg3} hours. str_hour|hour. str_however_circumstances_have_changed_since_we_made_that_decision_and_i_may_reconsider_shortly_s16|However, circumstances have changed since we made that decision, and I may reconsider shortly. {s16} str_i_wish_to_marry_your_s11_s10_i_ask_for_your_blessing|I wish to marry your {s11}, {s10}. I ask for your blessing. str_i_wish_to_marry_your_s11_s10_i_ask_for_your_help|I wish to marry your {s11}, {s10}. I ask for your help. str_you_plan_to_marry_s3_at_a_feast_hosted_by_s4_in_s5_you_should_be_notifed_of_the_feast_as_soon_as_it_is_held|You plan to marry {s3} at a feast hosted by {s4} in {s5}. You should be notifed of the feast as soon as it is held. str_your_s11_|your {s11}, str_i_ask_again_may|I ask again may str_may|May str_very_well_as_far_as_im_concerned_i_suppose_she_can_see_most_anyone_she_likes__within_reason_of_course|Very well. As far as I'm concerned, I suppose she can see most anyone she likes - within reason, of course. str_very_well_an_alliance_with_you_could_be_valuable_go_chat_with_her_and_see_if_you_can_get_her_to_take_a_fancy_to_you_if_she_doesnt_and_if_we_still_want_to_conclude_this_business_then_i_can_make_her_see_reason|Very well. An alliance with you could be valuable. Go chat with her, and see if you can get her to take a fancy to you. If she doesn't, and if we still want to conclude this business, then I can make her see reason. str_you_have_my_blessing_to_pay_suit_to_her__so_long_as_your_intentions_are_honorable_of_course_depending_on_how_things_proceed_between_you_two_we_may_have_more_to_discuss_at_a_later_date|You have my blessing to pay suit to her -- so long as your intentions are honorable, of course. Depending on how things proceed between you two, we may have more to discuss at a later date. str_the_war_has_barely_begun_so_and_it_is_too_early_to_say_who_is_winning_and_who_is_losing|The war has barely begun, so and it is too early to say who is winning and who is losing. str_we_have_been_hitting_them_very_hard_and_giving_them_little_chance_to_recover|We have been hitting them very hard, and giving them little chance to recover. str_the_fighting_has_been_hard_but_we_have_definitely_been_getting_the_better_of_them|The fighting has been hard, but we have definitely been getting the better of them. str_they_have_been_hitting_us_very_hard_and_causing_great_suffering|They have been hitting us very hard, and causing great suffering. str_the_fighting_has_been_hard_and_i_am_afraid_that_we_have_been_having_the_worst_of_it|The fighting has been hard, and I am afraid that we have been having the worst of it. str_both_sides_have_suffered_in_the_fighting|Both sides have suffered in the fighting. str_no_clear_winner_has_yet_emerged_in_the_fighting_but_i_think_we_are_getting_the_better_of_them|No clear winner has yet emerged in the fighting, but I think we are getting the better of them. str_no_clear_winner_has_yet_emerged_in_the_fighting_but_i_fear_they_may_be_getting_the_better_of_us|No clear winner has yet emerged in the fighting, but I fear they may be getting the better of us. str_no_clear_winner_has_yet_emerged_in_the_fighting|No clear winner has yet emerged in the fighting. str_there_is_no_campaign_currently_in_progress|There is no campaign currently in progress. str_we_are_assembling_the_army|We are assembling the army. str_we_aim_to_take_the_fortress_of_s8|We aim to take the fortress of {s8}. str_we_are_on_a_raid_and_are_now_targeting_s8|We are on a raid, and are now targeting {s8}. str_we_are_trying_to_seek_out_and_defeat_s8|We are trying to seek out and defeat {s8}. str_we_are_riding_to_the_defense_of_s8|We are riding to the defense of {s8}. str_we_are_gathering_for_a_feast_at_s8|We are gathering for a feast at {s8}. str__however_that_may_change_shortly_s14| However, that may change shortly. {s14} str_it_is_our_custom_to_seal_any_such_alliances_with_marriage_and_in_fact_we_have_been_looking_for_a_suitable_groom_for_my_s11_s14|It is our custom to seal any such alliances with marriage, and in fact, we have been looking for a suitable groom for my {s11}, {s14}. str_once_again_|once again str_cheat__marriage_proposal|Cheat - marriage proposal str_you_plan_to_marry_s4_as_you_have_no_family_in_calradia_he_will_organize_the_wedding_feast|You plan to marry {s4}. As you have no family, {she/he} will organize the wedding feast. str_s43_just_so_you_know_if_you_attack_me_you_will_be_in_violation_of_the_truce_you_signed_with_the_s34|{s43} Just so you know, if you attack me, you will be in violation of the truce you signed with the {s34} str_very_well__you_are_now_my_liege_as_well_as_my_husband|We can keep this short you are now my liege, as well as my {wife/husband}, with all the mutual obligations which that entails. str_i_thank_you_reg39my_ladylord|I thank you, {reg39?my lady lord}. str_now_some_might_say_that_women_have_no_business_leading_mercenary_companies_but_i_suspect_that_you_would_prove_them_wrong_what_do_you_say|Now, some might say that {males/women} have no business leading mercenary companies, but I suspect that you would prove them wrong. What do you say? str_what_do_you_say_to_entering_the_service_of_s9_as_a_mercenary_captain_i_have_no_doubt_that_you_would_be_up_to_the_task|What do you say to entering the service of {s9} as a mercenary captain? I have no doubt that you would be up to the task. str_s9_asked_you_to_rescue_s13_who_is_prisoner_at_s24|{s9} asked you to rescue {s13}, who is prisoner at {s24}. str_s9_asked_you_to_attack_a_village_or_some_caravans_as_to_provoke_a_war_with_s13|{s9} asked you to attack a village or some caravans as to provoke a war with {s13}. str_s9_asked_you_to_catch_the_three_groups_of_runaway_serfs_and_bring_them_back_to_s4_alive_and_breathing_he_said_that_all_three_groups_are_heading_towards_s3|{s9} asked you to catch the three groups of runaway serfs and bring them back to {s4}, alive and breathing. He said that all three groups are heading towards {s3}. str_you_intend_to_bring_goods_to_s9_in_preparation_for_the_feast_which_will_be_held_as_soon_as_conditions_permit|You intend to bring goods to {s9} in preparation for the feast, which will be held as soon as conditions permit. str_hello_playername|Hello, {playername} str_ah_my_gentle_playername_how_much_good_it_does_my_heart_to_see_you_again| How much good it does my heart to see you again! Sometimes, I feel that there is a mystic bond between us that transcends the distance. str_playername__i_am_so_glad_to_see_you_again_i_must_say_i_do_envy_your_freedom_to_ride_out_and_experience_the_world| I must say, I do envy your freedom to ride out and experience the world. str_playername__i_am_so_glad_to_see_you_i_trust_that_you_have_been_behaving_honorably_since_last_we_met| I trust that you have been behaving honorably since last we met. str_playername__i_am_so_glad_that_you_were_able_to_come| I am so glad that you were able to come. str_i_do_enjoy_speaking_to_you_but_i_am_sure_you_understand_that_our_people_cluck_their_tongues_at_a_woman_to_spend_too_long_conversing_with_a_man_outside_her_family__although_the_heavens_know_its_never_the_man_who_is_held_to_blame_|I do enjoy speaking to you. But I am sure you understand that our people cluck their tongues at a {reg65?woman boy} to spend too long conversing with a {man/woman} outside {reg65?her his} family -- although the heavens know it's never the {man/woman} who is held to blame. str_as_much_as_i_enjoy_speaking_to_you_i_do_not_care_to_be_gossiped_about_by_others_who_might_lack_my_grace_and_beauty_|As much as I enjoy speaking to you, I do not care to be gossiped about by others who might lack my grace and beauty. str_i_do_so_enjoy_speaking_to_you_but_as_a_daughter_of_one_of_the_great_families_of_this_land_i_must_set_an_example_of_propriety_|I do so enjoy speaking to you. But as a {reg65?daughter scion} of one of the great families of this land, I must set an example of propriety. str_i_do_so_enjoy_speaking_to_you_but_as_a_daughter_of_good_family_i_must_protect_my_reputation_|I do so enjoy speaking to you. But as a {reg65?daughter son} of good family, I must protect my reputation. str_although_it_is_kind_of_you_to_pay_me_such_attentions_i_suspect_that_you_might_find_other_ladies_who_may_be_more_inclined_to_return_your_affection|Although it is kind of you to pay me such attentions, I suspect that you might find other {reg65?ladies young men} who may be more inclined to return your affection. str_as_flattered_as_i_am_by_your_attentions_perhaps_you_should_seek_out_another_lady_of_somewhat_shall_we_say_different_tastes|As flattered as I am by your attentions, perhaps you should seek out another {reg65?lady boy} of somewhat... shall we say... different tastes. str_as_flattered_as_i_am_by_your_attentions_i_am_a_daughter_of_good_family_and_must_be_aware_of_my_reputation_it_is_not_seemly_that_i_converse_too_much_at_one_time_with_one_man_i_am_sure_you_understand_now_if_you_will_excuse_me|As flattered as I am by your attentions, I am a {reg65?daughter scion} of good family and must be aware of my reputation. It is not seemly that I converse too much at one time with one {man/woman}. I am sure you understand. Now, if you will excuse me... str_very_well__i_will_let_you_choose_the_time|Very well -- I will let you choose the time. str_good_i_am_glad_that_you_have_abandoned_the_notion_of_pushing_me_into_marriage_before_i_was_ready|Good! I am glad that you have abandoned the notion of pushing me into marriage before I was ready. str_i_am|I am str_s12_s11_to_s14|{s12} {s11} to {s14} str_s12_i_am_here_for_the_feast|{s12}. I am here for the feast. str_another_tournament_dedication_oh_i_suppose_it_is_always_flattering|Another melee dedication? Oh, I suppose it is always flattering... str_do_you_why_what_a_most_gallant_thing_to_say|Do you? Why, what a most gallant thing to say. str_hmm_i_cannot_say_that_i_altogether_approve_of_such_frivolity_but_i_must_confess_myself_a_bit_flattered|Hmm.. I cannot say that I altogether approve of such frivolity, but I must confess myself a bit flattered. str_why_thank_you_you_are_most_kind_to_do_so|Why, thank you. You are most kind to do so. str_you_are_most_courteous_and_courtesy_is_a_fine_virtue_|You are most courteous, and courtesy is a fine virtue. str_hmm_youre_a_bold_one_but_i_like_that_|Hmm. You're a bold one, but I like that. str_ah_well_they_all_say_that_but_no_matter_a_compliment_well_delivered_is_at_least_a_good_start_|Ah, well, they all say that. But no matter. A compliment well delivered is at least a good start. str_oh_do_you_mean_that_such_a_kind_thing_to_say|Oh! Do you mean that? Such a kind thing to say! str_you_are_a_most_gallant_young_man_|You are a most gallant young {man/woman}. str__do_come_and_see_me_again_soon| Do come and see me again soon. str_you_intend_to_ask_s12_for_permission_to_marry_s15|You intend to ask {s12} for permission to marry {s15}. str_you_intend_to_ask_s12_to_pressure_s10_to_marry_you|You intend to ask {s12} to pressure {s10} to marry you. str_do_be_careful_i_am_so_much_endebted_to_you_for_this|Do be careful! I am so much endebted to you for this... str_go_then__we_shall_see_which_of_you_triumphs|Go, then -- we shall see which of you triumphs... str_sigh_i_will_never_truly_understand_men_and_their_rash_actions|Sigh... I will never truly understand {men/women}, and their rash actions... str_you_intend_to_challenge_s13_to_force_him_to_relinquish_his_suit_of_s11|You intend to challenge {s13} to force {reg4?her him} to relinquish his suit of {s11}. str_farewell|Farewell. str_farewell_playername|Farewell, {playername}. str___we_believe_that_there_is_money_to_be_made_selling_| We believe that there is money to be made selling str__we_carry_a_selection_of_goods_although_the_difference_in_prices_for_each_is_not_so_great_we_hope_to_make_a_profit_off_of_the_whole| We carry a selection of goods. Although the difference in prices for each is not so great, we hope to make a profit off of the whole. str_s14and_other_goods|{s14}and other goods. str__have_you_not_signed_a_truce_with_our_lord| Have you not signed a truce with our lord? str_parole|parole str_normal|normal str__meanwhile_s51_reg2areis_being_held_in_the_castle_but_reg2havehas_made_pledges_not_to_escape_and_reg2areis_being_held_in_more_comfortable_quarters| Meanwhile, {s51} {reg2?are is} being held in the castle, but {reg2?have has} made pledges not to escape, and {reg2?are is} being held in more comfortable quarters. str_you_may_be_aware_my_lord_of_the_quarrel_between_s4_and_s5_which_is_damaging_the_unity_of_this_realm_and_sapping_your_authority_if_you_could_persuade_the_lords_to_reconcile_it_would_boost_your_own_standing_however_in_taking_this_on_you_run_the_risk_of_one_the_lords_deciding_that_you_have_taken_the_rivals_side|You may be aware of the quarrel between {s4} and {s5} which is damaging the unity of this realm and sapping your authority. If you could persuade the lords to reconcile, it would boost your own standing. However, in taking this on, you run the risk of one the lords deciding that you have taken the rival's side. str_you_may_be_aware_my_lord_of_the_quarrel_between_s4_and_s5_which_is_damaging_the_unity_of_this_realm_and_sapping_your_authority_if_you_could_persuade_the_lords_to_reconcile_i_imagine_that_s7_would_be_most_pleased_however_in_taking_this_on_you_run_the_risk_of_one_the_lords_deciding_that_you_have_taken_the_rivals_side|You may be aware, {my lord/my lady}, of the quarrel between {s4} and {s5} which is damaging the unity of this realm. If you could persuade the lords to reconcile, I imagine that {s7} would be most pleased. However, in taking this on, you run the risk of one the lords deciding that you have taken the rival's side. str__of_course_the_land_is_currently_at_peace_so_you_may_have_better_luck_in_other_realms| Of course, the land is currently at peace, so you may have better luck in other realms. str_here|here str_over|over str_s8_in_s12|{s8} in {s12} str__has_put_together_a_bounty_on_some_bandits_who_have_been_attacking_travellers_in_the_area| has put together a bounty on some bandits who have been attacking travellers in the area. str__is_looking_for_a_way_to_avoid_an_impending_war| is looking for a way to avoid an impending war. str__may_need_help_rescuing_an_imprisoned_family_member| may need help rescuing an imprisoned family member. str__has_been_asking_around_for_someone_who_might_want_work_id_watch_yourself_with_him_though| has been asking around for someone who might want work. I'd watch yourself with {reg4?her him}, though. str_town|town. str_castle|castle. str__but_he_is_holding_there_as_a_prisoner_at_dungeon_of_s13| But {reg4?she he} is being held there as a prisoner in the dungeon of {s13}. str_they_say_that_s9_is_a_most_conventional_maiden__devoted_to_her_family_of_a_kind_and_gentle_temperament_a_lady_in_all_her_way|They say that {s9} is a most conventional {reg4?maiden lad} - devoted to {reg4?her his} family, of a kind and gentle temperament, a {reg4?lady young gentleman} in all {reg4?her his} way. str_they_say_that_s9_is_a_bit_of_a_romantic_a_dreamer__of_a_gentle_temperament_yet_unpredictable_she_is_likely_to_be_led_by_her_passions_and_will_be_trouble_for_her_family_ill_wager|They say that {s9} is a bit of a romantic, a dreamer -- of a gentle temperament, yet unpredictable. {reg4?She He} is likely to be led by {reg4?her his} passions, and will be trouble for {reg4?her his} family, I'll wager. str_they_say_that_s9_is_determined_to_marry_well_and_make_her_mark_in_the_world_she_may_be_a_tremendous_asset_for_her_husband__provided_he_can_satisfy_her_ambition|They say that {s9} is determined to marry well and make {reg4?her his} mark in the world. {reg4?She He} may be a tremendous asset for {reg4?her husband his wife} -- provided {reg4?he she} can satisfy {reg4?her his} ambition! str_they_say_that_s9_loves_to_hunt_and_ride_maybe_she_wishes_she_were_a_man_whoever_she_marries_will_have_a_tough_job_keeping_the_upper_hand_i_would_say|They say that {s9} loves to hunt and ride. Maybe {reg4?she he} wishes {reg4?she he} were a {reg4?man woman}! Whoever {reg4?she he} marries will have a tough job keeping the upper hand, I would say. str_they_say_that_s9_is_a_lady_of_the_highest_moral_standards_very_admirable_very_admirable__and_very_hard_to_please_ill_warrant|They say that {s9} is a {reg4?lady young gentleman} of the highest moral standards. Very admirable, very admirable -- and very hard to please, I'll warrant. str_s9_is_now_betrothed_to_s11_soon_we_believe_there_shall_be_a_wedding|{s9} is now betrothed to {s11}. Soon, we believe, there shall be a wedding! str_i_have_not_heard_any_news_about_her|I have not heard any news about {reg4?her him}. str_they_say_that_s9_has_shown_favor_to_s11_perhaps_it_will_not_be_long_until_they_are_betrothed__if_her_family_permits|They say that {s9} has shown favor to {s11}. Perhaps it will not be long until they are betrothed -- if {reg4?her his} family permits. str_they_say_that_s9_has_been_forced_by_her_family_into_betrothal_with_s11|They say that {s9} has been forced by {reg4?her his} family into betrothal with {s11}. str_they_say_that_s9_has_agreed_to_s11s_suit_and_the_two_are_now_betrothed|They say that {s9} has agreed to {s11}'s suit, and the two are now betrothed. str_they_say_that_s9_under_pressure_from_her_family_has_agreed_to_betrothal_with_s11|They say that {s9}, under pressure from {reg4?her his} family, has agreed to betrothal with {s11}. str_they_say_that_s9_has_refused_s11s_suit|They say that {s9} has refused {s11}'s suit. str_they_say_that_s11_has_tired_of_pursuing_s9|They say that {s11} has tired of pursuing {s9}. str_they_say_that_s9s_family_has_forced_her_to_renounce_s11_whom_she_much_loved|They say that {s9}'s family has forced {reg4?her him} to renounce {s11}, whom {reg4?she he} much loved. str_they_say_that_s9_has_run_away_with_s11_causing_her_family_much_grievance|They say that {s9} has run away with {s11}, causing {reg4?her his} family much grievance. str_they_say_that_s9_and_s11_have_wed|They say that {s9} and {s11} have wed. str_they_say_that_s9_was_recently_visited_by_s11_who_knows_where_that_might_lead|They say that {s9} was recently visited by {s11}. Who knows where that might lead! str_there_is_not_much_to_tell_but_it_is_still_early_in_the_season|There is not much to tell, but it is still early in the season str_s12there_is_a_feast_of_the_s3_in_progress_at_s4_but_it_has_been_going_on_for_a_couple_of_days_and_is_about_to_end_|{s12}There is a feast of {s3} in progress at {s4}, but it has been going on for a couple of days and is about to end. str_s12there_is_a_feast_of_the_s3_in_progress_at_s4_which_should_last_for_at_least_another_day_|{s12}There is a feast of {s3} in progress at {s4}, which should last for at least another day. str_s12there_is_a_feast_of_the_s3_in_progress_at_s4_which_has_only_just_begun_|{s12}There is a feast of {s3} in progress at {s4}, which has only just begun. str_not_at_this_time_no|Not at this time, no. str_s12the_great_lords_bring_their_daughters_and_sisters_to_these_occasions_to_see_and_be_seen_so_they_represent_an_excellent_opportunity_to_make_a_ladys_acquaintance|{s12}The great lords bring their daughters and sisters to these occasions to see and be seen, so they represent an excellent opportunity to make a lady's acquaintance. str_you_will_not_be_disappointed_sirmadam_you_will_not_find_better_warriors_in_all_calradia|You will not be disappointed. You will not find better warriors in all the world. str_your_excellency|your excellency str_s10_and_s11|{s10} and {s11} str_your_loyal_subjects|your loyal subjects str_loyal_subjects_of_s10|loyal subjects of {s10} str_the|the str_we|we str_track_down_s7_and_defeat_him_defusing_calls_for_war_within_the_s11|Track down {s7} and defeat him, defusing calls for war within the {s11}. str_track_down_the_s9_who_attacked_travellers_near_s8_then_report_back_to_the_town|Track down the {s9} who attacked travellers near {s8}, then report back to the town. str_do_you_wish_to_award_it_to_one_of_your_vassals|Do you wish to award it to one of your vassals? str_who_do_you_wish_to_give_it_to|Who do you wish to give it to? str_sire_my_lady_we_have_taken_s1_s2|{My lord/My lady}, we have taken {s1}. {s2} str_s12i_want_to_have_s1_for_myself|{s12}I want to have {s1} for myself. {s2} str_fiefs_s0|(fiefs {s0}) str_production_setting_buy_from_market|We are buying raw materials from the market. str_production_setting_buy_from_inventory|We are only using the raw materials in our inventory. str_production_setting_produce_to_inventory|We are putting our output into the inventory. str_production_setting_produce_to_market|We are selling our output directly into the inventory. str_feast_quest_expired|You were unable to hold a feast as planned. Most likely, major faction campaigns or other events intervened. You may attempt to hold the feast again, if you wish. str_whereabouts_unknown|Whereabouts unknown. str_mulberry_groves|acres of mulberry groves str_olive_groves|acres of olive groves str_acres_flax|acres of flax fields str_enterprise_enemy_realm|You are an enemy of this realm. We cannot allow you to buy land here. str_you_intend_to_denounce_s14_to_s13_on_behalf_of_s12|You intend to privately denounce {s14} to {s13} on behalf of {s12} str_you_intend_to_denounce_s14_to_his_face_on_behalf_of_s14|You intend to openly denounce {s14} to his face, on behalf of {s12} str_you_intend_to_bring_gift_for_s14|You intend to bring velvet and furs to {s12}. Then, speak to {s14}, to see if {s12} was able to arrange a reconciliation. str_we_will_gather_the_army_but_not_ride_until_we_have_an_objective|We will gather the army, but not ride forth until we have an objective. str_we_shall_lay_siege_to_an_easy_fortress_to_capture|We are concentrating out forces on their most vulnerable fortress. str_we_shall_strike_at_the_heart_of_our_foe_and_seize_the_fortress_of_s14|We intend to strike a blow which will do them the greatest damage. str_we_shall_take_the_fortress_of_s14_which_appears_easily_defensible|We aim to take a fortress which is easy for us to defend. str_we_shall_cut_a_fiery_trail_through_their_richest_lands_to_draw_them_out_to_battle|We leave a fiery trail through their richest lands to draw them out to battle. str_strategy_criticism_rash|I believe that this strategy is rash, and needlessly exposes our forces to danger. str_strategy_criticism_cautious|I believe that this strategy is overly cautious, and will see our army melt away from boredom without us achieving any successes. str_tavernkeeper_invalid_quest| had some sort of business going on, but I'm having trouble remembering the details. str_faction_title_male_player|{s0} str_faction_title_male_player_village|{s0} str_faction_title_male_player_castle|{s0} str_faction_title_male_player_town|{s0} str_faction_title_male_player_king|{s0} str_faction_title_male_1|{s0} str_faction_title_male_1_village|{s0} str_faction_title_male_1_castle|{s0} str_faction_title_male_1_town|{s0} str_faction_title_male_1_king|{s0} str_faction_title_male_2|{s0} str_faction_title_male_2_village|{s0} str_faction_title_male_2_castle|{s0} str_faction_title_male_2_town|{s0} str_faction_title_male_2_king|{s0} str_faction_title_male_2_1|{s0} str_faction_title_male_2_1_village|{s0} str_faction_title_male_2_1_castle|{s0} str_faction_title_male_2_1_town|{s0} str_faction_title_male_2_1_king|{s0} str_faction_title_male_2_2|{s0} str_faction_title_male_2_2_village|{s0} str_faction_title_male_2_2_castle|{s0} str_faction_title_male_2_2_town|{s0} str_faction_title_male_2_2_king|{s0} str_faction_title_male_3|{s0} str_faction_title_male_3_village|{s0} str_faction_title_male_3_castle|{s0} str_faction_title_male_3_town|{s0} str_faction_title_male_3_king|{s0} str_faction_title_male_4|{s0} str_faction_title_male_4_village|{s0} str_faction_title_male_4_castle|{s0} str_faction_title_male_4_town|{s0} str_faction_title_male_4_king|{s0} str_faction_title_male_5|{s0} str_faction_title_male_5_village|{s0} str_faction_title_male_5_castle|{s0} str_faction_title_male_5_town|{s0} str_faction_title_male_5_king|{s0} str_faction_title_male_6|{s0} str_faction_title_male_6_village|{s0} str_faction_title_male_6_castle|{s0} str_faction_title_male_6_town|{s0} str_faction_title_male_6_king|{s0} str_faction_title_male_8|{s0} str_faction_title_male_8_village|{s0} str_faction_title_male_8_castle|{s0} str_faction_title_male_8_town|{s0} str_faction_title_male_8_king|{s0} str_faction_title_male_9|{s0} str_faction_title_male_9_village|{s0} str_faction_title_male_9_castle|{s0} str_faction_title_male_9_town|{s0} str_faction_title_male_9_king|{s0} str_faction_title_male_10|{s0} str_faction_title_male_10_village|{s0} str_faction_title_male_10_castle|{s0} str_faction_title_male_610_town|{s0} str_faction_title_male_10_king|{s0} str_faction_title_male_11|{s0} str_faction_title_male_11_village|{s0} str_faction_title_male_11_castle|{s0} str_faction_title_male_11_town|{s0} str_faction_title_male_11_king|{s0} str_faction_title_male_12|{s0} str_faction_title_male_12_village|{s0} str_faction_title_male_12_castle|{s0} str_faction_title_male_12_town|{s0} str_faction_title_male_12_king|{s0} str_faction_title_male_13|{s0} str_faction_title_male_13_village|{s0} str_faction_title_male_13_castle|{s0} str_faction_title_male_13_town|{s0} str_faction_title_male_13_king|{s0} str_faction_title_male_14|{s0} str_faction_title_male_14_village|{s0} str_faction_title_male_14_castle|{s0} str_faction_title_male_14_town|{s0} str_faction_title_male_14_king|{s0} str_faction_title_male_15|{s0} str_faction_title_male_15_village|{s0} str_faction_title_male_15_castle|{s0} str_faction_title_male_15_town|{s0} str_faction_title_male_15_king|{s0} str_faction_title_male_16|{s0} str_faction_title_male_16_village|{s0} str_faction_title_male_16_castle|{s0} str_faction_title_male_16_town|{s0} str_faction_title_male_16_king|{s0} str_faction_title_male_17|{s0} str_faction_title_male_17_village|{s0} str_faction_title_male_17_castle|{s0} str_faction_title_male_17_town|{s0} str_faction_title_male_17_king|{s0} str_faction_title_male_18|{s0} str_faction_title_male_18_village|{s0} str_faction_title_male_18_castle|{s0} str_faction_title_male_18_town|{s0} str_faction_title_male_18_king|{s0} str_faction_title_male_19|{s0} str_faction_title_male_19_village|{s0} str_faction_title_male_19_castle|{s0} str_faction_title_male_19_town|{s0} str_faction_title_male_19_king|{s0} str_faction_title_male_20|{s0} str_faction_title_male_20_village|{s0} str_faction_title_male_20_castle|{s0} str_faction_title_male_20_town|{s0} str_faction_title_male_20_king|{s0} str_faction_title_male_21|{s0} str_faction_title_male_21_village|{s0} str_faction_title_male_21_castle|{s0} str_faction_title_male_21_town|{s0} str_faction_title_male_21_king|{s0} str_faction_title_male_22|{s0} str_faction_title_male_22_village|{s0} str_faction_title_male_22_castle|{s0} str_faction_title_male_22_town|{s0} str_faction_title_male_22_king|{s0} str_faction_title_female_player|{s0} str_faction_title_female_player_village|{s0} str_faction_title_female_player_castle|{s0} str_faction_title_female_player_town|{s0} str_faction_title_female_player_queen|{s0} str_faction_title_female_player_unmarried|{s0} str_faction_title_female_1|{s0} str_faction_title_female_1_village|{s0} str_faction_title_female_1_castle|{s0} str_faction_title_female_1_town|{s0} str_faction_title_female_1_queen|{s0} str_faction_title_female_1_unmarried|{s0} str_faction_title_female_2|{s0} str_faction_title_female_2_village|{s0} str_faction_title_female_2_castle|{s0} str_faction_title_female_2_town|{s0} str_faction_title_female_2_queen|{s0} str_faction_title_female_2_unmarried|{s0} str_faction_title_female_2_1|{s0} str_faction_title_female_2_1_village|{s0} str_faction_title_female_2_1_castle|{s0} str_faction_title_female_2_1_town|{s0} str_faction_title_female_2_1_queen|{s0} str_faction_title_female_2_1_unmarried|{s0} str_faction_title_female_2_2|{s0} str_faction_title_female_2_2_village|{s0} str_faction_title_female_2_2_castle|{s0} str_faction_title_female_2_2_town|{s0} str_faction_title_female_2_2_queen|{s0} str_faction_title_female_2_2_unmarried|{s0} str_faction_title_female_3|{s0} str_faction_title_female_3_village|{s0} str_faction_title_female_3_castle|{s0} str_faction_title_female_3_town|{s0} str_faction_title_female_3_queen|{s0} str_faction_title_female_3_unmarried|{s0} str_faction_title_female_4|{s0} str_faction_title_female_4_village|{s0} str_faction_title_female_4_castle|{s0} str_faction_title_female_4_town|{s0} str_faction_title_female_4_queen|{s0} str_faction_title_female_4_unmarried|{s0} str_faction_title_female_5|{s0} str_faction_title_female_5_village|{s0} str_faction_title_female_5_castle|{s0} str_faction_title_female_5_town|{s0} str_faction_title_female_5_queen|{s0} str_faction_title_female_5_unmarried|{s0} str_faction_title_female_6|{s0} str_faction_title_female_6_village|{s0} str_faction_title_female_6_castle|{s0} str_faction_title_female_6_town|{s0} str_faction_title_female_6_queen|{s0} str_faction_title_female_6_unmarried|{s0} str_faction_title_female_8|{s0} str_faction_title_female_8_village|{s0} str_faction_title_female_8_castle|{s0} str_faction_title_female_8_town|{s0} str_faction_title_female_8_queen|{s0} str_faction_title_female_8_unmarried|{s0} str_faction_title_female_9|{s0} str_faction_title_female_9_village|{s0} str_faction_title_female_9_castle|{s0} str_faction_title_female_9_town|{s0} str_faction_title_female_9_queen|{s0} str_faction_title_female_9_unmarried|{s0} str_faction_title_female_10|{s0} str_faction_title_female_10_village|{s0} str_faction_title_female_10_castle|{s0} str_faction_title_female_10_town|{s0} str_faction_title_female_10_queen|{s0} str_faction_title_female_10_unmarried|{s0} str_faction_title_female_11|{s0} str_faction_title_female_11_village|{s0} str_faction_title_female_11_castle|{s0} str_faction_title_female_11_town|{s0} str_faction_title_female_11_queen|{s0} str_faction_title_female_11_unmarried|{s0} str_faction_title_female_12|{s0} str_faction_title_female_12_village|{s0} str_faction_title_female_12_castle|{s0} str_faction_title_female_12_town|{s0} str_faction_title_female_12_queen|{s0} str_faction_title_female_12_unmarried|{s0} str_faction_title_female_13|{s0} str_faction_title_female_13_village|{s0} str_faction_title_female_13_castle|{s0} str_faction_title_female_13_town|{s0} str_faction_title_female_13_queen|{s0} str_faction_title_female_13_unmarried|{s0} str_faction_title_female_14|{s0} str_faction_title_female_14_village|{s0} str_faction_title_female_14_castle|{s0} str_faction_title_female_14_town|{s0} str_faction_title_female_14_queen|{s0} str_faction_title_female_14_unmarried|{s0} str_faction_title_female_15|{s0} str_faction_title_female_15_village|{s0} str_faction_title_female_15_castle|{s0} str_faction_title_female_15_town|{s0} str_faction_title_female_15_queen|{s0} str_faction_title_female_15_unmarried|{s0} str_faction_title_female_16|{s0} str_faction_title_female_16_village|{s0} str_faction_title_female_16_castle|{s0} str_faction_title_female_16_town|{s0} str_faction_title_female_16_queen|{s0} str_faction_title_female_16_unmarried|{s0} str_faction_title_female_17|{s0} str_faction_title_female_17_village|{s0} str_faction_title_female_17_castle|{s0} str_faction_title_female_17_town|{s0} str_faction_title_female_17_queen|{s0} str_faction_title_female_17_unmarried|{s0} str_faction_title_female_18|{s0} str_faction_title_female_18_village|{s0} str_faction_title_female_18_castle|{s0} str_faction_title_female_18_town|{s0} str_faction_title_female_18_queen|{s0} str_faction_title_female_18_unmarried|{s0} str_faction_title_female_19|{s0} str_faction_title_female_19_village|{s0} str_faction_title_female_19_castle|{s0} str_faction_title_female_19_town|{s0} str_faction_title_female_19_queen|{s0} str_faction_title_female_19_unmarried|{s0} str_faction_title_female_20|{s0} str_faction_title_female_20_village|{s0} str_faction_title_female_20_castle|{s0} str_faction_title_female_20_town|{s0} str_faction_title_female_20_queen|{s0} str_faction_title_female_20_unmarried|{s0} str_faction_title_female_21|{s0} str_faction_title_female_21_village|{s0} str_faction_title_female_21_castle|{s0} str_faction_title_female_21_town|{s0} str_faction_title_female_21_queen|{s0} str_faction_title_female_21_unmarried|{s0} str_faction_title_female_22|{s0} str_faction_title_female_22_village|{s0} str_faction_title_female_22_castle|{s0} str_faction_title_female_22_town|{s0} str_faction_title_female_22_queen|{s0} str_faction_title_female_22_unmarried|{s0} str_hero_titles_none|{s0} str_hero_titles_diplomat|{s0} str_hero_titles_tactician|{s0} str_hero_titles_scout|{s0} str_hero_titles_physician|{s0} str_hero_titles_trader|{s0} str_hero_titles_party|{s0} str_hero_specdesc_none|{s0} str_hero_specdesc_diplomat|{s0} str_hero_specdesc_tactician|{s0}) str_hero_specdesc_scout|{s0} str_hero_specdesc_physician|{s0} str_hero_specdesc_trader|{s0} str_ruler_relation_mnus_100_ns|{s0} str_ruler_relation_mnus_80_ns|{s0} str_ruler_relation_mnus_60_ns|{s0} str_ruler_relation_mnus_40_ns|{s0} str_ruler_relation_mnus_20_ns|{s0} str_ruler_relation_plus_0_ns|placeholder shouldn't appear str_ruler_relation_plus_20_ns|{s0} str_ruler_relation_plus_40_ns|{s0} str_ruler_relation_plus_60_ns|{s0} str_ruler_relation_plus_80_ns|{s0} str_faction_king_title_1|{s0} str_faction_king_title_2|{s0} str_faction_king_title_2_1|{s0} str_faction_king_title_2_2|{s0} str_faction_king_title_3|{s0} str_faction_king_title_4|{s0} str_faction_king_title_5|{s0} str_faction_king_title_6|{s0} str_faction_king_title_8|{s0} str_faction_king_title_9|{s0} str_faction_king_title_10|{s0} str_faction_king_title_11|{s0} str_faction_king_title_12|{s0} str_faction_king_title_13|{s0} str_faction_king_title_14|{s0} str_faction_king_title_15|{s0} str_faction_king_title_16|{s0} str_faction_king_title_17|{s0} str_faction_king_title_18|{s0} str_faction_king_title_19|{s0} str_faction_king_title_20|{s0} str_faction_king_title_21|{s0} str_faction_king_title_22|{s0} str_name_kingdom_text|What will be the name of your sovereignty? str_default_kingdom_name|Choose a name str_lord_defects_ordinary|Lord Defects^^{s1} has renounced {his/her} allegiance to {s3}, and joined {s2} str_lord_defects_player|Lord Defects^^{s1} has renounced {his/her} allegiance to the {s3}. {reg4?She He} has tentatively joined your kingdom. You may go to your court to receive a pledge, if you wish. str_lord_defects_player_faction|Lord Defects^^{s1} has renounced {his/her} allegiance to the {s3}. {reg4?She He} has tentatively joined your kingdom. You may go to your court to receive a pledge, if you wish. str_lord_indicted_player_faction|By order of {s6}, {s4} of the {s5} has been indicted for treason. {He/She} has been stripped of all {his/her} properties, and has fled for {his/her} life. {He/She} wishes to join your kingdom. You may find {him/her} in your court to receive {reg4?her his} allegiance, if you wish it. str_lord_indicted_dialog_approach|Greetings, {my lord/my lady}. You may have heard of my ill treatment at the hands of {s10}. You have a reputation as one who treats {his/her} vassals well, and if you will have me, I would be honored to pledge myself as your vassal. str_lord_indicted_dialog_approach_yes|And I would be honored to accept your pledge. str_lord_indicted_dialog_approach_no|I'm sorry. Your service is not required. str_lord_indicted_dialog_rejected|Indeed? Well, perhaps your reputation is misleading. Good day, {my lord/my lady} -- I go to see if another ruler is more appreciative of my talents. str__has_been_worried_about_bandits_establishing_a_hideout_near_his_home| has been worried about brigands establishing a hideout in {reg4?her his} area. str_bandit_lair_quest_description|Find and destroy the {s9}, and report back to {s11}. str_bandit_hideout_preattack|You approach the hideout. The {s4} don't appear to have spotted you yet, and you could still sneak away unnoticed. The difficult approach to the site -- {s5} -- means that only a handful of troops in your party will be able to join the attack, and they will be unable to bring their horses. If your initial attack fails, the {s4} will easily be able to make their escape and disperse. Do you wish to attack the hideout, or wait for another occasion? str_bandit_hideout_failure|The {s4} beat back your attack. You regroup, and advance again to find that they have dispersed and vanished into the surrounding countryside, where no doubt they will continue to threaten travellers. str_bandit_hideout_success|With their retreat cut off, the {s4} fall one by one to your determined attack. Their hideout, and their ill-gotten gains, are now yours. str_bandit_approach_defile|down a narrow defile str_bandit_approach_swamp|through a pine swamp str_bandit_approach_thickets|through a series of dense thickets str_bandit_approach_cliffs|up a path along the side of a cliff str_bandit_approach_cove|down a stream bed cutting through the sea-cliffs str_political_explanation_lord_lacks_center|In this case, the fief should go to a lord who has no land and no income. str_political_explanation_lord_took_center|In this case, the holding should go to the one who captured it. str_political_explanation_most_deserving_friend|In this case, I looked to my close friends and companions, and decided the fief should go to the most deserving. str_political_explanation_most_deserving_in_faction|In this case, I looked to all the lords of the realm, and decided the fief should go to the most deserving. str_political_explanation_self|In the absence of any clear other candidate, I nominate myself. str_political_explanation_marshal|I chose the most valiant of our nobles, whom I trust, and whose name is not currently tainted by controversy. str_prisoner_at_large|large, after the captors were defeated in battle. I expect your friend will resurface shortly. str_quick_battle_scene_1|Farmhouse str_quick_battle_scene_2|Oasis str_quick_battle_scene_3|Prince's Pass str_quick_battle_scene_4|Vulture's Roost str_quick_battle_scene_5|Skyreach str_quick_battle_troop_1|Prince Rhaegar Targaryen was a member of House Targaryen. He was the eldest son of King Aerys II Targaryen and, as heir-apparent, Prince of Dragonstone and crown prince for the Iron Throne. Rhaegar was popular with the smallfolk during his lifetime, but he died in Robert's Rebellion which was triggered in part by his abduction of Lyanna Stark. He was slain in single combat with Robert Baratheon at the ruby ford of the Trident. str_quick_battle_troop_2|King Robert I Baratheon is the Lord of the Seven Kingdoms of Westeros and the head of House Baratheon of King's Landing. Robert was crowned king after winning the rebellion which was named after him and taking the Iron Throne from Aerys II Targaryen, his first cousin once removed. Robert fought the war to win back his betrothed, Lyanna Stark, with the aid of her brother, his close friend, Eddard Stark. Due to Lyanna's death, however, Robert married Cersei Lannister after war's end to ensure political stability. str_quick_battle_troop_3|Eddard Stark, also affectionately called 'Ned', is the head of House Stark, Lord of Winterfell, and Warden of the North. He is a close friend to King Robert I Baratheon, whom he was raised with and helped to win the Iron Throne. str_quick_battle_troop_4|Hoster Tully is the Lord of Riverrun and head of House Tully. On the eve of Robert's Rebellion, Hoster's elder daughter, Catelyn, was engaged to Brandon Stark, the heir to Winterfell. After Brandon was killed in King's Landing by fiat of the Mad King, Aerys II Targaryen, Hoster joined the rebellion, fighting in the Battle of the Bells where he was wounded by the Hand of the King, Lord Jon Connington. str_quick_battle_troop_5|Jon Arryn, Lord of the Eyrie and Defender of the Vale, fostered Eddard Stark and Robert Baratheon as his wards in the Vale of Arryn. As they grew, the two boys became close companions and regarded Jon as a second father. After King Aerys II Targaryen demanded that Jon turn them over for a likely execution, Jon refused and raised his banners in revolt. After the taking of Gulltown, where he confronted several lords who resisted the rebellion, Jon fought in the Battle of the Bells and the Battle of the Trident. str_quick_battle_troop_6|During Robert's Rebellion Randyll led the van for Lord Mace Tyrell. He inflicted the only defeat on Robert Baratheon's forces, at the Battle of Ashford, in which Randyll slew Lord Cafferen. str_quick_battle_troop_7|Ser Lyn won his knighthood fighting for House Targaryen with Marq Grafton against Lord Jon Arryn at the gates of Gulltown during the opening sequences of Robert's Rebellion. He was pardoned and joined Lord Jon against the Targaryens.At the Battle of the Trident, Lyn's father Lord Corbray was badly wounded. In the confusion Lyn took up the Valyrian steel sword, Lady Forlorn, and distinguished himself by leading an assault on the Dornish lines. He personally finished off a wounded Lewyn Martell. str_quick_battle_troop_8|Ser Barristan Selmy, called Barristan the Bold, is a knight from House Selmy. He is a celebrated hero and a member of the Kingsguard, serving throughout a time when the Kingsguard were considered to be the greatest knights of the realm. str_quick_battle_troop_9|Prince Lewyn Nymeros Martell, better known simply as Lewyn Martell, was a knight of House Nymeros Martell who served as a member of the Kingsguard for King Aerys II Targaryen. He was the uncle of the current Prince of Dorne, Doran Martell. str_quick_battle_troop_10|Ser Jonothor Darry, also known as Jon Darry, was a knight of House Darry and a member of King Aerys II Targaryen's Kingsguard. str_quick_battle_troop_11|Jeffory Mallister was a member of House Mallister. When news of Lyanna Stark's kidnapping by Rhaegar Targaryen reached her brother, Brandon Stark, he raced to King's Landing accompanied by his party, which included Jeffory. Brandon and his party rode into the Red Keep demanding Rhaegar's head. Rhaegar's father, King Aerys II Targaryen, had them arrested and demanded that their fathers come to King's Landing to answer for their sons' crimes. Aerys had all of them killed save for Ethan Glover. str_tutorial_training_ground_intro_message|Walk around the training field and speak with the fighters to practice various aspects of Mount Blade combat. You can use ASDW keys to move around. To talk to a character, approach him until his name appears on your screen, and then press the F key. You can also use the F key to pick up items, open doors and interact with objects. Press the Tab key to exit the tutorial any time you like. str_map_basic|Map str_game_type_basic|Game Type str_battle|Battle str_siege_offense|Siege (Offense) str_siege_defense|Siege (Defense) str_character|Character str_biography|Background str_player|Player str_enemy|Enemy str_faction|Faction str_army_composition|Army Composition str_army_size|Army Size str_reg0_men|{reg0} men str_start|Start str_i_need_to_raise_some_men_before_attempting_anything_else|I need to raise some men before attempting anything else str_we_are_currently_at_peace|We are currently at peace. str_the_marshalship|the marshalship str_you|you str_myself|myself str_my_friend_s15|my friend {s15} str_custom_battle|Custom Battle str_comment_intro_liege_affiliated_to_player|I am told that you would dispute my claim to rule this land. Needless to say, I am not pleased by this news. However, we may still talk. str_s21_the_s8_declared_war_out_of_personal_enmity|{s21} {s8} declared war out of personal enmity. str_s21_the_s8_declared_war_in_response_to_border_provocations|{s21} {s8} declared war in response to border provocations. str_s21_the_s8_declared_war_to_curb_the_other_realms_power|{s21} {s8} declared war to curb the other realm's power. str_s21_the_s8_declared_war_to_regain_lost_territory|{s21} {s8} declared war to regain lost territory. str__family_|^Family str_we_are_conducting_recce|We will first scout the area, and then decide what to do. str_s49_s12_s11_end|{s49} {s12} ({s11}). str_center_party_not_active|is not our target, because we don't have a leader who has taken the field. str_center_is_friendly|is not our enemy. str_center_is_already_besieged|is already under siege. str_center_is_looted_or_raided_already|is already been laid waste. str_center_marshal_does_not_want_to_attack_innocents|is inhabited by common folk, who would suffer the most if the land is laid waste. str_center_we_have_already_committed_too_much_time_to_our_present_siege_to_move_elsewhere|is already under siege, so it would be a mistake to move elsewhere. str_center_we_are_already_here_we_should_at_least_loot_the_village|is close at hand, we should take hold of its wealth and lay waste to the rest. str_center_far_away_we_can_reconnoiter_but_will_delay_decision_until_we_get_close|NOT USED str_center_far_away_our_cautious_marshal_does_not_wish_to_reconnoiter|is too far away, even to reconnoiter. str_center_far_away_even_for_our_aggressive_marshal_to_reconnoiter|is too far away, even to reconnoiter. str_center_far_away_reason|{s6} is further than {s5} to our centers, therefore it will be harder for us to protect after taking it. str_center_closer_but_this_is_not_enought|{s6} is closer than {s5} to our borders, but because of other reasons we are not attacking {s6} for now. str_center_protected_by_enemy_army_aggressive|is protected by enemy forces, which we believe to be substantially stronger than our own. str_center_protected_by_enemy_army_cautious|is protected by an enemy army, which we believe to be too strong to engage with confidence of victory. str_center_cautious_marshal_believes_center_too_difficult_to_capture|would require a bloody and risky siege. str_center_even_aggressive_marshal_believes_center_too_difficult_to_capture|is too heavily defended to capture. str_center_value_outweighed_by_difficulty_of_capture|is not of sufficient value to justify the difficulty of attacking it str_center_value_justifies_the_difficulty_of_capture|can be taken, and is of sufficient value to justify an attack. str_center_is_indefensible|is too far away from our other fortresses to be defended. str_we_are_waiting_for_selection_of_marshal|We are waiting for the selection of a marshal str_best_to_attack_the_enemy_lands|Given the size of our forces, we believe the best approach is to attack the enemy's lands. str_we_believe_the_fortress_will_be_worth_the_effort_to_take_it|We believe the fortress will be worth the effort to take it. str_we_will_gather_to_defend_the_beleaguered_fortress|We will gather to defend the beleaguered fortress str_the_enemy_temporarily_has_the_field|The enemy temporarily has the field, and we should seek refuge until the storm passes str_center_has_not_been_scouted|has not been recently scouted by our forces, but we can go there, and decide what to do when we get close. str_we_have_assembled_some_vassals|We have assembled some of the vassals, but we will wait until we have more before venturing into enemy territory. str_we_are_waiting_here_for_vassals|We are waiting for the vassals to join us. str_we_are_travelling_to_s11_for_vassals|We are travelling to {s11}, so that the vassals may more easily join our host before we ride forth. str_center_strength_not_scouted|We have not scouted it recently, and do not know how strongly it is defended str_center_strength_strongly_defended|We believe it to be strongly defended str_center_strength_moderately_defended|We believe it to be moderately well defended str_center_strength_weakly_defended|We believe it to be weakly defended str_center_distant_from_concentration|is close to us than it is to the main enemy army, which we have located. It could be attacked and destroyed before they are able to respond str_plus|+ str_minus|- str_tutorial_training_ground_warning_no_weapon|Hey, don't you think you need some sort of weapon before we try that? There should be some spare weapons over there. Just go pick one up. str_tutorial_training_ground_warning_shield|You need to put down your shield first. Scroll down with the mouse scroll-wheel to put down your shield. str_tutorial_training_ground_warning_melee_with_parry|You need to wield a melee weapon for this exercise. str_tutorial_training_ground_warning_melee|Scroll up with your mouse wheel to equip a weapon. Scrolling up will equip next weapon while scrollng down will equip next shield. str_tutorial_training_ground_attack_training|Number of successful attacks {reg0} / 5^Number of unsuccessful attacks {reg1}^{s0} str_tutorial_training_ground_attack_training_down|Make a thrust attack! (Move your mouse down while pressing the left mouse button) str_tutorial_training_ground_attack_training_up|Make an overhead attack! (Move your mouse up while pressing the left mouse button) str_tutorial_training_ground_attack_training_left|Attack from left! (Move your mouse left while pressing the left mouse button) str_tutorial_training_ground_attack_training_right|Attack from right! (Move your mouse right while pressing the left mouse button) str_tutorial_training_ground_parry_training|Number of successful parries {reg0} / 5 str_tutorial_training_ground_chamber_training|Number of successful chambering blocks {reg0} / 5 str_tutorial_training_ground_archer_training|Number of nice shots {reg0} / 3^{s0} str_tutorial_training_ground_ammo_refill|Your missiles are refilled for the tutorial. str_tutorial_training_ground_archer_text_1|Approach the {s0} and press F to pick it up. str_tutorial_training_ground_archer_text_2|Shoot the targets now. str_tutorial_training_ground_archer_text_3|The size of the targeting reticule indicates your accuracy. Press and hold down the left mouse button until the reticule shrinks down to its minimum size. Release the left mouse button when the reticule is at its smallest. If you wait too long the reticule will expand again. str_tutorial_training_ground_archer_text_4|Press R to toggle first person view. First person view makes it easier to aim with ranged weapons. str_tutorial_training_ground_archer_text_5|You have shot all the targets. Now talk to the trainer again. str_tutorial_training_ground_horseman_text_1|Go near the {s0} and press F to pick it up. str_tutorial_training_ground_horseman_text_2|Approach the horse and press F to mount. str_tutorial_training_ground_horseman_text_3|Ride towards the next waypoint. str_tutorial_training_ground_horseman_text_4|Strike the next dummy that has an arrow on top of it! str_tutorial_training_ground_horseman_text_5|Shoot at the archery target that has an arrow on top of it! str_tutorial_training_ground_horseman_text_6|You have finished the exercise successfully. Now go back to the trainer and talk to him. str_the_great_lords_of_your_kingdom_plan_to_gather_at_your_hall_in_s10_for_a_feast|The great lords of your kingdom plan to gather at your hall in {s10} for a feast str_your_previous_court_some_time_ago|your previous court some time ago, str_awaiting_the_capture_of_a_fortress_which_can_serve_as_your_court|awaiting the recapture of a fortress which can serve as your court. str_but_if_this_goes_badly| I value your advice. But if this goes badly, I shall hold you responsible. str_i_realize_that_you_are_on_good_terms_with_s4_but_we_ask_you_to_do_this_for_the_good_of_the_realm| I realize that you are on good terms with {s4}, but this is all for the good of the realm str_i_realize_that_you_are_on_good_terms_with_s4_but_the_blow_will_hurt_him_more|I realize that you are on good terms with {s4} -- but this only means that your blow will hit him even harder! str_killed_bandit_at_alley_fight|The merchant takes you to his house. Once inside, he stands by the door for a while, looking at the dawn, and then, suddenly, comes near you to speak... str_wounded_by_bandit_at_alley_fight|You are struck down. However, before you lose consciousness, you hear shouts and a rush of footfalls... You awake to find yourself indoors, weak but alive. str_cannot_leave_now|Cannot leave now. str_press_tab_to_exit_from_town|Press Tab to leave now. You can press Tab key to quickly exit any location in the game. str_find_the_lair_near_s9_and_free_the_brother_of_the_prominent_s10_merchant|Find the bandit lair near {s9}, and free the brother of Osbert Clerk. str_please_sir_my_lady_go_find_some_volunteers_i_do_not_know_how_much_time_we_have|If you want to justify the trust which I have placed in you, then make a bit of haste. Go find some volunteers. I'm not sure how much time we have. str_you_need_more_men_sir_my_lady|Look -- you need more men. Right now, you have only {reg0} in your party. If you attack them with too few men, you may find their hideout by getting yourself dragged up to it in fetters, and that's not the plan. Do not take that risk. Go out and visit some more villages to find more volunteers, and then you can start paying them back in their own coin. str_good_you_have_enough_men|Good, good. You did well. You have enough men. Now, go and knock some of those robbers over the head, and make them tell you how to find their hideout. str_do_not_waste_time_go_and_learn_where_my_brother_is|Look. Time is at a bit of premium, here. Now, if you could go find out where they are hiding my brother, that would be appreciated. str_start_up_quest_message_1|{s9} wants you to collect at least five men from nearby villages. After you collect these men, find and speak with him. He is in the tavern at {s1} str_start_up_quest_message_2|Find and defeat a group of bandits lurking near {s9}, and learn where Osberts brother has been taken. str_start_up_quest_message_3|Rescue Osberts brother from the robber's hideout located near {s9}. str_start_up_first_quest|You have taken your first quest. You may view your quest log by pressing 'Q' anytime in the game. str_reason_1|Our current objective is of greater value. str_reason_2|An attack on {s8} poses a greater danger to our realm. str_reason_3|We believe that {s8} faces a more immediate threat str_reason_4|It may be because of the size of the enemy forces in the area. str_reason_5|I'm not sure. str_reason_6|We do not know how strongly it is defended. str_reason_7|We believe it to be strongly defended. str_reason_8|We believe it to be moderately well defended. str_reason_9|We believe it to be weakly defended. str_has_decided_that_an_attack_on_|has decided to attack str_this_would_be_better_worth_the_effort|This would be better worth the effort, taking into consideration its value, and its distance, and the likely number of defenders. str_has_decided_to_defend_|has decided to defend str_before_going_offensive_we_should_protect_our_lands_if_there_is_any_threat_so_this_can_be_reason_marshall_choosed_defending_s4|Before going on the offensive, we should protect our lands. So this could be the reason the marshal choose to defend {s4}. str_are_you_all_right|Now... let me explain my proposition. str_you_are_awake|Ah -- you're awake. It's good to see that you can still walk. You're lucky that we came along. I had been speaking with the castle guards, when we heard the sounds of a fight and ran to see what was happening. We didn't arrive in time to prevent you getting knocked down, but we may have saved you from getting your throat cut... Now... Maybe you can help me... str_save_town_from_bandits|Save {s9} from bandits. str_you_fought_well_at_town_fight_survived|Hah! Well done {playername} -- I saw at least three of the enemy go down before you. Keep fighting like that, and you'll make quite a name for yourself here in the Stormlands. str_you_fought_normal_at_town_fight_survived|Well done {playername}! I hear you accounted for one or two of the bastards, and you're still on your feet. You can't ask for a better outcome of a battle than that... str_you_fought_bad_at_town_fight_survived|Well, {playername}, the enemy is in flight, and it looks like you're still on your feet. At the end of the day, that's all that's important in a battle. str_you_fought_well_at_town_fight|Ah! You're awake {playername}. You took quite a blow, there. But good news! We defeated them -- and you did them some real damage before you went down. If you hadn't been here, it could have gone very baldy. I'm grateful to you... str_you_wounded_at_town_fight|Ah! You're alive {playername}. That's a relief. You took quite a blow, there. I'm not sure that you got any of them yourself, but thankfully, the rest of us were able to beat them. We'll need to see about getting you some treatment.... str_you_fought_well_at_town_fight_survived_answer|Let every villain learn to fear the name {playername}! str_you_fought_normal_at_town_fight_survived_answer|Ah, well, I'm proud to have done my bit along with the rest... str_you_fought_bad_at_town_fight_survived_answer|Well, I was about to strike one down, but I slipped in some blood, you see... str_you_fought_well_at_town_fight_answer|Ah well. I guess I don't mind a blow taken in a good cause. str_you_wounded_at_town_fight_answer|Right. I suppose I should be more careful. str_unfortunately_reg0_civilians_wounded_during_fight_more| Unfortunately, about {reg0} of my lads got themselves wounded. I should go look on on them. str_unfortunately_reg0_civilians_wounded_during_fight| Unfortunately, one of my lads took a pretty nasty blow. I should go see how he is doing. str_also_one_another_good_news_is_any_civilians_did_not_wounded_during_fight| Also, no one on our side was hurt very seriously. That's good news str_merchant_and_you_call_some_townsmen_and_guards_to_get_ready_and_you_get_out_from_tavern|You leave the tavern and go out to the streets. Nervous looking young men are waiting in every street corner. You can see they have daggers and clubs concealed under their clothes, and catch a mixture of fear, anticipation and pride in the quick looks they throw at you as you pass by. Praying that your enemies have not been alarmed by this all too obvious bunch of plotters, you check your weapons for one last time and prepare yourself for the action ahead. str_town_fight_ended_you_and_citizens_cleaned_town_from_bandits|The remaining few bandits scatter off to the town's narrow alleys, only to be hunted down one by one by the angry townsfolk. Making sure that your victory is complete and all the wounded have been taken care of, you and the merchant head to his house to review the day's events. str_town_fight_ended_you_and_citizens_cleaned_town_from_bandits_you_wounded|You fall down with that last blow, unable to move and trying hard not to pass out. Soon the sounds of fighting filling the street gives way to the cheers of the townsmen and you realize with relief that your side won the day. Soon, friendly arms pick you up from the ground and you let yourself drift off to a blissful sleep. Hours later, you wake up in the merchants house. str_journey_to_reyvadin|You have come through the Vaegir highlands, a plateau exposed to the bitter winds from the north. The land here is frozen for most of the year, but the forests are rich with fur-bearing game, and the rivers are teaming with fish. The riches of the land draw the traders, but the traders in turn draw bandits. You saw the occasional dark figure mounted on a shaggy pony, watching the passage of your caravan from a snowy ridge, and were glad when the spires of Reyvadin came into view across the wide valley of the Boluk river. str_journey_to_praven|You join a merchant and his family, travelling towards Storm's End. Green shoots of wheat, barley and oats are all across the dark soil of the rolling hills, and on the lower slopes of the snowcapped mountains, herds of cattle, aurochs and sheep are grazing on the summer grass. Occasionally, too, you catch sight of one of the great war horses that are the pride of the nobility. The land here is rich -- but also troubled, as the occasional burnt-out farm bears witness, a testament to the chaos the Tyrell host caused when it marched through sixteen years earlier. You keep a wide berth of the forests, where desperate men have taken refuge. While passing by the burned ruins of Summerhall, the merchant declares that he's changed his mind, wanting to take his wares to Weeping Tower instead, having heard of Lyseni galleys docking at the nearby harbor. str_journey_to_jelkala|You came by ship, skirting the cliffs where the Rhodok highlands meet the sea. Much of the coastline was obscured by tendrils of fog that snaked down the river valleys, but occasionally you caught sight of a castle watchtower rising above the mists -- and on one occasion, a beacon fire burning to warn of an enemy warband. You knew that you were relatively safe at sea, as you were too far south to risk encountering the sea raiders who trouble the coasts of the Nordic lands, but it was still a relief to reach the Selver estuary, gateway to the port of Jelkala, and see a Rhodok galley riding at anchor, its pennants fluttering in the evening breeze. str_journey_to_sargoth|You took passage with a trading longship, carrying gyrfalcons from the furthest reaches of the north to be bartered for linen and wool. It sailed early in the season, but the master reckoned that the risks of drifting ice and later winter storms could be justified by arriving ahead of the Sea Raiders, who by April would be sailing forth from their island lairs to ravage Calradia's coasts. It was some relief when your ship came in sight of the delta of the Vyl and Boluk rivers, and a short while later, rowed past tidal flats and coastal marshes to the city of Sargoth, home to the Sea Raiders' distant kinsmen, the Nordic lords, who a few generations ago had carved themselves a kingdom in this rich but troubled land. str_journey_to_tulga|You came with a caravan, crossing the mountains that border Calradia on the north and east, bringing spices from faraway lands to trade for wool and salt. The passes were still choked with snow, and it was hard going, but at last you crested a ridge and saw before you the Calradian steppes. On some hillsides the thin grass of spring was already turning yellow, but the lower slopes of the mountains were still a vibrant green. Herds of sheep and tawny steppe ponies drifted across them like clouds, testifying to the wealth of the Khergit khans. From time to time small groups of horsemen would follow your caravan from a distance, perhaps sizing up how well you could defend the wealth you carried, so it was with some relief that you saw the towers of Tulga rising up from the plains. str_journey_to_shariz|You came with a caravan, crossing the great desert to the east of Calradia. The bedouin guides chose your route carefully, leapfrogging through treacherous dune fields and across empty gravel plains to low-lying oases rich with orchards and date palms. Your great fear was that the caravan might lose its way and perish of thirst. The small bands of raiders who hovered just out of bowshot, waiting to pick off stragglers, were oddly a comfort -- at least water could be no more than a day's ride away. It was a great relief when the mountains came into view, and on the evening of the following day you crested a rocky pass and in the distance could make out the sea, and the towers of Shariz silhouetted against the sunset. str_lost_tavern_duel_ordinary|You slump to the floor, stunned by the drunk's last blow. Your attacker's rage immediately seems to slacken. He drops into a chair and sits there watching you, muttering under his breath, almost regretfully. A few of the other patrons manage to coax him to his feet and bundle him out the door. One of the others attends to your wounds, and soon you too are back on your feet, unsteady but alive. str_lost_tavern_duel_assassin|You slump to the floor, stunned by your attacker's last blow. Slowly and deliberately, he kneels down by your side, pulling a long knife from under his clothes. But before he can finish you off, the tavernkeeper, who seems to have regained his courage, comes up from behind and gives your attacker a clout behind the head. He loses his balance, and then, seeing that his chance to kill you has been lost, makes a dash for the door. He gets away. Meanwhile, the other tavern patrons bind your wounds and haul you to a back room to rest and recover. str_lost_startup_hideout_attack|You recover consciousness a short while later, and see that the kidnappers have celebrated their victory by breaking open a cask of wine, and have forgotten to take a few elementary precautions -- like binding your hands and feet. You manage to slip away. Based on the boisterous sounds coming from the hideout, you suspect that you may yet have some time to gather a few more followers and launch another attack. str_as_you_no_longer_maintain_an_independent_kingdom_you_no_longer_maintain_a_court|As you no longer rule an independent realm, you no longer maintain a court. str_rents_from_s0|Rents from {s0} str_tariffs_from_s0|Tariffs from {s0} str_general_quarrel| We've found ourselves on the opposite side of many arguments over the years, and bad blood has built up between us. str_the_steppes|The Flatlands str_the_deserts|The Desert str_the_tundra|The Highlands str_the_forests|The Forest str_the_highlands|The Mountains str_the_coast|The Coast str_my_lady_not_sufficient_chemistry|My {lord/lady}, there are other {suitors/maidens} who have captured my heart. str_my_lady_engaged_to_another|My {lord/lady}, as I understand it, you are engaged to another. str_attempting_to_rejoin_party|Attempting to rejoin party, str_separated_from_party|Separated from party, str_leading_party|leading a party str_court_disbanded|As you no longer rule an independent realm, your court has been disbanded str_i_am_not_accompanying_the_marshal_because_will_be_reappointment| I am not accompanying the marshal, because I suspect that our ruler will shortly appoint another to that post. str_persuasion_opportunity|Persuasion opportunity.^Relation required for automatic success {reg4}^Current relationship {reg5}^Chance of success {reg7}^Chance of losing {reg9} relation point(s) {reg8} str_marshal_warning|You are not following {s1}. However, you will not suffer any penalty. str_follow_army_quest_brief_2|Your mission is complete. You may continue to follow {s9}'s army, if you wish further assignments. str_greetings_playername__it_is_good_to_see_you_i_hope_that_you_have_had_success_in_your_efforts_to_make_your_name_in_the_world| I am glad to see you. I trust you are having some success out there, making your name in the world str_minister_advice_select_fief| Might I suggest that you select {s4}, as the vassals have been speculating about how you might assign it. str_minister_advice_select_fief_wait| Might I suggest that you wait until after you have appointed a marshal, as that will give time to the vassals to decide whom they wish to support. str_minister_advice_fief_leading_vassal| {s4}, by the way, has already received the support of {reg4} of your vassals. str_unassigned_center| (unassigned) str_s43_also_you_should_know_that_an_unprovoked_assault_is_declaration_of_war|{s43} Also, as you are the ruler of your realm, you should know that this assault constitutes a declaration of war. str_missing_after_battle|Missing after battle str_retrieve_garrison_warning| (Troops might not be retrievable if fortress awarded to another) str_s12s15_declared_war_to_control_calradia|{s12}{s15} may attack {s16} without pretext, as a bid to extend control over all of the known world. str_offer_gift_description| improve my standing by offering a gift. str_resolve_dispute_description| improve my standing by resolving a dispute. str_feast_wedding_opportunity| If your betrothed and {her/his} family are present, then this may be an opportunity for you to celebrate the wedding. str_s21_the_s8_declared_war_as_part_of_a_bid_to_conquer_all_calradia|{s21}. {s8} declared war with very little pretext, as part of a bid to conquer all the known world. str_master_vinter|Master vinter str_s54_has_left_the_realm|{s54}'s location is currently unknown. str_enterprise_s5_at_s0|Net revenue from {s5} at {s0} str_bread_site|mill str_ale_site|brewery str_oil_site|oil press str_wine_site|wine press str_tool_site|ironworks str_leather_site|tannery str_linen_site|linen weavery str_wool_cloth_site|wool weavery str_velvet_site|dyeworks str_under_sequestration|Under sequestration str_describe_secondary_input| In addition, you will also need to purchase {s11} worth {reg10} coins. str_profit|profit str_loss|loss str_server_name_s0|Server Name {s0} str_map_name_s0|Map Name {s0} str_game_type_s0|Game Type {s0} str_remaining_time_s0reg0_s1reg1|Remaining Time {s0}{reg0} {s1}{reg1} str_you_are_a_lord_lady_of_s8_s9|You are a {lord/lady} of the {s8}.^{s9} str_you_are_king_queen_of_s8_s9|You are {king/queen} of the {s8}.^{s9} str_for_s4| for {s4} str_cancel_fiancee_quest| Also, you should please consider that other matter I had asked of you to have been successfully completed. It is not fit for me to commission you with tasks. str_a_duel_request_is_sent_to_s0|A duel offer is sent to {s0}. str_s0_offers_a_duel_with_you|{s0} offers a duel with you. str_your_duel_with_s0_is_cancelled|Your duel with {s0} is cancelled. str_a_duel_between_you_and_s0_will_start_in_3_seconds|A duel between you and {s0} will start in 3 seconds. str_you_have_lost_a_duel|You have lost a duel. str_you_have_won_a_duel|You have won a duel! str_server_s0|[SERVER] {s0} str_disallow_ranged_weapons|Disallow ranged weapons str_ranged_weapons_are_disallowed|Ranged weapons are disallowed. str_ranged_weapons_are_allowed|Ranged weapons are allowed. str_duel_starts_in_reg0_seconds|Duel starts in {reg0} seconds... str_none|none str_item_pool_no_items|There are currently no items in the item pool. str_item_pool_one_item|There is one item left in the item pool. str_item_pool_many_items|There are {reg20} items left in the item pool. str_item_pool_abandon|Let your companions collect all the items left and continue. str_item_pool_leave|Done. str_hero_not_upgrading_armor|not upgrading my armor str_hero_upgrading_armor|upgrading my own armor str_hero_not_upgrading_horse|not upgrading my horses str_hero_upgrading_horse|upgrading my own horses str_hero_wpn_slot_none|Keep current({s10}) str_hero_wpn_slot_horse|Horse str_hero_wpn_slot_one_handed|1-handed Wpn str_hero_wpn_slot_two_handed|2-handed Wpn str_hero_wpn_slot_polearm_all|Polearms str_hero_wpn_slot_arrows|Arrows str_hero_wpn_slot_bolts|Bolts str_hero_wpn_slot_shield|Shield str_hero_wpn_slot_bow|Bow str_hero_wpn_slot_crossbow|Crossbow str_hero_wpn_slot_throwing|Throwing Weapon str_hero_wpn_slot_goods|Goods str_hero_wpn_slot_head_armor|Head armor str_hero_wpn_slot_body_armor|Body armor str_hero_wpn_slot_foot_armor|Foot armor str_hero_wpn_slot_hand_armor|Hand armor str_hero_wpn_slot_pistol|Pistol str_hero_wpn_slot_musket|Musket str_hero_wpn_slot_bullets|Bullets str_hero_wpn_slot_animal|Animal str_hero_wpn_slot_book|Book str_one_handed_weapon|one handed weapon str_two_handed_weapon|two handed weapon str_polearm|polearm str_archery|archery str_crossbow|crossbow str_throwing|throwing str_firearms|firearms str_level_d|D str_level_c|C str_level_b|B str_level_a|A str_level_s|S str_imod_plain| str_imod_cracked|Cracked str_imod_rusty|Rusty str_imod_bent|Bent str_imod_chipped|Chipped str_imod_battered|Battered str_imod_poor|Poor str_imod_crude|Crude str_imod_old|Old str_imod_cheap|Cheap str_imod_fine|Fine str_imod_well_made|Well Made str_imod_sharp|Sharp str_imod_balanced|Balanced str_imod_tempered|Tempered str_imod_deadly|Deadly str_imod_exquisite|Exquisite str_imod_masterwork|Masterwork str_imod_heavy|Heavy str_imod_strong|Strong str_imod_powerful|Powerful str_imod_tattered|Tattered str_imod_ragged|Ragged str_imod_rough|Rough str_imod_sturdy|Sturdy str_imod_thick|Thick str_imod_hardened|Hardened str_imod_reinforced|Reinforced str_imod_superb|Superb str_imod_lordly|Lordly str_imod_lame|Lame str_imod_swaybacked|Swaybacked str_imod_stubborn|Stubborn str_imod_timid|Timid str_imod_meek|Meek str_imod_spirited|Spirited str_imod_champion|Champion str_imod_fresh|Fresh str_imod_day_old|Day Old str_imod_two_day_old|Two Day Old str_imod_smelling|Smelling str_imod_rotten|Rotten str_imod_large_bag|Large Bag str_key_0|0 str_key_1|1 str_key_2|2 str_key_3|3 str_key_4|4 str_key_5|5 str_key_6|6 str_key_7|7 str_key_8|8 str_key_9|9 str_key_a|A str_key_b|B str_key_c|C str_key_d|D str_key_e|E str_key_f|F str_key_g|G str_key_h|H str_key_i|I str_key_j|J str_key_k|K str_key_l|L str_key_m|M str_key_n|N str_key_o|O str_key_p|P str_key_q|Q str_key_r|R str_key_s|S str_key_t|T str_key_u|U str_key_v|V str_key_w|W str_key_x|X str_key_y|Y str_key_z|Z str_key_numpad_0|Numpad 0 str_key_numpad_1|Numpad 1 str_key_numpad_2|Numpad 2 str_key_numpad_3|Numpad 3 str_key_numpad_4|Numpad 4 str_key_numpad_5|Numpad 5 str_key_numpad_6|Numpad 6 str_key_numpad_7|Numpad 7 str_key_numpad_8|Numpad 8 str_key_numpad_9|Numpad 9 str_key_num_lock|Num lock str_key_numpad_slash|Numpad slash str_key_numpad_multiply|Numpad multiply str_key_numpad_minus|Numpad minus str_key_numpad_plus|Numpad plus str_key_numpad_enter|Numpad enter str_key_numpad_period|Numpad period str_key_insert|Insert str_key_delete|Delete str_key_home|Home str_key_end|End str_key_page_up|Page up str_key_page_down|Page down str_key_up|Up str_key_down|Down str_key_left|Left str_key_right|Right str_key_f1|F1 str_key_f2|F2 str_key_f3|F3 str_key_f4|F4 str_key_f5|F5 str_key_f6|F6 str_key_f7|F7 str_key_f8|F8 str_key_f9|F9 str_key_f10|F10 str_key_f11|F11 str_key_f12|F12 str_key_space|Space str_key_escape|Escape str_key_enter|Enter str_key_tab|Tab str_key_back_space|Back space str_key_open_braces|Open braces str_key_close_braces|Close braces str_key_comma|Comma str_key_period|Period str_key_slash|Slash str_key_back_slash|Back slash str_key_equals|Equals str_key_minus|Minus str_key_semicolon|Semicolon str_key_apostrophe|Apostrophe str_key_tilde|Tilde str_key_caps_lock|Caps lock str_key_left_shift|Left shift str_key_right_shift|Right shift str_key_left_control|Left control str_key_right_control|Right control str_key_left_alt|Left alt str_key_right_alt|Right alt str_bandit_name_10|Alyn the Lean str_bandit_name_11|Red Addam str_bandit_name_12|Black Jack Cobbler str_bandit_name_13|Alyn of the Kingswood str_bandit_name_14|Rhys of the Forest str_bandit_name_15|Long Jon str_bandit_name_16|Bennard of Grey Gallows str_bandit_name_17|Hessifer the Tall str_bandit_name_18|Roger Greymouth str_bandit_name_19|Hugo str_bandit_name_20|Gormond Greybeard str_bandit_name_21|The Black Fisher str_bandit_name_22|Volmor of Thenn str_bandit_name_23|The Gurgler str_bandit_name_24|Raymund Twice-Slain str_bandit_name_25|Matgor Two-Nose str_bandit_name_26|Oleg Widowmaker str_bandit_name_27|Gelmar Longdagger str_bandit_name_28|Varlam the Raper str_bandit_name_29|Jorly Bone-Crusher str_bandit_name_30|Khal Roggo str_bandit_name_31|Khal Megaro str_bandit_name_32|Khal Temmo str_bandit_name_33|Khal Rokhoro str_bandit_name_34|Khal Loggo str_bandit_name_35|Khal Naggo str_bandit_name_36|Ko Boggo str_bandit_name_37|Ko Jhoqo str_bandit_name_38|Ko Tommo str_bandit_name_39|Ko Okhoro str_bandit_name_40|Jonothor Longlegs str_bandit_name_41|The Prince of the Waters str_bandit_name_42|The Blind Bastard str_bandit_name_43|Noho Alaytus str_bandit_name_44|Jalabhar of Omboru str_bandit_name_45|Olyvar Waters str_bandit_name_46|Horonno the Drunkard str_bandit_name_47|Jabbar str_bandit_name_48|Nolano Qalganos str_bandit_name_49|The Lazy Sailor str_bandit_name_50|Shaggo str_bandit_name_51|Dryn str_bandit_name_52|Chief Gelmar str_bandit_name_53|Chief Volmer str_bandit_name_54|Chief Jorlar str_bandit_name_55|Gormon str_bandit_name_56|The Raper str_bandit_name_57|The Laughing Loon str_bandit_name_58|The Grey Axeman str_bandit_name_59|Elbar Five-Feet str_bandit_name_60|Dorolo str_bandit_name_61|Nahario str_bandit_name_62|Aron of the Red Mountains str_bandit_name_63|Rhys of Ghaston Grey str_bandit_name_64|Noho Doharis str_bandit_name_65|Theodan Fire-Breather str_bandit_name_66|Mors str_bandit_name_67|Daemon Scorpion-Eater str_bandit_name_68|The Grape Eater str_bandit_name_69|The Mud Dancer str_faction_king_female_title_1|Queen {s0} str_faction_king_female_title_2|Velikiy Knyaginya {s0} str_faction_king_female_title_3|{s0} Khatun str_faction_king_female_title_4|Dronning {s0} str_faction_king_female_title_5|Dogaressa {s0} str_faction_king_female_title_6|Sultana {s0} str_dplmc_gather_information|gather information str_dplmc_conclude_non_agression|conclude a non-aggression treaty str_dplmc_nearly_no|nearly no str_dplmc_less_than_one_hundred|less than one hundred str_dplmc_more_than_one_hundred|more than one hundred str_dplmc_more_than_two_hundred|more than two hundred str_dplmc_more_than_five_hundred|more than five hundred str_dplmc_bring_gift|bring the gift str_dplmc_exchange_prisoner|to exchange {s10} against {s11} str_dplmc_has_been_set_free|{s7} has been set free. str_dplmc_tax_very_low|very low str_dplmc_tax_low|low str_dplmc_tax_normal|normal str_dplmc_tax_high|high str_dplmc_tax_very_high|very high str_dplmc_place_is_occupied_by_insurgents|The place is held by insurgents. str_dplmc_relation_mnus_100_ns|{reg4?She He} seems to be vengeful towards {s59}. str_dplmc_relation_mnus_90_ns|{reg4?She He} seems to be vengeful towards {s59}. str_dplmc_relation_mnus_80_ns|{reg4?She He} seems to be vengeful towards {s59}. str_dplmc_relation_mnus_70_ns|{reg4?She He} seems to be hateful towards {s59}. str_dplmc_relation_mnus_60_ns|{reg4?She He} seems to be hateful towards {s59}. str_dplmc_relation_mnus_50_ns|{reg4?She He} seems to be hostile towards {s59}. str_dplmc_relation_mnus_40_ns|{reg4?She He} seems to be angry towards {s59}. str_dplmc_relation_mnus_30_ns|{reg4?She He} seems to be resentful towards {s59}. str_dplmc_relation_mnus_20_ns|{reg4?She He} seems to be grumbling against {s59}. str_dplmc_relation_mnus_10_ns|{reg4?She He} seems to be suspicious towards {s59}. str_dplmc_relation_plus_0_ns|{reg4?She He} seems to be indifferent towards {s59}. str_dplmc_relation_plus_10_ns|{reg4?She He} seems to be cooperative towards {s59}. str_dplmc_relation_plus_20_ns|{reg4?She He} seems to be welcoming towards {s59}. str_dplmc_relation_plus_30_ns|{reg4?She He} seems to be favorable to {s59}. str_dplmc_relation_plus_40_ns|{reg4?She He} seems to be supportive to {s59}. str_dplmc_relation_plus_50_ns|{reg4?She He} seems to be friendly to {s59}. str_dplmc_relation_plus_60_ns|{reg4?She He} seems to be gracious to {s59}. str_dplmc_relation_plus_70_ns|{reg4?She He} seems to be fond of {s59}. str_dplmc_relation_plus_80_ns|{reg4?She He} seems to be loyal to {s59}. str_dplmc_relation_plus_90_ns|{reg4?She He} seems to be devoted to {s59}. str_dplmc_s39_rival| {reg4?She He} scents rivals in {s39} str_dplmc_s41_s39_rival|{s41}, {s39} str_dplmc_s40_love_interest_s39|{s40}. Aside from that {reg4?her his} love interest is {s39}. str_dplmc_s40_betrothed_s39|{s40}. Aside from that {reg4?she he} is betrothed to {s39}. str_dplmc_reputation_martial|It is said that {s46} is a martial person. str_dplmc_reputation_debauched|It is said that {s46} is a debauched person. str_dplmc_reputation_pitiless|It is said that {s46} is a pitiless person. str_dplmc_reputation_calculating|It is said that {s46} is a calculating person. str_dplmc_reputation_quarrelsome|It is said that {s46} is a quarrelsome person. str_dplmc_reputation_goodnatured|It is said that {s46} is a good-natured person. str_dplmc_reputation_upstanding|It is said that {s46} is a upstanding person. str_dplmc_reputation_seven|It is said that {s46} is a most devout person, filled with the holy light of the Seven. str_dplmc_reputation_light|It is said that {s46} is a most devout person, filled with the holy light of the Seven. str_dplmc_reputation_drowned|It is said that {s46} is a most devout person, filled with the holy light of the Seven. str_dplmc_reputation_rep|It is said that {s46} is a most devout person, filled with the holy light of the Seven. str_dplmc_reputation_pleb|It is said that {s46} is a most devout person, filled with the holy light of the Seven. str_dplmc_reputation_merchant|It is said that {s46} is a most devout person, filled with the holy light of the Seven. str_dplmc_reputation_conventional|It is said that {s46} is a conventional person. str_dplmc_reputation_adventurous|It is said that {s46} is a adventurous person. str_dplmc_reputation_romantic|It is said that {s46} is a romantic person. str_dplmc_reputation_moralist|It is said that {s46} is a moralist. str_dplmc_reputation_ambitious|It is said that {s46} is a ambitious person. str_dplmc_reputation_unknown|{s46}'s motivations are a closed book. str_dplmc_s21__the_s5_is_bound_by_alliance_not_to_attack_the_s14s18_it_will_expire_in_reg1_days|{s21}^* {s5} has formed an alliance with {s14}.{s18} It will degrade into a defensive pact in {reg1} days. str_dplmc_s21__the_s5_is_bound_by_defensive_not_to_attack_the_s14s18_it_will_expire_in_reg1_days|{s21}^* {s5} has agreed to a defensive pact with {s14}.{s18} It will degrade into a trade agreement in {reg1} days. str_dplmc_s21__the_s5_is_bound_by_trade_not_to_attack_the_s14s18_it_will_expire_in_reg1_days|{s21}^* {s5} has agreed to a trade agreement with {s14}.{s18} It will degrade into a non-aggression pact in {reg1} days. str_dplmc_small|small str_dplmc_medium|medium str_dplmc_big|big str_dplmc_elite|elite str_dplmc_very_decentralized|very decentralized str_dplmc_quite_decentralized|quite decentralized str_dplmc_little_decentralized|a little decentralized str_dplmc_neither_centralize_nor_decentralized|neither too centralized nor decentralized str_dplmc_little_centralized|a little centralized str_dplmc_quite_centralized|quite centralized str_dplmc_very_centralized|very centralized str_dplmc_very_plutocratic|very plutocratic str_dplmc_quite_plutocratic|quite plutocratic str_dplmc_little_plutocratic|a little plutocratic str_dplmc_neither_aristocratic_nor_plutocratic|neither too aristocratic nor plutocratic str_dplmc_little_aristocratic|a little aristocratic str_dplmc_quite_aristocratic|quite aristocratic str_dplmc_very_aristocratic|very aristocratic str_dplmc_all_free|almost all free str_dplmc_mostly_free|mostly free str_dplmc_usually_free|usually free str_dplmc_mixture_serfs|a mixture of serfs and freemen str_dplmc_usually_serfs|usually serfs str_dplmc_mostly_serfs|mostly serfs str_dplmc_all_serfs|almost all serfs str_dplmc_very_quantity|a vast number of soldiers str_dplmc_great_quantity|very many soldiers str_dplmc_good_quantity|many soldiers str_dplmc_mediocre_quality|a mediocre quality str_dplmc_good_quality|a good quality str_dplmc_great_quality|a great quality str_dplmc_very_quality|a very high quality str_dplmc_s21_the_s8_declared_war_to_fulfil_pact|{s21}. {s8} declared war to fulfil a pact str_dplmc_very_laissez_faire|very laissez-faire str_dplmc_quite_laissez_faire|quite laissez-faire str_dplmc_little_laissez_faire|a little laissez-faire str_dplmc_neither_mercantilist_nor_laissez_faire|neither particularly mercantilist nor entirely laissez-faire str_dplmc_little_mercantilist|a little mercantilist str_dplmc_quite_mercantilist|quite mercantilist str_dplmc_very_mercantilist|very mercantilist str_dplmc_how_will_your_male_vassals_be_known|How will your male vassals be known? str_dplmc_how_will_your_female_vassals_be_known|How will your female vassals be known? str_dplmc_s40_married_s39|{s40}. Aside from that {reg4?she he} is married to {s39}. str_dplmc_fief_exchange_ask_interest|Would you be interested in exchanging fiefs? str_dplmc_fief_exchange_not_interested|No, I would not be interested in that. str_dplmc_fief_exchange_listen|This is somewhat unusual but not unprecendented. I will listen. Which fief of mine did you have in mind? str_dplmc_fief_exchange_listen_player_approval|This is somewhat unusual, but since you're the {king/queen} there is no one to object. Which fief of mine did you have in mind? str_dplmc_fief_exchange_listen_s10_approval|This is somewhat unusual, but unless {s10} objects there is no reason we could not. Which fief of mine did you have in mind? str_dplmc_fief_exchange_listen_2|What fief do you offer in exchange? str_dplmc_fief_exchange_refuse_home|I have no intention of giving up {s14}. str_dplmc_fief_exchange_refuse_town|I don't want to exchange a town for a castle or village. str_dplmc_fief_exchange_refuse_castle|I don't want to exchange a castle for a mere village. str_dplmc_fief_exchange_refuse_rich|I don't want to exchange a richer fief for one that much poorer. str_dplmc_fief_exchange_refuse_s14_attack|Speak of this to me later when {s14} is not under attack. str_dplmc_fief_exchange_accept|That exchange is acceptable to me. str_dplmc_fief_exchange_accept_reg3_denars|That exchange is acceptable to me, if you are willing to provide {reg3} coins to cover my expenses from the relocation. str_dplmc_fief_exchange_confirm|It is settled then. str_dplmc_fief_exchange_confirm_reg3_denars|It is settled then. Here are your {reg3} coins. str_dplmc_your_s11_s10|Your {s11}, {s10} str_dplmc_reg6my_reg7spouse|{reg6?M m}y {reg7?love {husband/wife}} str_dplmc_refuse_support_s43_named_s4|Support a {s43} like {s4}? I think not. str_dplmc_comment_you_enfiefed_a_commoner_supportive|I understand that you have given {s51} to {s54}. Others may find this controversial, but I believe that {s54} will be an able governor, and that {reg4?she he} will not let you down. str_dplmc_sirmadame|my {lord/lady} str_dplmc_sirmadam|my {lord/lady} str_dplmc_my_lordlady|my {lord/lady} str_dplmc_your_highness|your highness str_dplmc_grandfather|grandfather str_dplmc_grandmother|grandmother str_dplmc_grandson|grandson str_dplmc_granddaughter|granddaughter str_dplmc_half_brother|half-brother str_dplmc_half_sister|half-sister str_dplmc_sister_wife|sister-wife str_dplmc_co_husband|co-husband str_dplmc_co_spouse|co-spouse str_dplmc_friend|friend str_dplmc_ally|ally str_s54_is_deceased|{s54} is deceased. str_dplmc_political_explanation_original_lord|In this case, the fortress should go its original owner. str_dplmc_s0_and_s1|{s0} and {s1} str_entrench| Your army is currently entrenched. str_camp_overrun| CAMP OVERRUN! str_camp_loss| Your camp has been overrun by the enemy.^{s4} gold was looted from the pay coffers.^{s3}^{s5}^{s6} str_siege_camp_complete| You have entrenched your position. str_siege_camp_incomplete| Your camp defenses are not yet complete. str_siege_camp_none| Your siege camp is vulnerable to attack! str_faction_relation_mnus_100_ns|vengeful str_faction_relation_mnus_90_ns|vengeful str_faction_relation_mnus_80_ns|vengeful str_faction_relation_mnus_70_ns|revengeful str_faction_relation_mnus_60_ns|hateful str_faction_relation_mnus_50_ns|angry str_faction_relation_mnus_40_ns|resentful str_faction_relation_mnus_30_ns|hostile str_faction_relation_mnus_20_ns|grumbling str_faction_relation_mnus_10_ns|suspicious str_faction_relation_plus_0_ns|indifferent str_faction_relation_plus_10_ns|acceptive str_faction_relation_plus_20_ns|cooperative str_faction_relation_plus_30_ns|favorable str_faction_relation_plus_40_ns|supportive str_faction_relation_plus_50_ns|friendly str_faction_relation_plus_60_ns|gracious str_faction_relation_plus_70_ns|fond str_faction_relation_plus_80_ns|devoted str_faction_relation_plus_90_ns|loyal str_0x02|1 str_0x03|2 str_0x04|3 str_0x05|4 str_0x06|5 str_0x07|6 str_0x08|7 str_0x09|8 str_0x0a|9 str_0x0b|0 str_0x1e|A str_0x30|B str_0x2e|C str_0x20|D str_0x12|E str_0x21|F str_0x22|G str_0x23|H str_0x17|I str_0x24|J str_0x25|K str_0x26|L str_0x32|M str_0x31|N str_0x18|O str_0x19|P str_0x10|Q str_0x13|R str_0x1f|S str_0x14|T str_0x16|U str_0x2f|V str_0x11|W str_0x2d|X str_0x15|Y str_0x2c|Z str_0x52|Numpad 0 str_0x4f|Numpad 1 str_0x50|Numpad 2 str_0x51|Numpad 3 str_0x4b|Numpad 4 str_0x4c|Numpad 5 str_0x4d|Numpad 6 str_0x47|Numpad 7 str_0x48|Numpad 8 str_0x49|Numpad 9 str_0x45|Num Lock str_0xb5|Numpad DIV str_0x37|Numpad MUL str_0x4a|Numpad MIN str_0x4e|Numpad PLUS str_0x9c|Numpad ENTER str_0x53|Numpad DEL) str_0xd2|Insert str_0xd3|Delete str_0xc7|Home str_0xcf|End str_0xc9|Page Up str_0xd1|Page Down str_0xc8|Up str_0xd0|Down str_0xcb|Left str_0xcd|Right str_0x3b|F1 str_0x3c|F2 str_0x3d|F3 str_0x3e|F4 str_0x3f|F5 str_0x40|F6 str_0x41|F7 str_0x42|F8 str_0x43|F9 str_0x44|F10 str_0x57|F11 str_0x58|F12 str_0x39|Space Bar str_0x1c|Enter str_0x0f|Tab str_0x0e|Backspace str_0x1a|[ str_0x1b| ] str_0x33| str_0x34| str_0x35| ? str_0x2b|\ str_0x0d| = str_0x0c| -- str_0x27|Semicolon str_0x28|Apostrophe str_0x29|Tilde str_0x3a|Caps Lock str_0x2a|Left Shift str_0x36|Right Shift str_0x1d|Left Ctrl str_0x9d|Right Ctrl str_0x38|Left Alt str_0xb8|Right Alt str_0xe0|Left Click str_0xe1|Right Click str_0xe2|Mouse Button 3 str_0xe3|Mouse Button 4 str_0xe4|Mouse Button 5 str_0xe5|Mouse Button 6 str_0xe6|Mouse Button 7 str_0xe7|Mouse Button 8 str_0xee|Scroll Up str_0xef|Scroll Down str_key_no1|Camera Forward str_key_no2|Camera Backward str_key_no3|Camera Turn Right str_key_no4|Camera Turn Left str_key_no5|Camera Up str_key_no6|Camera Down str_key_no7|Next BOT str_key_no8|Prev BOT str_key_no9|Toggle Camera Mode str_key_no10|Select Order 7 str_key_no11|Select Order 8 str_key_no12|Select Order 9 str_key_no13|Select Order 10 str_key_no14|Spear Brace str_key_no15|Call Horse str_key_no16|Deploy Pavise str_lco_version|Companions Overseer v. 1.0 str_lco_i_return|Return str_lco_i_attributes|View Attributes str_lco_i_equipment|View Equipment str_lco_i_ae_with|Auto-Equip Companions With str_lco_i_ae_with_horses|Horses str_lco_i_ae_with_armors|Armors str_lco_i_ae_with_shields|Shields str_lco_i_ae_companion|Equip Companion str_lco_i_ae_everyone|Equip Everyone str_lco_i_title_companions|Companions str_lco_i_list_companions|List Companions str_lco_i_list_lords|List Kingdom Lords str_lco_i_list_regulars|List Regular Troops str_lco_i_hero_panel_title|Accessible Companions str_lco_i_weapons|Weapons str_lco_i_armor|Armor str_lco_i_horse|Horse str_lco_i_books|Books str_lco_i_inventory|Inventory str_lco_i_discard|Discard/Loot str_lco_i_retrieve|Retrieve All Items str_lco_i_denars|{reg60} denar(s) str_lco_i_character|Character Screen str_lco_i_ie_icon|I/E str_lco_slot_name_0|(weapon slot) str_lco_slot_name_1|(weapon slot) str_lco_slot_name_2|(weapon slot) str_lco_slot_name_3|(weapon slot) str_lco_slot_name_4|(helm slot) str_lco_slot_name_5|(armor slot) str_lco_slot_name_6|(boots slot) str_lco_slot_name_7|(gauntlets slot) str_lco_slot_name_8|(horse slot) str_lco_slot_name_9|(book slot) str_lco_slot_name_a|(book slot) str_lco_error_drop_first|Please deposit currently dragged item somewhere before leaving. str_lco_message_hero_ae|{s41} has equipped {reg60?her him}self from your inventory. str_lco_message_all_heroes_ae|Your companions have equipped themselves from your inventory. str_lco_message_hero_no_need|{s40} has no need for {s41}. str_lco_error_inv_full|Cannot give item to player, inventory is full. str_lco_message_hero_replaced|{s40} replaced {reg4?her his} {s41} with {s39}. str_lco_message_hero_equipped|{s40} equipped {s41}. str_lco_message_nobody_needs|Nobody wants to take {s41}. str_lco_drop_error_type|You cannot drop this item here! str_lco_drop_error_reqs|Item prerequisites are not met to equip it! str_lco_drop_error_control|You cannot control this troop's equipment. str_lco_impossible_error|SCRIPT ERROR #001 NO SWAP ITEM FOUND. str_lco_drop_here|Drop items here to discard them.^Currently {reg0} item(s) discarded. str_lco_s40|{s40} str_lco_reg40|{reg40} str_lco_reg40_41|{reg40}/{reg41} str_lco_s42_s41|{s42} {s41} str_lco_s41_reg60_reg61|{s41} ({reg60}/{reg61}) str_lco_s41_reg60|{s41} ({reg60}) str_item_imod_name_0|Plain str_item_imod_name_1|Cracked str_item_imod_name_2|Rusty str_item_imod_name_3|Bent str_item_imod_name_4|Chipped str_item_imod_name_5|Battered str_item_imod_name_6|Poor str_item_imod_name_7|Crude str_item_imod_name_8|Old str_item_imod_name_9|Cheap str_item_imod_name_10|Fine str_item_imod_name_11|Well Made str_item_imod_name_12|Sharp str_item_imod_name_13|Balanced str_item_imod_name_14|Tempered str_item_imod_name_15|Deadly str_item_imod_name_16|Exquisite str_item_imod_name_17|Masterwork str_item_imod_name_18|Heavy str_item_imod_name_19|Strong str_item_imod_name_20|Powerful str_item_imod_name_21|Tattered str_item_imod_name_22|Ragged str_item_imod_name_23|Rough str_item_imod_name_24|Sturdy str_item_imod_name_25|Thick str_item_imod_name_26|Hardened str_item_imod_name_27|Reinforced str_item_imod_name_28|Superb str_item_imod_name_29|Lordly str_item_imod_name_30|Lame str_item_imod_name_31|Swaybacked str_item_imod_name_32|Stubborn str_item_imod_name_33|Timid str_item_imod_name_34|Meek str_item_imod_name_35|Spirited str_item_imod_name_36|Champion str_item_imod_name_37|Fresh str_item_imod_name_38|Day-old str_item_imod_name_39|Two Days-old str_item_imod_name_40|Smelling str_item_imod_name_41|Rotten str_item_imod_name_42|Large Bag of str_lco_c_level|Level str_lco_c_xp|XP str_lco_c_xp2next_level|XP to Next Lvl str_lco_c_hp|HP/Max HP str_lco_c_morale|Morale str_lco_c_str|Strength str_lco_c_agi|Agility str_lco_c_int|Intelligence str_lco_c_cha|Charisma str_lco_c_ironflesh|Ironflesh str_lco_c_pstrike|Power Strike str_lco_c_pthrow|Power Throw str_lco_c_pdraw|Power Draw str_lco_c_wmaster|Weapon Master str_lco_c_shield|Shield str_lco_c_athletics|Athletics str_lco_c_riding|Riding str_lco_c_harchery|Horse Archery str_lco_c_looting|Looting str_lco_c_trainer|Trainer str_lco_c_tracking|Tracking str_lco_c_tactics|Tactics str_lco_c_pathfinding|Pathfinding str_lco_c_spotting|Spotting str_lco_c_invmanage|Inventory Mngmt str_lco_c_woundtreat|Wound Trtmnt str_lco_c_surgery|Surgery str_lco_c_firstaid|First Aid str_lco_c_engineer|Engineer str_lco_c_persuasion|Persuasion str_lco_c_pmanage|Prisoner Mngmt str_lco_c_leadership|Leadership str_lco_c_trade|Trade str_lco_c_1hw|1H Weapons str_lco_c_2hw|2H Weapons str_lco_c_polearms|Polearms str_lco_c_bows|Archery str_lco_c_xbows|Crossbows str_lco_c_throwing|Throwing str_kmt_reg0|{reg0} str_kmt_title_red|Red str_kmt_title_green|Green str_kmt_title_blue|Blue str_kmt_title_x_pos|Pos X str_kmt_title_y_pos|Pos Y str_kmt_title_x_size|Size X str_kmt_title_y_size|Size Y str_kmt_title_alpha|Alpha str_kmt_title_font_size|Font Size str_kmt_title_outline|Outline Text str_kmt_title_object_selected|Selected Object # str_kmt_title_rgb|Color Changer str_kmt_title_movement|Object Movement str_kmt_title_resizing|Object Resizing str_kmt_title_current_position|Last Clicked Position str_kmt_reg1_reg2_pos|( {reg1}, {reg2} ) str_kmt_undo|Undo str_kmt_hide|Hide str_kmt_show|Show str_kmt_done_button|Done str_kmt_title_holdings|Estates of the Realm str_kmt_title_names|Noble str_kmt_title_relations|Relation str_kmt_title_towns|Towns str_kmt_title_castles|Castles str_kmt_title_villages|Villages str_kmt_title_friends|Allies str_kmt_title_enemies|Enemies str_kmt_s25|{s25} str_kmt_relation_to_you_reg0|{reg0} str_kmt_footer_lords|{reg0} Lords str_kmt_footer_towns|{reg0} Towns str_kmt_footer_castles|{reg0} Castles str_kmt_footer_villages|{reg0} Villages str_kmt_opt_remove_background|Remove Background str_ccp_label_done|Done str_ccp_label_back|Back str_ccp_label_default|Default str_ccp_label_random|Randomize str_ccp_label_menus|Character Background str_ccp_label_story|Your Story str_ccp_label_gender|Your gender str_ccp_label_father|Your father was str_ccp_label_earlylife|You spent your early life as str_ccp_label_later|Later you became str_ccp_label_reason|The reason for an adventure str_ccp_label_gameplay_options|Game Options str_ccp_label_fog_of_war|Fog of War str_ccp_label_mtt|Troop Tree str_ccp_label_gather_npcs|Gather Companions str_ccp_label_region|Starting Region str_ccp_empty|{s31} str_ccp_str|STR str_ccp_agi|AGI str_ccp_int|INT str_ccp_cha|CHA str_ccp_zero|0 str_ccp_skl_ironflesh|Ironflesh str_ccp_skl_powerstrike|Power Strike str_ccp_skl_powerthrow|Power Throw str_ccp_skl_powerdraw|Power Draw str_ccp_skl_weaponmaster|Weapon Master str_ccp_skl_shield|Shield str_ccp_skl_athletics|Athletics str_ccp_skl_riding|Riding str_ccp_skl_horsearchery|Horse Archery str_ccp_skl_looting|Looting str_ccp_skl_foraging|Foraging str_ccp_skl_trainer|Trainer str_ccp_skl_tracking|Tracking str_ccp_skl_tactics|Tactics str_ccp_skl_pathfinding|Path-finding str_ccp_skl_spotting|Spotting str_ccp_skl_inventorymanagement|Inventory Mgmt. str_ccp_skl_woundtreatment|Wound Treatment str_ccp_skl_surgery|Surgery str_ccp_skl_firstaid|First Aid str_ccp_skl_engineer|Engineer str_ccp_skl_persuasion|Persuasion str_ccp_skl_prisonermanagement|Prisoner Mgmt. str_ccp_skl_leadership|Leadership str_ccp_skl_trade|Trade

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  Governance by Green Taxes Making Pollution Prevention Pay (Issues in Environmental Politics) Manchester Univ Pr?　Mikael Skou Andersen?　 ManchesterUnivPr?　MikaelSkouAndersen?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-Finance?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment?　Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-EarthSciences-EnvironmentalScience The European Water Environment in a Period of Transformation Manchester Univ Pr?　John Hassan?　 ManchesterUnivPr?　JohnHassan?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Engineering-Civil-Hydrology?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-Water?　Subjects-Outdoors&Nature-Ecology-LivingontheLand?　Subjects-Professional&Technical-Engineering-Civil-Hydrology?　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources Public Purpose or Private Benefit? 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America in the Twenty-first Century America in the 21st Century (Opposing Viewpoints) Greenhaven Pr?　Andrea C. Nakaya?　 GreenhavenPr?　AndreaC.Nakaya?　ジャンル別?　Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Teens-Science&Technology-Ecology? America in the Twenty-first Century America in the 21st Century (Opposing Viewpoints) Greenhaven Pr?　Andrea C. 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Conserving the Environment (Opposing Viewpoints) Greenhaven Pr?　Douglas Dupler?　 GreenhavenPr?　DouglasDupler?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Environment-Nonfiction?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Teens-Science&Technology-Ecology? Conserving the Environment (Opposing Viewpoints) Greenhaven Pr?　Douglas Dupler?　 GreenhavenPr?　DouglasDupler?　ジャンル別?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Children sBooks-Science,Nature&HowItWorks-Nature-Environment-Nonfiction?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Teens-Science&Technology-Ecology? Oil (Opposing Viewpoints) Greenhaven Pr?　Andrea C. 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The Heat Is on The Climate Crisis, the Cover-Up, the Prescription Perseus Books?　Ross Gelbspan?　 PerseusBooks?　RossGelbspan?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-Industries&Professions-Oil&Energy?　Subjects-Engineering-Civil-Environmental-HazardousWaste?　 Subjects-Nonfiction-SocialSciences-PoliticalScience-LevelsofGovernment-FederalGovernment?　Subjects-Nonfiction-CurrentEvents-Poverty-SocialServices&Welfare?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-Conservation?　Subjects-Outdoors&Nature-Environment-Weather?　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Engineering-Civil-Environmental-HazardousWaste?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-EarthSciences-General?　Subjects-Science-EarthSciences-Climatology-ClimateChanges?　Subjects-Science-EarthSciences-Weather?　Subjects-Science-General　Subjects-Science-Nature&Ecology-Environment-Conservation?　Subjects-Science-Physics-General? You Can't Eat Gnp Economics As If Ecology Mattered Perseus Books Group?　Eric A. Davidson?　 PerseusBooksGroup?　EricA.Davidson?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-Theory?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Health,Mind&Body-Psychology&Counseling-Personality?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-Theory?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-Environment-Conservation?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　Subjects-Professional&Technical-Accounting&Finance-Economics-Theory?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-General　Subjects-Science-Nature&Ecology-Environment-Conservation? Coal A Human History Perseus Books Group?　Barbara Freese?　 PerseusBooksGroup?　BarbaraFreese?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-Industries&Professions-Oil&Energy?　Subjects-History-Americas-UnitedStates-CivilWar-General?　Subjects-History-HistoricalStudy-SocialHistory?　Subjects-History-World-General?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-NaturalResources-Rocks&Minerals?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology?　Subjects-Science-EarthSciences-Geology-General?　Subjects-Science-EarthSciences-Rocks&Minerals? What Matters Most How a Small Group of Pioneers Is Teaching Social Responsibility to Big Business, and Why Big Business Is Listening Basic Books?　Jeffrey Hollender?　Stephen Fenichell?　 BasicBooks?　JeffreyHollender?　StephenFenichell?　Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents?　Subjects-Business&Investing-Biographies&Primers-Strategy&Competition?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Business&Investing-Management&Leadership-Management?　Subjects-Nonfiction-SocialSciences-Sociology-General?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? The Earth Change Survival Guide A Thinking Guide for Surviving Coming Natural Disasters Xlibris Corp?　David Hamilton?　 XlibrisCorp?　DavidHamilton?　ジャンル別?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Health,Mind&Body-Safety&FirstAid?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General?　Subjects-Science-EarthSciences-EnvironmentalScience　Subjects-Science-EarthSciences-General?　Subjects-Science-General　Subjects-Science-Technology-RenewableEnergy? Preserving the Legacy Concepts in Support of Sustainability Lexington Books?　Ohio Academy of Science Meeting (1996)?　Allen G. Noble?　Frank J. 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The Environment and Development in Africa Lexington Books?　Moses K. 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The Seaweed Rebellion Federal-State Conflicts over Offshore Energy Development Lexington Books?　Edward A. Fitzgerald?　 LexingtonBooks?　EdwardA.Fitzgerald?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Nonfiction-Government-State&LocalGovernment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-Conservation-Environmentalism?　Subjects-Outdoors&Nature-Environment-Conservation?　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-Environment-Conservation? Tourism in Frontier Areas Lexington Books?　Shaul Krakover?　Yehuda Gradus?　 LexingtonBooks?　ShaulKrakover?　YehudaGradus?　Subjects-Business&Investing-Economics-Development&Growth?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-Hospitality,Travel&Tourism?　Subjects-Business&Investing-Industries&Professions-General?　Subjects-Literature&Fiction-Essays-General?　 Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General?　Subjects-Nonfiction-Economics-Development&Growth?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-Environment-Conservation?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth?　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-Environment-Conservation? Greening Industrialization in Asian Transitional Economies China and Vietnam (Rural Economies in Transition) Lexington Books?　Arthur P. J. Mol?　Joost C. L. Van Buuren?　Joost C. L. Van Buuren?　 LexingtonBooks?　ArthurP.J.Mol?　JoostC.L.VanBuuren?　JoostC.L.VanBuuren?　Subjects-Business&Investing-Economics-EconomicPolicy&Development?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-Industries&Professions-General?　 Subjects-Business&Investing-Management&Leadership-Production&Operations?　Subjects-Nonfiction-Politics-General?　Subjects-Nonfiction-Economics-EconomicPolicy&Development?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Eritrea Ecology Nature Protection Handbook (World Business, Investment and Government Library) Intl Business Pubns USA?　USA International Business Publications?　 IntlBusinessPubnsUSA?　USAInternationalBusinessPublications?　Subjects-Business&Investing-Economics-Exports&Imports?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Business&Investing-International-General?　Subjects-Nonfiction-Economics-Exports&Imports?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Travel-Ecotourism?　Subjects-Outdoors&Nature-Environment-Conservation?　 Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-Environment-Conservation?　Subjects-Travel-Africa-Eritrea?　Subjects-Travel-Africa-General?　Subjects-Travel-Reference&Tips?　Subjects-Travel-SpecialtyTravel-Ecotourism? Latvia Ecology Nature Protection Handbook (World Business, Investment and Government Library) Intl Business Pubns USA?　USA International Business Publications?　 IntlBusinessPubnsUSA?　USAInternationalBusinessPublications?　Subjects-Business&Investing-Economics-Exports&Imports?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Business&Investing-International-General?　Subjects-Nonfiction-Economics-Exports&Imports?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Environment-EnvironmentalScience　 Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　 Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience?　Subjects-Science-EarthSciences-EnvironmentalScience Global Environmental Profiles Handbook (World Business, Investment and Government Library) Intl Business Pubns USA?　USA International Business Publications?　 IntlBusinessPubnsUSA?　USAInternationalBusinessPublications?　ジャンル別?　Subjects-Business&Investing-Economics-Exports&Imports?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　Subjects-Business&Investing-General?　Subjects-Nonfiction-Economics-Exports&Imports?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　 Subjects-Professional&Technical-Accounting&Finance-Economics-Exports&Imports?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources You Can Prevent Global Warming (And Save Money!) 51 Easy Ways Andrews Mcmeel Pub?　Jeff A. 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Groundwork for Community Based Conservation Strategies for Social Research Altamira Pr?　Diane Russell?　Camilla Harshbarger?　 AltamiraPr?　DianeRussell?　CamillaHarshbarger?　Subjects-Business&Investing-Economics-SustainableDevelopment?　Subjects-Business&Investing-Economics-NaturalResources　 Subjects-Business&Investing-Industries&Professions-RealEstate-General?　Subjects-Nonfiction-Economics-SustainableDevelopment?　Subjects-Nonfiction-Economics-NaturalResources　Subjects-Outdoors&Nature-Conservation-General?　Subjects-Outdoors&Nature-Ecology-General?　Subjects-Outdoors&Nature-Environment-Conservation?　 Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General?　 Subjects-Professional&Technical-Accounting&Finance-Economics-SustainableDevelopment?　 Subjects-Professional&Technical-Accounting&Finance-Economics-NaturalResources　Subjects-Science-Nature&Ecology-General?　Subjects-Science-Nature&Ecology-Environment-Conservation? 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